
A Distant Dome, c. 1901.
James McNeill Whistler (American), oil on wood
Hunterian Museum and Art Gallery, United Kingdom
860 works held in 33 museums
American painter and printmaker, 1834-1903

James McNeill Whistler (American), oil on wood
Hunterian Museum and Art Gallery, United Kingdom

James McNeill Whistler (American), oil on wood
Hunterian Museum and Art Gallery, United Kingdom

James McNeill Whistler (American), pen and black ink over graphite (recto), pen and black ink (verso), on cream card
Art Institute of Chicago, United States

James McNeill Whistler (American), oil on canvas
National Gallery of Art, United States

James McNeill Whistler (American), transfer lithograph on paper
Art Institute of Chicago, United States

James McNeill Whistler (American), oil on canvas
Hirshhorn Museum and Sculpture Garden, United States

James McNeill Whistler (American), graphite on paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Metropolitan Museum of Art, United States

James McNeill Whistler (American), oil on wood
Terra Foundation for American Art, United States

James McNeill Whistler (American), oil on canvas
Los Angeles County Museum of Art, United States

James McNeill Whistler (American), pen and black ink on cardboard
Art Institute of Chicago, United States

Le Bebe francais (museum title)
James McNeill Whistler (American), oil on canvas
Hunterian Museum and Art Gallery, United Kingdom

James McNeill Whistler (American), lithograph
Cleveland Museum of Art, United States

James McNeill Whistler (American), oil on wood
National Gallery of Art, United States

James McNeill Whistler (American), lithographic crayon on transfer paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Metropolitan Museum of Art, United States

James McNeill Whistler (American)
Albright-Knox Art Gallery, United States

James McNeill Whistler (American), pen and black ink over graphite (recto and verso), on cream card
Art Institute of Chicago, United States

James McNeill Whistler (American), pen and black ink over graphite on cream card
Art Institute of Chicago, United States

James McNeill Whistler (American), watercolor on wove paper
Yale Center for British Art, United States

James McNeill Whistler (American), transfer lithograph on Japan paper
Metropolitan Museum of Art, United States

James McNeill Whistler (American), oil on canvas
National Gallery of Art, United States

James McNeill Whistler (American), transfer lithograph on wove paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Metropolitan Museum of Art, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Metropolitan Museum of Art, United States

James McNeill Whistler (American), oil on wood
Terra Foundation for American Art, United States

Butterfly "Encountered" (recto); Sketch for Tailpiece… (museum title)
James McNeill Whistler (American), pen and black ink over graphite (recto), graphite (verso), on cream card
Art Institute of Chicago, United States

James McNeill Whistler (American), pen and black ink on cardboard
Art Institute of Chicago, United States

James McNeill Whistler (American), oil on canvas
Thyssen-Bornemisza Museum, Spain

James McNeill Whistler (American), lithograph on laid paper
National Gallery of Art, United States

James McNeill Whistler (American), oil on canvas
Hunterian Museum and Art Gallery, United Kingdom

James McNeill Whistler (American), transfer lithograph on chine collé
Art Institute of Chicago, United States

James McNeill Whistler (American), lithotint on wove paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Metropolitan Museum of Art, United States

James McNeill Whistler (American), transfer lithograph on wove paper
Metropolitan Museum of Art, United States

James McNeill Whistler (American), ink on paper
Smithsonian American Art Museum, United States

James McNeill Whistler (American), pen and black ink over graphite (recto), brush and black ink over graphite (verso), on cream card
Art Institute of Chicago, United States

James McNeill Whistler (American), graphite on cream wove paper
Art Institute of Chicago, United States

James McNeill Whistler (American), watercolor and gouache on cream wove paper
Art Institute of Chicago, United States

James McNeill Whistler (American), oil on panel
Art Institute of Chicago, United States

James McNeill Whistler (American), oil on wood
Newark Museum, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Art Institute of Chicago, United States

James McNeill Whistler (American), transfer lithograph on laid paper
Metropolitan Museum of Art, United States
Works by James McNeill Whistler (1834-1903), in the public domain: paintings, pastels, watercolours, drawings, etchings, drypoints and lithographs, published online by the museums that hold them, each linked to its museum record. Prints exist in many states and impressions: one impression is shown per composition, the best photographed, preferably in the final state, cropped to the printed image. The photographs come from the museum itself when it publishes them under an open licence (CC0), otherwise from Wikimedia Commons, in the public domain. Only works that the museum attributes to Whistler himself are included, without 'after', 'workshop of' or 'attributed to'.