
Mademoiselle S'Nabou, 1892.
Adolphe Yvon (French), oil on canvas
Musée Carnavalet, France
11 works held in 6 museums
French painter of battles and portraits, pupil of Paul Delaroche, 1817-1893

Adolphe Yvon (French), oil on canvas
Musée Carnavalet, France

Napoléon III remettant au baron Haussmann le décret… (museum title)
Adolphe Yvon (French), oil on canvas
Musée Carnavalet, France

Adolphe Yvon (French), charcoal and gouache with touches of pastel
Cleveland Museum of Art, United States

Adolphe Yvon (French), oil on canvas
Walters Art Museum, United States

Esquisse pour l'Hôtel de Ville de Paris : Philippe Auguste… (museum title)
Adolphe Yvon (French), oil on wood
Petit Palais, Musée des Beaux-Arts de la Ville de Paris, France

Portrait du baron Haussmann (1809-1891), préfet de la Seine (museum title)
Adolphe Yvon (French), oil on canvas
Musée Carnavalet, France

La courtine de Malakoff, 8 septembre 1855 (museum title)
Adolphe Yvon (French), oil on canvas
Palace of Versailles, France

Portrait de Ferdinand Barrot (1806-1883), homme politique (museum title)
Adolphe Yvon (French), oil on canvas
Musée Carnavalet, France

Combat dans la gorge de Malakoff, 8 septembre 1855 (museum title)
Adolphe Yvon (French), oil on canvas
Palace of Versailles, France

Portrait de Ferdinand Barrot (1806-1883), sénateur… (museum title)
Adolphe Yvon (French), oil on wood
Musée Magnin, France

Portrait d'Étienne Mélingue (1808-1875), acteur et sculpteur (museum title)
Adolphe Yvon (French), oil on canvas
Musée Carnavalet, France
Works by Adolphe Yvon (1817-1893), in the public domain, each linked to its record in the museum that holds it or, for the Palace of Versailles, which has no stable address for each work, to its entry in the public catalogue of the French Ministry of Culture (POP). His two huge canvases of the taking of Malakoff, painted for the Crimea room at Versailles, each measure five metres by seven and a half. The Musée Carnavalet holds the large canvas in which Napoleon III hands Baron Haussmann the decree annexing the communes around Paris, and the portraits painted to prepare it. The photographs are those of museums that place their images in the public domain (Paris Musées, Baltimore, Cleveland) or, for museums whose photographs are not free, another freely reusable photograph, whose origin is given on the page of the work. The titles are those of the museums, with their translation.