Charles-Philippe Larivière

The Capture of Brescia, 19 February 1512, 1837.

Prise de Brescia. 19 février 1512 (museum title)

Charles-Philippe Larivière (French), oil on canvas

Palace of Versailles, France

Admiral Roussin, 1842.

Albin-Reine, baron Roussin, amiral de France (1781-1854) (museum title)

Charles-Philippe Larivière (French), oil on canvas

Palace of Versailles, France

Marshal Saint-Arnaud, 1854.

Arnaud Jacques Leroy de Saint-Arnaud, maréchal de France… (museum title)

Charles-Philippe Larivière (French), oil on canvas

Palace of Versailles, France

The Battle of Cocherel, 16 May 1364, 1837–1838.

Bataille de Cocherel. 16 mai 1364 (museum title)

Charles-Philippe Larivière (French), oil on canvas

Palace of Versailles, France

The Meeting of Francis I and Pope Clement VII at Marseille, 13 October 1533, 1837.

Entrevue de François Ier et du pape Clément VIII à… (museum title)

Charles-Philippe Larivière (French), oil on canvas

Palace of Versailles, France

Marshal Bugeaud, Duke of Isly, 1845.

Thomas-Robert Bugeaud de la Piconnerie, duc d'Isly… (museum title)

Charles-Philippe Larivière (French), oil on canvas

Palace of Versailles, France

The Battle of Ascalon, 18 November 1177, c. 1842.

Bataille d'Ascalon. 18 novembre 1177 (museum title)

Charles-Philippe Larivière (French), oil on canvas

Palace of Versailles, France

The Lifting of the Siege of Malta, September 1565, 1842.

Levée du siège de Malte. Septembre 1565 (museum title)

Charles-Philippe Larivière (French), oil on canvas

Palace of Versailles, France

Works by Charles-Philippe Larivière (1798-1876), in the public domain, each linked to its record in the museum that holds it. A pupil of Paulin Guérin, Girodet and Gros, he won the Prix de Rome in 1824 with The Death of Alcibiades, specialised in history painting and received major public commissions. For the Museum of the History of France that Louis-Philippe created at the Palace of Versailles, he painted battles and sieges from the Middle Ages to Louis XIV, the scenes of the Crusades Rooms (Ascalon, Malta) and, into the Second Empire, full-length portraits of marshals and admirals of France. Only works that the museums give to him without reservation, and of which a freely reusable photograph exists, are included. For the works at Versailles, which have no stable address on the palace's website, the link leads to their record in the official database of the French Ministry of Culture (POP). The titles are those of the museums, with their translation.