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Minneapolis Institute of Art

247 works by 36 artists

247 works by 36 artists, from the 16th to the 20th century, held in this collection (United States).

Portrait of Paris von Gütersloh, Egon Schiele

Portrait of Paris von Gütersloh, 1918.

Portrait of Paris von Gütersloh (museum title)

Egon Schiele (Austrian), oil on canvas

Minneapolis Institute of Art, United States

Takadanobaba, from the series One Hundred Famous Views of Edo, Utagawa Hiroshige

Takadanobaba, from the series One Hundred Famous Views of Edo, 1858.

Takadanobaba (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

The Lake at Hakone, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

The Lake at Hakone, from the series Thirty-six Views of Mount Fuji, 1858.

The Lake at Hakone (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Self-portrait with Dr Arrieta, Francisco de Goya

Self-portrait with Dr Arrieta, 1820.

Goya et son médecin (museum title)

Francisco de Goya (Spanish), oil on canvas

Minneapolis Institute of Art, United States

The Fugitives, Honoré Daumier

The Fugitives, c. 1868.

The Fugitives (museum title)

Honoré Daumier (French), oil on canvas

Minneapolis Institute of Art, United States

Anshutz on Anatomy, John Sloan

Anshutz on Anatomy, 1912.

Anshutz on Anatomy (museum title)

John Sloan (American), etching

Minneapolis Institute of Art, United States

Treasure Trove, John Sloan

Treasure Trove, 1907.

Treasure Trove (museum title)

John Sloan (American), etching

Minneapolis Institute of Art, United States

Blessing of the Tuna Fleet at Groix, Paul Signac

Blessing of the Tuna Fleet at Groix, 1923.

Blessing of the Tuna Fleet at Groix (museum title)

Paul Signac (French), oil on canvas

Minneapolis Institute of Art, United States

Ōtsuki Plain in Kai Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Ōtsuki Plain in Kai Province, from the series Thirty-six Views of Mount Fuji, 1858.

Ōtsuki Plain in Kai Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Shiojiri Pass in Shinano Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Shiojiri Pass in Shinano Province, from the series Thirty-six Views of Mount Fuji, 1858.

Shiojiri Pass in Shinano Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Teppōzu and Tsukiji Monzeki Temple, from the series One Hundred Famous Views of Edo, Utagawa Hiroshige

Teppōzu and Tsukiji Monzeki Temple, from the series One Hundred Famous Views of Edo, 1858.

Teppōzu and Tsukiji Monzeki Temple (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Asuka Hill in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Asuka Hill in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, 1858.

Asuka Hill in the Eastern Capital (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Honmoku Point in Musashi Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Honmoku Point in Musashi Province, from the series Thirty-six Views of Mount Fuji, 1858.

Honmoku Point in Musashi Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Jewel River in Musashi Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Jewel River in Musashi Province, from the series Thirty-six Views of Mount Fuji, 1858.

Jewel River in Musashi Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Still Life with Pascal’s Pensées, Henri Matisse

Still Life with Pascal’s Pensées, 1924.

Still Life with Pascal’s Pensées (museum title)

Henri Matisse (French), oil on canvas

Minneapolis Institute of Art, United States

Kurodo Bay in Kazusa Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Kurodo Bay in Kazusa Province, from the series Thirty-six Views of Mount Fuji, 1858.

Kurodo Bay in Kazusa Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Roofs, Summer Night, John Sloan

Roofs, Summer Night, 1906.

Roofs, Summer Night (museum title)

John Sloan (American), etching

Minneapolis Institute of Art, United States

Ochanomizu in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Ochanomizu in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, 1858.

Ochanomizu in the Eastern Capital (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Rokusozan in Kazusa Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Rokusozan in Kazusa Province, from the series Thirty-six Views of Mount Fuji, 1858.

Rokusozan in Kazusa Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Riverbank at Sukiya in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Riverbank at Sukiya in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, 1858.

Riverbank at Sukiya in the Eastern Capital (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Fireworks at Ryōgoku Bridge, from the series One Hundred Famous Views of Edo, Utagawa Hiroshige

Fireworks at Ryōgoku Bridge, from the series One Hundred Famous Views of Edo, 1858.

Fireworks at Ryōgoku Bridge (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Entrance to Enoshima in Sagami Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Entrance to Enoshima in Sagami Province, from the series Thirty-six Views of Mount Fuji, 1858.

Entrance to Enoshima in Sagami Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

The Japanese Bridge, Claude Monet

The Japanese Bridge, 1923.

The Japanese Bridge (museum title)

Claude Monet (French), oil on canvas

Minneapolis Institute of Art, United States

Girls Sliding, John Sloan

Girls Sliding, 1915.

Girls Sliding (museum title)

John Sloan (American), etching

Minneapolis Institute of Art, United States

The Tone River at Kōnodai, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

The Tone River at Kōnodai, from the series Thirty-six Views of Mount Fuji, 1858.

The Tone River at Kōnodai (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Lake Suwa in Shinano Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Lake Suwa in Shinano Province, from the series Thirty-six Views of Mount Fuji, 1858.

Lake Suwa in Shinano Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Composition with Blue and Red, Piet Mondrian

Composition with Blue and Red, 1932.

Composition with Blue and Red (museum title)

Piet Mondrian (Dutch), oil on canvas

Minneapolis Institute of Art, United States

Connoisseurs of Prints, John Sloan

Connoisseurs of Prints, 1905.

Connoisseurs of Prints (museum title)

John Sloan (American), etching

Minneapolis Institute of Art, United States

Sagami River, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Sagami River, from the series Thirty-six Views of Mount Fuji, 1858.

Sagami River (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

The Mills at Montreuil-sur-Mer, Normandy, Frits Thaulow

The Mills at Montreuil-sur-Mer, Normandy, 1891.

The Mills at Montreuil-sur-Mer, Normandy (museum title)

Frits Thaulow (Norwegian), oil on canvas

Minneapolis Institute of Art, United States

Bikuni Bridge in the Snow, from the series One Hundred Famous Views of Edo, Utagawa Hiroshige

Bikuni Bridge in the Snow, from the series One Hundred Famous Views of Edo, 1858.

Bikuni Bridge in the Snow (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Futamigaura in Ise Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Futamigaura in Ise Province, from the series Thirty-six Views of Mount Fuji, 1858.

Futamigaura in Ise Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Ichikoku Bridge in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Ichikoku Bridge in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, 1858.

Ichikoku Bridge in the Eastern Capital (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Kogane Plain in Shimōsa Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Kogane Plain in Shimōsa Province, from the series Thirty-six Views of Mount Fuji, 1858.

Kogane Plain in Shimōsa Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Port-en-Bessin, Bridge and Port, Georges Seurat

Port-en-Bessin, Bridge and Port, 1888.

Port-en-Bessin (museum title)

Georges Seurat (French), oil on canvas

Minneapolis Institute of Art, United States

Fuji Seen from the Left on the Tōkaidō, Utagawa Hiroshige

Fuji Seen from the Left on the Tōkaidō, 1858.

Fuji Seen from the Left on the Tōkaidō (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Turning out the Light, John Sloan

Turning out the Light, 1905.

Turning out the Light (museum title)

John Sloan (American), etching

Minneapolis Institute of Art, United States

The Ōi River between Suruga and Tōtōmi Provinces, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

The Ōi River between Suruga and Tōtōmi Provinces, from the series Thirty-six Views of Mount Fuji, 1858.

The Ōi River between Suruga and Tōtōmi Provinces (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

The Sea off Satta in Suruga Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

The Sea off Satta in Suruga Province, from the series Thirty-six Views of Mount Fuji, 1858.

The Sea off Satta in Suruga Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

The Sumida River Embankment in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

The Sumida River Embankment in the Eastern Capital, from the series Thirty-six Views of Mount Fuji, 1858.

The Sumida River Embankment in the Eastern Capital (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Moose Family Entering a Clearing, Bruno Liljefors

Moose Family Entering a Clearing, 1930.

Moose Family Entering a Clearing (museum title)

Bruno Liljefors (Swedish), oil on canvas

Minneapolis Institute of Art, United States

The Carpet Merchant, Jean-Léon Gérôme

The Carpet Merchant, c. 1887.

The Carpet Merchant (museum title)

Jean-Léon Gérôme (French), oil on canvas

Minneapolis Institute of Art, United States

Inume Pass in Kai Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Inume Pass in Kai Province, from the series Thirty-six Views of Mount Fuji, 1858.

Inume Pass in Kai Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Koganei in Musashi Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Koganei in Musashi Province, from the series Thirty-six Views of Mount Fuji, 1858.

Koganei in Musashi Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

The Seacoast at Kubota in Awa Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

The Seacoast at Kubota in Awa Province, from the series Thirty-six Views of Mount Fuji, 1858.

The Seacoast at Kubota in Awa Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Misaka Pass in Kai Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Misaka Pass in Kai Province, from the series Thirty-six Views of Mount Fuji, 1858.

Misaka Pass in Kai Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Yokohama at Noge in Musashi Province, from the series Thirty-six Views of Mount Fuji, Utagawa Hiroshige

Yokohama at Noge in Musashi Province, from the series Thirty-six Views of Mount Fuji, 1858.

Yokohama at Noge in Musashi Province (museum title)

Utagawa Hiroshige (Japanese), colour woodcut on paper

Minneapolis Institute of Art, United States

Fun - One Cent, John Sloan

Fun - One Cent, 1905.

Fun - One Cent (museum title)

John Sloan (American), etching

Minneapolis Institute of Art, United States

Young Greeks in the Mosque, Jean-Léon Gérôme

Young Greeks in the Mosque, 1865.

Young Greeks in the Mosque (museum title)

Jean-Léon Gérôme (French), oil on wood

Minneapolis Institute of Art, United States

The Artist's Daughter, Julie, with her Nanny, Berthe Morisot

The Artist's Daughter, Julie, with her Nanny, c. 1884.

The Artist's Daughter, Julie, with her Nanny (museum title)

Berthe Morisot (French), oil on canvas

Minneapolis Institute of Art, United States