
Wooded Landscape with Herdsmen and Cows, 1797.
Thomas Gainsborough (British), aquatint with soft-ground etching, printed in gray ink; third state of three
Metropolitan Museum of Art, United States
285 works held in 55 museums
English painter, portraitist and landscape painter, 1727-1788

Thomas Gainsborough (British), aquatint with soft-ground etching, printed in gray ink; third state of three
Metropolitan Museum of Art, United States

Thomas Gainsborough (British), soft-ground etching and aquatint, hand-colored; second state of two
Metropolitan Museum of Art, United States

Thomas Gainsborough (British), oil on canvas
Metropolitan Museum of Art, United States

Thomas Gainsborough (British), oil on canvas
Yale Center for British Art, United States

Thomas Gainsborough (British), oil on canvas
National Gallery of Art, United States

Portrait of Mrs. Thomas Hibbert (museum title)
Thomas Gainsborough (British), oil on canvas
Bavarian State Painting Collections, Germany

Thomas Gainsborough (British), oil on canvas
National Gallery, United Kingdom

Thomas Gainsborough (British), oil on canvas
Royal Castle in Warsaw

Thomas Gainsborough (British), black chalk with extensive stumping and traces of white gouache
Cleveland Museum of Art, United States

Thomas Gainsborough (British), black, white, brown and blue chalk, with stumping, on light blue laid paper
Yale Center for British Art, United States

Thomas Gainsborough (British), aquatint; second state of two
Metropolitan Museum of Art, United States

Thomas Gainsborough (British), mezzotint and drypoint, printed in brown ink, on cream wove paper
Yale Center for British Art, United States

Thomas Gainsborough (British), paint on canvas
Gemäldegalerie, Germany

Thomas Gainsborough (British), black chalk with stumping, heightened with touches of white gouache and traces of white chalk, on buff laid paper
Art Institute of Chicago, United States

Thomas Gainsborough (British), oil on canvas
National Gallery of Art, United States

Thomas Gainsborough (British), oil on canvas
Albright-Knox Art Gallery, United States

Thomas Gainsborough (British), oil on canvas
National Gallery of Art, United States

Thomas Gainsborough (British), oil on canvas
Royal Collection, United Kingdom

Thomas Gainsborough (British), black chalk with stumping, heightened with white pastel, on light brown paper
J. Paul Getty Museum, United States

Thomas Gainsborough (British), brown chalk, white chalk with gray wash on beige laid paper
Yale Center for British Art, United States

Thomas Gainsborough (British), soft-ground etching with aquatint; second state of two
Metropolitan Museum of Art, United States

Thomas Gainsborough (British), oil on canvas
National Museum Cardiff, United Kingdom

Thomas Gainsborough (British), oil on canvas
Gemäldegalerie, Germany

Thomas Gainsborough (British), oil on canvas
National Gallery, United Kingdom

Thomas Gainsborough (British), oil on canvas
Dordrechts Museum, Netherlands

Thomas Gainsborough (British), black chalk, heightened with white chalk, on blue laid paper
Art Institute of Chicago, United States

Thomas Gainsborough (British), oil on canvas
National Gallery of Art, United States

Henry, Duke of Cumberland with Anne, Duchess of Cumberland… (museum title)
Thomas Gainsborough (British), oil on canvas
Royal Collection, United Kingdom

Thomas Gainsborough (British), brown chalk, washed with black ink and touched with white gouache
Metropolitan Museum of Art, United States

Thomas Gainsborough (British), gray, black and white wash and black chalk with varnish on cream laid paper
Yale Center for British Art, United States

Thomas Gainsborough (British), soft-ground etching and aquatint, hand-colored; third state of three
Metropolitan Museum of Art, United States

Thomas Gainsborough (British), black chalk and stumping, with touches of white and red chalk, gray and brown wash, heightened with gouache, on cream laid paper
Yale Center for British Art, United States

Thomas Gainsborough (British), oil on canvas
Minneapolis Institute of Art, United States

Thomas Gainsborough (British), oil on canvas
Colchester and Ipswich Museums Service

Thomas Gainsborough (British), oil on canvas
Colchester and Ipswich Museums Service

Thomas Gainsborough (British), oil on canvas
National Gallery, United Kingdom

Thomas Gainsborough (British), oil on canvas
Gainsborough's House

Thomas Gainsborough (British), oil on canvas
Detroit Institute of Arts, United States

Thomas Gainsborough (British), black chalk and stumping with white chalk on light blue laid paper
Yale Center for British Art, United States

Thomas Gainsborough (British), oil on canvas
Royal Collection, United Kingdom

Thomas Gainsborough (British), soft-ground etching and aquatint, hand-colored; fourth state of four
Metropolitan Museum of Art, United States

Thomas Gainsborough (British), oil on canvas
Metropolitan Museum of Art, United States

Thomas Gainsborough (British), oil on canvas
Detroit Institute of Arts, United States

Thomas Gainsborough (British), oil on canvas
National Gallery of Art, United States

Thomas Gainsborough (British), oil on canvas
Gainsborough's House

Thomas Gainsborough (British), oil on canvas
National Gallery of Art, United States

Thomas Gainsborough (British), oil on cardboard
Gainsborough's House

Thomas Gainsborough (British), oil on canvas
Detroit Institute of Arts, United States

Thomas Gainsborough (British), black and white chalk, gray wash and black wash on buff wove paper
Yale Center for British Art, United States

Thomas Gainsborough (British), oil on canvas
J. Paul Getty Museum, United States
Works by Thomas Gainsborough (1727-1788), in the public domain: paintings, drawings and prints published online by the museums and collections that hold them, each linked to its record. The photographs come from the museum itself when it publishes them under an open licence, otherwise from Wikimedia Commons, in the public domain or under a Creative Commons licence with the photographer's name. Only works that the institution attributes to Gainsborough himself are included, without 'workshop of', 'after', 'attributed to' or 'follower of'; a few copies by his own hand after Van Dyck or Rubens are kept, the museum record giving them to Gainsborough. A print exists in several impressions: for each composition, the site shows only one.