Useum

Adriaen Hanneman

17 works held in 9 museums

Painter of The Hague, portraitist of the House of Orange and of the Stuarts in exile, 1604-1671

Posthumous Portrait of Mary I Stuart (1631-1660) with a Servant, Adriaen Hanneman

Posthumous Portrait of Mary I Stuart (1631-1660) with a Servant, c. 1664.

Adriaen Hanneman (Dutch), oil on canvas

Mauritshuis, Netherlands

Self-Portrait, Adriaen Hanneman

Self-Portrait, 1656.

Adriaen Hanneman (Dutch), oil on canvas

Rijksmuseum, Netherlands

Portrait of Johan de Witt (1625-1672), Adriaen Hanneman

Portrait of Johan de Witt (1625-1672), 1652.

Adriaen Hanneman (Dutch), oil on canvas

Museum Boijmans Van Beuningen, Netherlands

Peter Oliver (c. 1594-1648), Adriaen Hanneman

Peter Oliver (c. 1594-1648), c. 1630–1637.

Adriaen Hanneman (Dutch), oil on canvas

Royal Collection, United Kingdom

William III (1650-1702) when Prince of Orange, Adriaen Hanneman

William III (1650-1702) when Prince of Orange, 1664.

Adriaen Hanneman (Dutch), oil on canvas

Royal Collection, United Kingdom

Mary, Princess of Orange (1631-1660), Adriaen Hanneman

Mary, Princess of Orange (1631-1660), c. 1655.

Adriaen Hanneman (Dutch), oil on canvas

Royal Collection, United Kingdom

William Hamilton, Earl of Lanark and Second Duke of Hamilton (1616-51), Adriaen Hanneman

William Hamilton, Earl of Lanark and Second Duke of Hamilton (1616-51), 1650.

Adriaen Hanneman (Dutch), oil on canvas

Royal Collection, United Kingdom

Possible portrait of the Prince of Wales, later Charles II, Adriaen Hanneman

Possible portrait of the Prince of Wales, later Charles II

Mogelijk portret van de Prins van Wales, de latere Karel II (museum title)

Adriaen Hanneman (Dutch), oil on canvas

Royal Museum of Fine Arts Antwerp, Belgium

Portrait of Nanning Nanningsz van Foreest (1578-1668), Adriaen Hanneman

Portrait of Nanning Nanningsz van Foreest (1578-1668), 1662.

Portret van Nanning Nanningsz van Foreest (1578-1668) (museum title)

Adriaen Hanneman (Dutch), oil on canvas and wood

Stedelijk Museum Alkmaar, Netherlands

William III (1650-1702), Prince of Orange, as a Child, Adriaen Hanneman

William III (1650-1702), Prince of Orange, as a Child, 1654.

Adriaen Hanneman (Dutch), oil on canvas

Rijksmuseum, Netherlands

Portrait of Woman, called Lucy Percy, Countess of Carlisle, Adriaen Hanneman

Portrait of Woman, called Lucy Percy, Countess of Carlisle, c. 1650.

Adriaen Hanneman (Dutch), oil on canvas

Minneapolis Institute of Art, United States

Mary, Princess of Orange (1631-60), Adriaen Hanneman

Mary, Princess of Orange (1631-60), 1660.

Adriaen Hanneman (Dutch), oil on canvas

Royal Collection, United Kingdom

Henry, Duke of Gloucester, Adriaen Hanneman

Henry, Duke of Gloucester, c. 1653.

Adriaen Hanneman (Dutch), oil on canvas

National Gallery of Art, United States

Portrait of Constantijn Huygens (1596-1687) and his Five Children, Adriaen Hanneman

Portrait of Constantijn Huygens (1596-1687) and his Five Children, 1640.

Adriaen Hanneman (Dutch), oil on canvas

Mauritshuis, Netherlands

Cornelis van Aerssen (1600-62), Lord of Sommelsdijk, Colonel of Cavalry, Adriaen Hanneman

Cornelis van Aerssen (1600-62), Lord of Sommelsdijk, Colonel of Cavalry, 1658.

Adriaen Hanneman (Dutch), oil on canvas

Rijksmuseum, Netherlands

Portrait of a Woman, Adriaen Hanneman

Portrait of a Woman, c. 1653.

Adriaen Hanneman (Dutch), oil on canvas

Metropolitan Museum of Art, United States

Portrait of a Man, Adriaen Hanneman

Portrait of a Man, c. 1637.

Adriaen Hanneman (Dutch), oil on canvas

Mauritshuis, Netherlands

Works by Adriaen Hanneman (1604-1671), in the public domain: portraits of the House of Orange and of the Stuarts in exile, of magistrates, soldiers and families of The Hague, published online by the museums and collections that hold them, each linked to its record. The photographs come from the museum itself when it publishes them under an open licence, otherwise from Wikimedia Commons, in the public domain. Only works that the holder attributes to Hanneman himself are included, without 'workshop of', 'after', 'circle of', 'follower of' or 'attributed to': his portraits were copied very often, and those replicas are left aside.