Useum

James McNeill Whistler

860 works held in 33 museums

American painter and printmaker, 1834-1903

A Distant Dome, James McNeill Whistler

A Distant Dome, c. 1901.

James McNeill Whistler (American), oil on wood

Hunterian Museum and Art Gallery, United Kingdom

Flesh Colour and Silver: The Card Players, James McNeill Whistler

Flesh Colour and Silver: The Card Players, 1898–1899.

James McNeill Whistler (American), oil on wood

Hunterian Museum and Art Gallery, United Kingdom

Butterfly (recto); Study of Butterfly (verso), James McNeill Whistler

Butterfly (recto); Study of Butterfly (verso), 1898–1899.

James McNeill Whistler (American), pen and black ink over graphite (recto), pen and black ink (verso), on cream card

Art Institute of Chicago, United States

George W. Vanderbilt, James McNeill Whistler

George W. Vanderbilt, 1897–1903.

James McNeill Whistler (American), oil on canvas

National Gallery of Art, United States

Portrait Study: Mrs. Philip, No. 3 (recto) Portrait Study: Geneviève Mallarmé (verso), James McNeill Whistler

Portrait Study: Mrs. Philip, No. 3 (recto) Portrait Study: Geneviève Mallarmé (verso), 1897.

James McNeill Whistler (American), transfer lithograph on paper

Art Institute of Chicago, United States

Girl in Black (Pouting Tom), James McNeill Whistler

Girl in Black (Pouting Tom), 1896–1901.

James McNeill Whistler (American), oil on canvas

Hirshhorn Museum and Sculpture Garden, United States

Study for Portrait of Thomas Way, James McNeill Whistler

Study for Portrait of Thomas Way, 1896.

James McNeill Whistler (American), graphite on paper

Art Institute of Chicago, United States

Needlework, James McNeill Whistler

Needlework, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Art Institute of Chicago, United States

Portrait Study: Mr. Herbert C. Pollitt, James McNeill Whistler

Portrait Study: Mr. Herbert C. Pollitt, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Art Institute of Chicago, United States

The Manager's Window, Gaiety Theatre, James McNeill Whistler

The Manager's Window, Gaiety Theatre, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Metropolitan Museum of Art, United States

The Beach at Marseille, James McNeill Whistler

The Beach at Marseille, 1901.

James McNeill Whistler (American), oil on wood

Terra Foundation for American Art, United States

Blue and Coral: The Little Blue Bonnet, James McNeill Whistler

Blue and Coral: The Little Blue Bonnet, 1898.

James McNeill Whistler (American), oil on canvas

Los Angeles County Museum of Art, United States

Butterfly, James McNeill Whistler

Butterfly, 1898–1899.

James McNeill Whistler (American), pen and black ink on cardboard

Art Institute of Chicago, United States

The French Baby, James McNeill Whistler

The French Baby, 1897.

Le Bebe francais (museum title)

James McNeill Whistler (American), oil on canvas

Hunterian Museum and Art Gallery, United Kingdom

Afternoon Tea, Mrs. Phillips and Mrs. Charles Whibley, James McNeill Whistler

Afternoon Tea, Mrs. Phillips and Mrs. Charles Whibley, 1897.

James McNeill Whistler (American), lithograph

Cleveland Museum of Art, United States

Alexander Arnold Hannay, James McNeill Whistler

Alexander Arnold Hannay, c. 1896.

James McNeill Whistler (American), oil on wood

National Gallery of Art, United States

H.C. Pollitt, James McNeill Whistler

H.C. Pollitt, 1896.

James McNeill Whistler (American), lithographic crayon on transfer paper

Art Institute of Chicago, United States

Little London, James McNeill Whistler

Little London, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Art Institute of Chicago, United States

St. Giles-in-the-Fields, James McNeill Whistler

St. Giles-in-the-Fields, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Art Institute of Chicago, United States

Savoy Pigeons, James McNeill Whistler

Savoy Pigeons, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Metropolitan Museum of Art, United States

Evening, Little Waterloo Bridge, James McNeill Whistler

Evening, Little Waterloo Bridge, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Metropolitan Museum of Art, United States

The Gossips, James McNeill Whistler

The Gossips, 1901.

James McNeill Whistler (American)

Albright-Knox Art Gallery, United States

Butterfly (recto); Fragment of Butterfly (verso), James McNeill Whistler

Butterfly (recto); Fragment of Butterfly (verso), 1898–1899.

James McNeill Whistler (American), pen and black ink over graphite (recto and verso), on cream card

Art Institute of Chicago, United States

A Club on a Cushion, James McNeill Whistler

A Club on a Cushion, 1898–1899.

James McNeill Whistler (American), pen and black ink over graphite on cream card

Art Institute of Chicago, United States

The Dressmaker's Shop, James McNeill Whistler

The Dressmaker's Shop, c. 1897.

James McNeill Whistler (American), watercolor on wove paper

Yale Center for British Art, United States

Mother and Daughter (La Mère Malade), James McNeill Whistler

Mother and Daughter (La Mère Malade), 1897.

James McNeill Whistler (American), transfer lithograph on Japan paper

Metropolitan Museum of Art, United States

Gold and Brown: Self-Portrait, James McNeill Whistler

Gold and Brown: Self-Portrait, c. 1896–1898.

James McNeill Whistler (American), oil on canvas

National Gallery of Art, United States

Little Dorothy, James McNeill Whistler

Little Dorothy, 1896.

James McNeill Whistler (American), transfer lithograph on wove paper

Art Institute of Chicago, United States

St. Anne's, Soho, James McNeill Whistler

St. Anne's, Soho, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Art Institute of Chicago, United States

Firelight (Joseph Pennell, No. 1), James McNeill Whistler

Firelight (Joseph Pennell, No. 1), 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Metropolitan Museum of Art, United States

Firelight - Joseph Pennell, No. 1, James McNeill Whistler

Firelight - Joseph Pennell, No. 1, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Metropolitan Museum of Art, United States

The Sea, Pourville, James McNeill Whistler

The Sea, Pourville, 1899.

James McNeill Whistler (American), oil on wood

Terra Foundation for American Art, United States

Butterfly 'Encountered' (recto); Sketch for Tailpiece (verso), James McNeill Whistler

Butterfly 'Encountered' (recto); Sketch for Tailpiece (verso), 1898–1899.

Butterfly "Encountered" (recto); Sketch for Tailpiece… (museum title)

James McNeill Whistler (American), pen and black ink over graphite (recto), graphite (verso), on cream card

Art Institute of Chicago, United States

Butterfly, James McNeill Whistler

Butterfly, 1898–1899.

James McNeill Whistler (American), pen and black ink on cardboard

Art Institute of Chicago, United States

Rose et or: La Napolitaine, James McNeill Whistler

Rose et or: La Napolitaine, c. 1897.

James McNeill Whistler (American), oil on canvas

Thyssen-Bornemisza Museum, Spain

Afternoon Tea, James McNeill Whistler

Afternoon Tea, 1897.

James McNeill Whistler (American), lithograph on laid paper

National Gallery of Art, United States

Rose et vert: Une etude, James McNeill Whistler

Rose et vert: Une etude, 1896–1900.

James McNeill Whistler (American), oil on canvas

Hunterian Museum and Art Gallery, United Kingdom

Thomas Way, James McNeill Whistler

Thomas Way, 1896.

James McNeill Whistler (American), transfer lithograph on chine collé

Art Institute of Chicago, United States

The Thames, James McNeill Whistler

The Thames, 1896.

James McNeill Whistler (American), lithotint on wove paper

Art Institute of Chicago, United States

Study No. 2: Mr. Thomas Way, James McNeill Whistler

Study No. 2: Mr. Thomas Way, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Metropolitan Museum of Art, United States

Little London Model, James McNeill Whistler

Little London Model, 1896.

James McNeill Whistler (American), transfer lithograph on wove paper

Metropolitan Museum of Art, United States

Untitled, James McNeill Whistler

Untitled, c. 1899.

James McNeill Whistler (American), ink on paper

Smithsonian American Art Museum, United States

Butterfly (recto); Fragment of Butterfly (verso), James McNeill Whistler

Butterfly (recto); Fragment of Butterfly (verso), 1898–1899.

James McNeill Whistler (American), pen and black ink over graphite (recto), brush and black ink over graphite (verso), on cream card

Art Institute of Chicago, United States

Sketch of the Peacock Room, James McNeill Whistler

Sketch of the Peacock Room, 1898.

James McNeill Whistler (American), graphite on cream wove paper

Art Institute of Chicago, United States

Chelsea Shop, James McNeill Whistler

Chelsea Shop, 1897–1900.

James McNeill Whistler (American), watercolor and gouache on cream wove paper

Art Institute of Chicago, United States

Study of a Girl's Head and Shoulders, James McNeill Whistler

Study of a Girl's Head and Shoulders, 1896–1897.

James McNeill Whistler (American), oil on panel

Art Institute of Chicago, United States

Study of a Girl's Head, James McNeill Whistler

Study of a Girl's Head, 1896–1897.

James McNeill Whistler (American), oil on wood

Newark Museum, United States

Firelight: Joseph Pennell, No. 2, James McNeill Whistler

Firelight: Joseph Pennell, No. 2, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Art Institute of Chicago, United States

The Russian Schube, James McNeill Whistler

The Russian Schube, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Art Institute of Chicago, United States

Kensington Gardens, James McNeill Whistler

Kensington Gardens, 1896.

James McNeill Whistler (American), transfer lithograph on laid paper

Metropolitan Museum of Art, United States

Works by James McNeill Whistler (1834-1903), in the public domain: paintings, pastels, watercolours, drawings, etchings, drypoints and lithographs, published online by the museums that hold them, each linked to its museum record. Prints exist in many states and impressions: one impression is shown per composition, the best photographed, preferably in the final state, cropped to the printed image. The photographs come from the museum itself when it publishes them under an open licence (CC0), otherwise from Wikimedia Commons, in the public domain. Only works that the museum attributes to Whistler himself are included, without 'after', 'workshop of' or 'attributed to'.