Francisco de Goya

239 works held in 23 museums

Spanish painter and printmaker, 1746-1828

The Milkmaid of Bordeaux, c. 1827.

La Laitière de Bordeaux (museum title)

Francisco de Goya (Spanish), oil on canvas

Prado Museum, Spain · Public domain

Bullfight in a divided ring, from the 'Bulls of Bordeaux', 1825.

Bullfight in a divided ring, from the 'Bulls of Bordeaux' (museum title)

Francisco de Goya (Spanish), lithograph

Metropolitan Museum of Art, United States · Public domain

Fight with Cudgels, 1820–1823.

Duel au gourdin (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Saturn Devouring His Son, 1819.

Saturne dévorant un de ses enfants (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Two Old Men Eating Soup, 1819.

Deux vieillards mangeant de la soupe (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Two Old Men, 1819.

Deux Vieux (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816.

Plate 1 from "La Tauromaquia": The way in which the ancient… (museum title)

Francisco de Goya (Spanish), etching, aquatint, drypoint

Metropolitan Museum of Art, United States · Public domain

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza, 1816.

Plate 18 of "La 'Tauromaquia": The daring of Martincho in… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, drypoint

Metropolitan Museum of Art, United States · Public domain

Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull, 1816.

Plate 30 from "La Tauromaquia": Pedro Romero killing the… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, burin

Metropolitan Museum of Art, United States · Public domain

Portrait of Don Fr. Miguel Fernandez y Flores, 1815.

Frère Miguel Fernández Flores (museum title)

Francisco de Goya (Spanish), oil on canvas

Worcester Art Museum, United States · Public domain

Portrait of Juan Bautista de Muguiro, 1827.

Portrait de Juan Bautista Muguiro (museum title)

Francisco de Goya (Spanish), oil on canvas

Prado Museum, Spain · Public domain

Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux', 1825.

Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux' (museum title)

Francisco de Goya (Spanish), crayon lithograph, scraper

Metropolitan Museum of Art, United States · Public domain

Self-portrait with Dr Arrieta, 1820.

Goya et son médecin (museum title)

Francisco de Goya (Spanish), oil on canvas

Minneapolis Institute of Art, United States · Public domain

The Dog, 1819.

Le Chien (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

La Leocadia, 1819.

Une manola : Léocadie Zorrilla (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Portrait of Don Juan Antonio Cuervo, 1819.

Portrait of Don Juan Antonio Cuervo (museum title)

Francisco de Goya (Spanish), oil on canvas

Cleveland Museum of Art, United States · Public domain

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, 1816.

Plate 3 from " La Tauromaquia": The Moors settled in Spain… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, United States · Public domain

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid, 1816.

Plate 20 from "La Tauromaquia": The agility and audacity of… (museum title)

Francisco de Goya (Spanish), etching, aquatint

Metropolitan Museum of Art, United States · Public domain

Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull, 1816.

Plate 32 from "La Tauromaquia": Two teams of picadors… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, United States · Public domain

Disorderly Folly, from "The Disparates" (Follies / Irrationalities), c. 1815–1819.

Disorderly Folly, from "The Disparates" (Follies /… (museum title)

Francisco de Goya (Spanish), etching, aquatint, drypoint

Metropolitan Museum of Art, United States · Public domain

Portrait of Mariano Goya, the Artist’s Grandson, 1827.

Portrait de Mariano Goya, petit-fils de l'artiste (museum title)

Francisco de Goya (Spanish), oil on canvas

Meadows Museum, United States · Public domain

Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), 1824–1827.

Mendigos que se llevan solos en Bordeaux (Beggars Who Get… (museum title)

Francisco de Goya (Spanish), black chalk on greenish laid paper

National Gallery of Art, United States · Public domain

A Pilgrimage to San Isidro, 1820–1823.

Le Pèlerinage à l’ermitage de San Isidro (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Atropos, 1819.

Les Parques (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Men Reading, 1819.

Hommes lisant (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D), c. 1819–1823.

'Nightmare'; an old woman carrying figures on her back… (museum title)

Francisco de Goya (Spanish), brush, black and gray ink and wash, touches of black chalk, on laid paper

Metropolitan Museum of Art, United States · Public domain

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules, 1816.

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, drypoint

Metropolitan Museum of Art, United States · Public domain

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, 1816.

Plate 21 from "La Tauromaquia": Dreadful events in the… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, wash, drypoint, burin

Metropolitan Museum of Art, United States · Public domain

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid, 1816.

Plate 33 from "La Tauromaquia": The unlucky death of Pepe… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, United States · Public domain

Feminine Folly, from "The Disparates" (Follies / Irrationalities), c. 1815–1819.

Feminine Folly, from "The Disparates" (Follies /… (museum title)

Francisco de Goya (Spanish), etching, aquatint, drypoint

Metropolitan Museum of Art, United States · Public domain

A picador caught by a bull, from the "Bulls of Bordeaux", 1825.

A picador caught by a bull, from the "Bulls of Bordeaux" (museum title)

Francisco de Goya (Spanish), crayon lithograph, scraper

Metropolitan Museum of Art, United States · Public domain

Portrait of Don Ramón Satué, 1823.

Portrait de Don Ramón Satué (museum title)

Francisco de Goya (Spanish), oil on canvas

Rijksmuseum, Netherlands · Public domain

El tío Paquete, c. 1820.

Le Tío Paquete (museum title)

Francisco de Goya (Spanish), oil on canvas

Thyssen-Bornemisza Museum, Spain · Public domain

Judith and Holofernes, 1819.

Judith et Holopherne (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Pilgrimage to the Fountain of San Isidro, 1819.

Procession du Saint-Office (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Nothing is Known of This; two figures picking up a body in front of a church, a monk singing next to them and another in the background; page 7 from the "Witches and Old Women" Album (D), c. 1819–1823.

Nothing is Known of This; two figures picking up a body in… (museum title)

Francisco de Goya (Spanish), brush, black and gray ink and wash, scraper

Metropolitan Museum of Art, United States · Public domain

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid, 1816.

Plate 10 from "La Tauromaquia": Charles V spearing a bull… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, United States · Public domain

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse, 1816.

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint

Metropolitan Museum of Art, United States · Public domain

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E), c. 1816–1820.

You'll See Later; a man drinking, a woman trying to stop… (museum title)

Francisco de Goya (Spanish), brush, black and gray ink and wash, scraper

Metropolitan Museum of Art, United States · Public domain

Dancing Giant, from "The Disparates" (Follies / Irrationalities), c. 1815–1819.

Dancing Giant, from "The Disparates" (Follies /… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, drypoint

Metropolitan Museum of Art, United States · Public domain

Spanish Entertainment from the 'Bulls of Bordeaux', 1825.

Spanish Entertainment from the 'Bulls of Bordeaux' (museum title)

Francisco de Goya (Spanish), lithograph

Metropolitan Museum of Art, United States · Public domain

Witches' Sabbath, 1820–1823.

Le Sabbat des sorcières (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, 1820.

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect (museum title)

Francisco de Goya (Spanish), oil on canvas

Metropolitan Museum of Art, United States · Public domain

Asmodea, 1819.

Vision fantastique (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Man Mocked by Two Women, 1819.

Femmes riant (museum title)

Francisco de Goya (Spanish), oil on plaster, transferred to canvas

Prado Museum, Spain · Public domain

Seated Giant, before 1818.

Seated Giant (museum title)

Francisco de Goya (Spanish), burnished aquatint, scraper, roulette, wash

Metropolitan Museum of Art, United States · Public domain

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body, 1816.

Plate 15 from "La Tauromaquia": The famous Martincho places… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, United States · Public domain

Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, 1816.

Plate 28 of "La Tauromaquia": The forceful Rendon stabs a… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint, burin

Metropolitan Museum of Art, United States · Public domain

Self-Portrait, 1815.

Autoportrait (museum title)

Francisco de Goya (Spanish), oil on canvas

Prado Museum, Spain · Public domain

Cruel Folly, from "The Disparates" (Follies / Irrationalities), c. 1815–1819.

Cruel Folly, from "The Disparates" (Follies /… (museum title)

Francisco de Goya (Spanish), etching, burnished aquatint

Metropolitan Museum of Art, United States · Public domain

Works by Francisco de Goya (1746-1828), in the public domain: paintings, drawings and the great print series published online by the museums that hold them, each linked to its museum record. The photographs come from the museum itself when it publishes them under an open licence, otherwise from Wikimedia Commons, in the public domain or under a Creative Commons licence with the photographer's name. Only works that the museum attributes to Goya himself are included, without 'workshop of', 'after' or 'attributed to'. For prints, a single impression of each plate is shown.