https://useum.art/en/william-blake/george-cumberland-s-message-card2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-carte-de-message-de-george-cumberland-1827.webp?v=78aa6123&r=3.5-3.8-5.9-8.7George Cumberland's Message Card, William Blake (1827)George Cumberland's Message Card, William Blake (1827). Engraving. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/george-cumberland-s-card2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-carte-de-george-cumberland-1827.webp?v=f5c3268c&r=2.6-2.8-4.6-7.6George Cumberland's Card, William Blake (1827)George Cumberland's Card, William Blake (1827). Engraving printed in brown. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-whirlwind-of-lovers-plate-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-de-la-divine-comedie-de-dante-planche-1-le-tourbillon-des-amants-1827.webp?v=f192ddbbIllustrations to Dante's Divine Comedy, plate 1: The Whirlwind of Lovers, William Blake (1827)Illustrations to Dante's Divine Comedy, plate 1: The Whirlwind of Lovers, William Blake (1827). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ciampolo-the-barrator-tormented-by-the-devils-plate-22026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-de-la-divine-comedie-de-dante-planche-2-ciampolo-le-baratier-tourmente-par-les-demons-1827.webp?v=4de864f1Illustrations to Dante's Divine Comedy, plate 2: Ciampolo the Barrator Tormented by the Devils, William Blake (1827)Illustrations to Dante's Divine Comedy, plate 2: Ciampolo the Barrator Tormented by the Devils, William Blake (1827). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-baffled-devils-fighting-plate-32026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-de-la-divine-comedie-de-dante-planche-3-les-demons-deconfits-se-battent-1827.webp?v=307ff31cIllustrations to Dante's Divine Comedy, plate 3: The Baffled Devils Fighting, William Blake (1827)Illustrations to Dante's Divine Comedy, plate 3: The Baffled Devils Fighting, William Blake (1827). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-six-footed-serpent-attacking-agnolo-brunelleschi-plate-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-de-la-divine-comedie-de-dante-planche-4-le-serpent-a-six-pieds-attaquant-agnolo-brunelleschi-1827.webp?v=40ca2608Illustrations to Dante's Divine Comedy, plate 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi, William Blake (1827)Illustrations to Dante's Divine Comedy, plate 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi, William Blake (1827). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-serpent-attacking-buoso-donati-plate-52026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-de-la-divine-comedie-de-dante-planche-5-le-serpent-attaquant-buoso-donati-1827.webp?v=4fa3f2eeIllustrations to Dante's Divine Comedy, plate 5: The Serpent Attacking Buoso Donati, William Blake (1827)Illustrations to Dante's Divine Comedy, plate 5: The Serpent Attacking Buoso Donati, William Blake (1827). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-pit-of-disease-the-falsifiers-plate-62026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-de-la-divine-comedie-de-dante-planche-6-la-fosse-de-la-maladie-les-faussaires-1827.webp?v=93a02c4dIllustrations to Dante's Divine Comedy, plate 6: The Pit of Disease: The Falsifiers, William Blake (1827)Illustrations to Dante's Divine Comedy, plate 6: The Pit of Disease: The Falsifiers, William Blake (1827). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/dante-striking-against-bocca-degli-abati-plate-72026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-de-la-divine-comedie-de-dante-planche-7-dante-heurtant-bocca-degli-abati-1827.webp?v=1a3d42c4Illustrations to Dante's Divine Comedy, plate 7: Dante Striking against Bocca Degli Abati, William Blake (1827)Illustrations to Dante's Divine Comedy, plate 7: Dante Striking against Bocca Degli Abati, William Blake (1827). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/satan-smiting-job-with-sore-boils-012026-10-11https://useum.art/artistes/william-blake/grand/william-blake-satan-frappant-job-d-ulceres-1826.webp?v=64080509Satan Smiting Job with Sore Boils, William Blake (c. 1826)Satan Smiting Job with Sore Boils, William Blake (c. 1826). Ink and tempera on mahogany. Collection: Tate. Public domain. https://useum.art/en/william-blake/illustrations-of-the-book-of-job-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-page-de-titre-1826.webp?v=270d26c2&r=5.1-4.1-4.5-5.9Illustrations of the Book of Job, title page, William Blake (1826)Illustrations of the Book of Job, title page, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/job-and-his-family2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-1-job-et-sa-famille-1826.webp?v=e7a80b7a&r=5.5-4.7-4.1-3.6Illustrations of the Book of Job, plate 1: Job and his Family, William Blake (1826)Illustrations of the Book of Job, plate 1: Job and his Family, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/satan-before-the-throne-of-god2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-2-satan-devant-le-trone-de-dieu-1826.webp?v=73c18065&r=5.8-5.4-4.5-3.9Illustrations of the Book of Job, plate 2: Satan before the Throne of God, William Blake (1826)Illustrations of the Book of Job, plate 2: Satan before the Throne of God, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/job-s-sons-and-daughters-overwhelmed-by-satan2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-3-les-fils-et-les-filles-de-job-accables-par-satan-1826.webp?v=e35450fa&r=4.6-4.4-4.2-3.9Illustrations of the Book of Job, plate 3: Job's Sons and Daughters Overwhelmed by Satan, William Blake (1826)Illustrations of the Book of Job, plate 3: Job's Sons and Daughters Overwhelmed by Satan, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-messengers-tell-job-of-his-misfortunes2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-4-les-messagers-annoncent-a-job-ses-malheurs-1826.webp?v=a61a783d&r=5.2-5.4-4.2-3.6Illustrations of the Book of Job, plate 4: The Messengers Tell Job of His Misfortunes, William Blake (1826)Illustrations of the Book of Job, plate 4: The Messengers Tell Job of His Misfortunes, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/satan-going-forth-from-the-presence-of-the-lord-and-job-s-charity2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-5-satan-quitte-la-presence-du-seigneur-et-la-charite-de-job-1826.webp?v=5d496356&r=6-5.8-4.5-4.2Illustrations of the Book of Job, plate 5: Satan Going Forth from the Presence of the Lord and Job's Charity, William Blake (1826)Illustrations of the Book of Job, plate 5: Satan Going Forth from the Presence of the Lord and Job's Charity, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/satan-smiting-job-with-sore-boils-022026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-6-satan-frappe-job-d-ulceres-1826.webp?v=80b11cdd&r=5.4-5.4-4.5-3.5Illustrations of the Book of Job, plate 6: Satan Smiting Job with Sore Boils, William Blake (1826)Illustrations of the Book of Job, plate 6: Satan Smiting Job with Sore Boils, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/job-s-comforters2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-7-les-consolateurs-de-job-1826.webp?v=013e88b0&r=4.3-5.6-4.2-3.8Illustrations of the Book of Job, plate 7: Job's Comforters, William Blake (1826)Illustrations of the Book of Job, plate 7: Job's Comforters, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/job-s-despair2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-8-le-desespoir-de-job-1826.webp?v=74f8375a&r=5.3-3.9-3.5-3.2Illustrations of the Book of Job, plate 8: Job's Despair, William Blake (1826)Illustrations of the Book of Job, plate 8: Job's Despair, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-vision-of-eliphaz2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-9-la-vision-d-eliphaz-1826.webp?v=3eae560f&r=5.7-5.7-4.1-3.9Illustrations of the Book of Job, plate 9: The Vision of Eliphaz, William Blake (1826)Illustrations of the Book of Job, plate 9: The Vision of Eliphaz, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/job-rebuked-by-his-friends2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-10-job-reprimande-par-ses-amis-1826.webp?v=121db744&r=5.7-5.3-4.2-4.1Illustrations of the Book of Job, plate 10: Job Rebuked by His Friends, William Blake (1826)Illustrations of the Book of Job, plate 10: Job Rebuked by His Friends, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/job-s-evil-dreams2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-11-les-mauvais-reves-de-job-1826.webp?v=f3f2cb24&r=6.1-5.7-4.2-4.2Illustrations of the Book of Job, plate 11: Job's Evil Dreams, William Blake (1826)Illustrations of the Book of Job, plate 11: Job's Evil Dreams, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-wrath-of-elihu2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-12-la-colere-d-elihou-1826.webp?v=667a1b0f&r=6-5.4-4.2-3.6Illustrations of the Book of Job, plate 12: The Wrath of Elihu, William Blake (1826)Illustrations of the Book of Job, plate 12: The Wrath of Elihu, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-lord-answering-job-out-of-the-whirlwind2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-13-le-seigneur-repond-a-job-du-sein-de-la-tempete-1826.webp?v=d3dfae0d&r=6.3-6.3-5.1-4.2Illustrations of the Book of Job, plate 13: The Lord Answering Job out of the Whirlwind, William Blake (1826)Illustrations of the Book of Job, plate 13: The Lord Answering Job out of the Whirlwind, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/when-the-morning-stars-sang-together2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-14-quand-les-etoiles-du-matin-chantaient-ensemble-1826.webp?v=9d570e6e&r=5.4-4.5-3.6-3.4Illustrations of the Book of Job, plate 14: When the Morning Stars Sang Together, William Blake (1826)Illustrations of the Book of Job, plate 14: When the Morning Stars Sang Together, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/behemoth-and-leviathan2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-15-behemoth-et-leviathan-1826.webp?v=6ab2c208&r=5.6-4.5-3.1-3.6Illustrations of the Book of Job, plate 15: Behemoth and Leviathan, William Blake (1826)Illustrations of the Book of Job, plate 15: Behemoth and Leviathan, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-fall-of-satan2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-16-la-chute-de-satan-1826.webp?v=b7ce2aa9&r=5.2-4.4-4.2-3.1Illustrations of the Book of Job, plate 16: The Fall of Satan, William Blake (1826)Illustrations of the Book of Job, plate 16: The Fall of Satan, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-vision-of-christ2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-17-la-vision-du-christ-1826.webp?v=e0e11e17&r=6-5.3-3.9-4.4Illustrations of the Book of Job, plate 17: The Vision of Christ, William Blake (1826)Illustrations of the Book of Job, plate 17: The Vision of Christ, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/job-s-sacrifice2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-18-le-sacrifice-de-job-1826.webp?v=31a078a6&r=6.3-6.3-4.1-4.2Illustrations of the Book of Job, plate 18: Job's Sacrifice, William Blake (1826)Illustrations of the Book of Job, plate 18: Job's Sacrifice, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/every-one-also-gave-him-a-piece-of-money2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-19-chacun-lui-donna-aussi-une-piece-d-argent-1826.webp?v=55052461&r=6.2-6.2-4.1-4.2Illustrations of the Book of Job, plate 19: Every One also Gave Him a Piece of Money, William Blake (1826)Illustrations of the Book of Job, plate 19: Every One also Gave Him a Piece of Money, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/job-and-his-daughters2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-20-job-et-ses-filles-1826.webp?v=dcf531d7&r=6.1-5.4-3.6-3.8Illustrations of the Book of Job, plate 20: Job and His Daughters, William Blake (1826)Illustrations of the Book of Job, plate 20: Job and His Daughters, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/job-and-his-family-restored-to-prosperity2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-illustrations-du-livre-de-job-planche-21-job-et-sa-famille-retablis-dans-la-prosperite-1826.webp?v=20dcbbf3&r=6.6-6.1-4.6-4.2Illustrations of the Book of Job, plate 21: Job and His Family Restored to Prosperity, William Blake (1826)Illustrations of the Book of Job, plate 21: Job and His Family Restored to Prosperity, William Blake (1826). Engraving with chine collé. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/for-the-sexes-the-gates-of-paradise-title-page-plate-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-sexes-les-portes-du-paradis-planche-1-page-de-titre-1826.webp?v=77dabe56For the Sexes: The Gates of Paradise, Title Page, plate 1, William Blake (1826)For the Sexes: The Gates of Paradise, Title Page, plate 1, William Blake (1826). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/to-the-accuser-who-is-the-god-of-this-world-plate-192026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-sexes-les-portes-du-paradis-planche-19-to-the-accuser-who-is-the-god-of-this-world-1826.webp?v=fed1e70dFor the Sexes: The Gates of Paradise, plate 19: "To The Accuser who is The God of This World...", William Blake (1826)For the Sexes: The Gates of Paradise, plate 19: "To The Accuser who is The God of This World...", William Blake (1826). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/he-meets-his-saviour-in-the-grave-plate-202026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-sexes-les-portes-du-paradis-planche-20-he-meets-his-saviour-in-the-grave-1826.webp?v=86a73acaFor the Sexes: The Gates of Paradise, plate 20: "He meets his Saviour in the Grave...", William Blake (1826)For the Sexes: The Gates of Paradise, plate 20: "He meets his Saviour in the Grave...", William Blake (1826). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/hiding-of-moses-from-remember-me-or-a-pocket-companion2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-cachette-de-moise-extrait-de-remember-me-or-a-pocket-companion-1825.webp?v=5cedac44&r=12-15-7.5-3.5Hiding of Moses, from "Remember Me!, or a Pocket Companion", William Blake (1825)Hiding of Moses, from "Remember Me!, or a Pocket Companion", William Blake (1825). Engraving. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/john-linnell2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-john-linnell-1825.webp?v=89854593John Linnell, William Blake (1825)John Linnell, William Blake (1825). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/queen-katherine-s-dream2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-reve-de-la-reine-catherine-1825.webp?v=f5a9f782Queen Katherine's Dream, William Blake (c. 1825)Queen Katherine's Dream, William Blake (c. 1825). Pen and ink with watercolor heightened with white and gold over graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-parable-of-the-wise-and-foolish-virgins-022026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-parabole-des-vierges-sages-et-des-vierges-folles-1825.webp?v=3118bdf2The Parable of the Wise and Foolish Virgins, William Blake (c. 1825)The Parable of the Wise and Foolish Virgins, William Blake (c. 1825). Watercolor, pen and ink over graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/antaeus-setting-down-dante-and-virgil-in-the-last-circle-of-hell2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-antee-deposant-dante-et-virgile-dans-le-dernier-cercle-de-l-enfer-1824.webp?v=97c940c0Antaeus setting down Dante and Virgil in the Last Circle of Hell, William Blake (1824–1827)Antaeus setting down Dante and Virgil in the Last Circle of Hell, William Blake (1824–1827). Pen and ink and watercolor over pencil and black chalk, with sponging and scratching out. Collection: National Gallery of Victoria. Public domain. https://useum.art/en/william-blake/dante-running-from-the-three-beasts2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dante-fuyant-les-trois-betes-1824.webp?v=c4b665d5Dante running from the Three Beasts, William Blake (1824–1827)Dante running from the Three Beasts, William Blake (1824–1827). Pen and ink and watercolor over pencil and black chalk. Collection: National Gallery of Victoria. Public domain. https://useum.art/en/william-blake/st-peter-and-st-james-with-dante-and-beatrice2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-saint-pierre-et-saint-jacques-avec-dante-et-beatrice-1824.webp?v=699f1422St Peter and St James with Dante and Beatrice, William Blake (1824–1827)St Peter and St James with Dante and Beatrice, William Blake (1824–1827). Pen and ink and watercolor over pencil and black chalk. Collection: National Gallery of Victoria. Public domain. https://useum.art/en/william-blake/the-schismatics-and-sowers-of-discord-mohammed2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-schismatiques-et-semeurs-de-discorde-mahomet-1824.webp?v=eea8d881The Schismatics and Sowers of Discord: Mohammed, William Blake (1824–1827)The Schismatics and Sowers of Discord: Mohammed, William Blake (1824–1827). Pen and ink and watercolor over pencil and black chalk. Collection: National Gallery of Victoria. Public domain. https://useum.art/en/william-blake/the-hiding-of-moses2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-cachette-de-moise-1824.webp?v=63efb2e6&r=1.2-0.9-1.7-0.6The Hiding of Moses, William Blake (1824)The Hiding of Moses, William Blake (1824). Engraving. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-descent-of-the-angels-to-one-of-the-daughters-of-men2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-descente-des-anges-vers-l-une-des-filles-des-hommes-1824.webp?v=d4f66174The Descent of the Angels to One of the Daughters of Men, William Blake (c. 1824–1827)The Descent of the Angels to One of the Daughters of Men, William Blake (c. 1824–1827). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/an-angel-teaching-a-daughter-of-men-the-secrets-of-sin2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-un-ange-enseignant-a-une-fille-des-hommes-les-secrets-du-peche-1824.webp?v=cac27011An Angel Teaching a Daughter of Men the Secrets of Sin, William Blake (c. 1824–1827)An Angel Teaching a Daughter of Men the Secrets of Sin, William Blake (c. 1824–1827). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-daughter-of-men-becomes-a-siren2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-fille-des-hommes-devient-une-sirene-1824.webp?v=ad16fd2cThe Daughter of Men Becomes a Siren, William Blake (c. 1824–1827)The Daughter of Men Becomes a Siren, William Blake (c. 1824–1827). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/enoch-before-the-great-glory2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-henoch-devant-la-grande-gloire-1824.webp?v=eed47a39Enoch before the Great Glory, William Blake (c. 1824–1827)Enoch before the Great Glory, William Blake (c. 1824–1827). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-vision-of-the-lord-of-spirits2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-vision-du-seigneur-des-esprits-1824.webp?v=ddf59474The Vision of the Lord of Spirits, William Blake (c. 1824–1827)The Vision of the Lord of Spirits, William Blake (c. 1824–1827). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/christian-with-the-shield-of-faith-taking-leave-of-his-companions2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chretien-avec-le-bouclier-de-la-foi-prenant-conge-de-ses-compagnons-1824.webp?v=e4549e55Christian with the Shield of Faith, Taking Leave of His Companions, William Blake (1824–1827)Christian with the Shield of Faith, Taking Leave of His Companions, William Blake (1824–1827). Watercolor, pen and ink over graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/on-homer-s-poetry-and-on-virgil2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-sur-la-poesie-d-homere-et-sur-virgile-1822.webp?v=3db5d9a1On Homer's Poetry (and) On Virgil, William Blake (1822)On Homer's Poetry (and) On Virgil, William Blake (1822). Relief etching. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/thenot-and-colinet2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-thenot-et-colinet-1821.webp?v=e0d52bc8The Pastorals of Virgil: Thenot and Colinet, William Blake (1821)The Pastorals of Virgil: Thenot and Colinet, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/thenot-remonstrates-with-colinet2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-thenot-fait-des-remontrances-a-colinet-1821.webp?v=cd656c7bThe Pastorals of Virgil: Thenot Remonstrates with Colinet, William Blake (1821)The Pastorals of Virgil: Thenot Remonstrates with Colinet, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/thenot-under-fruit-tree2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-thenot-sous-un-arbre-fruitier-1821.webp?v=c4943c79The Pastorals of Virgil: Thenot under Fruit Tree, William Blake (1821)The Pastorals of Virgil: Thenot under Fruit Tree, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/thenot-remonstrates-with-colinet-lightfoot-in-background2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-thenot-fait-des-remontrances-a-colinet-lightfoot-a-l-arriere-plan-1821.webp?v=a3ac4cf0The Pastorals of Virgil: Thenot Remonstrates with Colinet, Lightfoot in Background, William Blake (1821)The Pastorals of Virgil: Thenot Remonstrates with Colinet, Lightfoot in Background, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/colinet-departs-in-sorrow2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-colinet-part-accable-de-chagrin-1821.webp?v=e8254410The Pastorals of Virgil: Colinet Departs in Sorrow, William Blake (1821)The Pastorals of Virgil: Colinet Departs in Sorrow, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/blasted-tree-and-flattened-crops2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-arbre-foudroye-et-recoltes-couchees-1821.webp?v=651d2377The Pastorals of Virgil: Blasted Tree and Flattened Crops, William Blake (1821)The Pastorals of Virgil: Blasted Tree and Flattened Crops, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/shepherd-chases-away-wolf2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-un-berger-chasse-un-loup-1821.webp?v=e44c0258The Pastorals of Virgil: Shepherd Chases away Wolf, William Blake (1821)The Pastorals of Virgil: Shepherd Chases away Wolf, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/sabrina-s-silvery-flood2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-sabrina-s-silvery-flood-1821.webp?v=6699bb75The Pastorals of Virgil: 'Sabrina's silvery flood', William Blake (1821)The Pastorals of Virgil: 'Sabrina's silvery flood', William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/colinet-s-journey2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-le-voyage-de-colinet-1821.webp?v=9d9add82The Pastorals of Virgil: Colinet's Journey, William Blake (1821)The Pastorals of Virgil: Colinet's Journey, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/a-rolling-stone-is-ever-bare-of-moss2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-a-rolling-stone-is-ever-bare-of-moss-1821.webp?v=47a19022The Pastorals of Virgil: 'A rolling stone is ever bare of moss', William Blake (1821)The Pastorals of Virgil: 'A rolling stone is ever bare of moss', William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/colinet-resting-by-night2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-colinet-se-repose-la-nuit-1821.webp?v=f5178e00The Pastorals of Virgil: Colinet Resting by Night, William Blake (1821)The Pastorals of Virgil: Colinet Resting by Night, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/colinet-mocked-by-two-boys2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-colinet-moque-par-deux-garcons-1821.webp?v=1af51d7eThe Pastorals of Virgil: Colinet Mocked by Two Boys, William Blake (1821)The Pastorals of Virgil: Colinet Mocked by Two Boys, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/menalcas-watching-women-dance2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-menalque-regardant-danser-des-femmes-1821.webp?v=8900eae0The Pastorals of Virgil: Menalcas Watching Women Dance, William Blake (1821)The Pastorals of Virgil: Menalcas Watching Women Dance, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/thenot-and-colinet-lead-their-flocks-together2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-thenot-et-colinet-menent-ensemble-leurs-troupeaux-1821.webp?v=e9691c13The Pastorals of Virgil: Thenot and Colinet Lead their Flocks Together, William Blake (1821)The Pastorals of Virgil: Thenot and Colinet Lead their Flocks Together, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/thenot-and-colinet-eat-their-evening-meal2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-thenot-et-colinet-prennent-leur-repas-du-soir-1821.webp?v=72e0b29fThe Pastorals of Virgil: Thenot and Colinet Eat their Evening Meal, William Blake (1821)The Pastorals of Virgil: Thenot and Colinet Eat their Evening Meal, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/boy-returning-joyfully-with-plough-and-oxen2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-un-garcon-revient-joyeux-avec-la-charrue-et-les-boeufs-1821.webp?v=d0acf54dThe Pastorals of Virgil: Boy Returning Joyfully with Plough and Oxen, William Blake (1821)The Pastorals of Virgil: Boy Returning Joyfully with Plough and Oxen, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/return-of-the-shepherd2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pastorales-de-virgile-le-retour-du-berger-1821.webp?v=60d0251dThe Pastorals of Virgil: Return of the Shepherd, William Blake (1821)The Pastorals of Virgil: Return of the Shepherd, William Blake (1821). Woodblock print. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-man-sweeping-the-interpreter-s-parlor2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-l-homme-balayant-le-salon-de-l-interprete-1820.webp?v=cdf1c845&r=3.2-1.8-7-6The Man Sweeping the Interpreter's Parlor, William Blake (c. 1820–1822)The Man Sweeping the Interpreter's Parlor, William Blake (c. 1820–1822). White-line metal cut. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/an-ascending-spiral-of-figures-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-une-spirale-ascendante-de-figures-recto-1820.webp?v=9108ff55An Ascending Spiral of Figures [recto], William Blake (c. 1820)An Ascending Spiral of Figures [recto], William Blake (c. 1820). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/evening-052026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-soir-1820.webp?v=48122627Evening, William Blake (c. 1820–1825)Evening, William Blake (c. 1820–1825). Watercolor, pen and ink over graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/socrates-a-visionary-head2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-socrate-une-tete-visionnaire-1820.webp?v=a1aa0729Socrates, a Visionary Head, William Blake (c. 1820)Socrates, a Visionary Head, William Blake (c. 1820). Graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/study-for-a-destroying-deity2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-etude-pour-une-divinite-destructrice-1820.webp?v=7a966281Study for a Destroying Deity, William Blake (1820–1825)Study for a Destroying Deity, William Blake (1820–1825). Graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-ghost-of-a-flea2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-fantome-d-une-puce-1819.webp?v=58512f9dThe Ghost of a Flea, William Blake (c. 1819–1820)The Ghost of a Flea, William Blake (c. 1819–1820). Tempera and gold on mahogany. Collection: Tate. Public domain. https://useum.art/en/william-blake/wat-tyler-s-daughter2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-fille-de-wat-tyler-1819.webp?v=1fc97536Wat Tyler's Daughter, William Blake (c. 1819)Wat Tyler's Daughter, William Blake (c. 1819). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/king-canute2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-roi-knut-1819.webp?v=f6874490King Canute, William Blake (c. 1819–1820)King Canute, William Blake (c. 1819–1820). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/king-edward2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-roi-edouard-1819.webp?v=56449cf2King Edward, William Blake (c. 1819)King Edward, William Blake (c. 1819). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/sheet-from-the-blake-varley-sketchbook-of-1819-pages-27-and-282026-10-11https://useum.art/artistes/william-blake/grand/william-blake-feuille-du-carnet-de-croquis-blake-varley-de-1819-pages-27-et-28-1819.webp?v=b9f3e118Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28, William Blake (1819)Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28, William Blake (1819). Graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/sheet-from-the-blake-varley-sketchbook-of-1819-pages-37-and-382026-10-11https://useum.art/artistes/william-blake/grand/william-blake-feuille-du-carnet-de-croquis-blake-varley-de-1819-pages-37-et-38-1819.webp?v=fe15b87aSheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38, William Blake (1819)Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38, William Blake (1819). Graphite and black chalk. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/a-visionary-head2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-une-tete-visionnaire-1819.webp?v=13288bb9A Visionary Head, William Blake (1819–1820)A Visionary Head, William Blake (1819–1820). Graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/five-visionary-heads-of-women2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-cinq-tetes-visionnaires-de-femmes-1819.webp?v=a92a46acFive Visionary Heads of Women, William Blake (1819–1820)Five Visionary Heads of Women, William Blake (1819–1820). Graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/virgin-and-child-022026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-vierge-a-l-enfant-1818.webp?v=cf3f4407Virgin and Child, William Blake (1818–1826)Virgin and Child, William Blake (1818–1826). Tempera on panel. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-descent-of-peace-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-descente-de-la-paix-recto-1815.webp?v=6a24dfdfThe Descent of Peace [recto], William Blake (c. 1815)The Descent of Peace [recto], William Blake (c. 1815). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-laocoon-for-rees-s-cyclopaedia2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-laocoon-pour-la-cyclopaedia-de-rees-1815.webp?v=eb581089The Laocoön, for Rees's Cyclopædia, William Blake (1815)The Laocoön, for Rees's Cyclopædia, William Blake (1815). Graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-chaining-of-orc2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-l-enchainement-d-orc-1812.webp?v=c29859a1&r=4.5-3.8-3.2-2.2The Chaining of Orc, William Blake (1812)The Chaining of Orc, William Blake (1812). Relief etching. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-canterbury-pilgrims2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pelerins-de-canterbury-1810.webp?v=d83eb63cThe Canterbury Pilgrims, William Blake (1810)The Canterbury Pilgrims, William Blake (1810). Engraving. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/chaucer-s-canterbury-pilgrims2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-pelerins-de-canterbury-de-chaucer-1810.webp?v=d2db6f87Chaucer's Canterbury Pilgrims, William Blake (1810–1820)Chaucer's Canterbury Pilgrims, William Blake (1810–1820). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-last-judgment-022026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-jugement-dernier-1809.webp?v=85e9653fThe Last Judgment, William Blake (c. 1809)The Last Judgment, William Blake (c. 1809). Pen and ink with wash. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-rest-on-the-flight-into-egypt-the-repose-of-the-holy-family-in2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-repos-pendant-la-fuite-en-egypte-le-repos-de-la-sainte-famille-en-egypte-1806.webp?v=c49c6815The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt), William Blake (1806)The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt), William Blake (1806). Watercolor, pen and ink over graphite. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/enoch2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-henoch-1806.webp?v=35a77aea&r=3.5-3.8-5.2-5.4Enoch, William Blake (1806)Enoch, William Blake (1806). Lithograph printed in relief. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/the-spiritual-form-of-pitt-guiding-behemoth2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-forme-spirituelle-de-pitt-guidant-behemoth-1805.webp?v=94cba502The Spiritual Form of Pitt Guiding Behemoth, William Blake (c. 1805)The Spiritual Form of Pitt Guiding Behemoth, William Blake (c. 1805). Tempera and gold on canvas. Collection: Tate. Public domain. https://useum.art/en/william-blake/the-day-of-judgment2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-jour-du-jugement-1805.webp?v=b6893a2cThe Day of Judgment, William Blake (1805)The Day of Judgment, William Blake (1805). Pen and gray and black inks and watercolor, with scraping, over graphite. Collection: Art Institute of Chicago. Public domain. https://useum.art/en/william-blake/the-holy-family-christ-in-the-lap-of-truth2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-sainte-famille-le-christ-sur-les-genoux-de-la-verite-1805.webp?v=87fddc6eThe Holy Family (Christ in the Lap of Truth), William Blake (c. 1805)The Holy Family (Christ in the Lap of Truth), William Blake (c. 1805). Pen and ink with wash. Collection: Cleveland Museum of Art. Public domain. https://useum.art/en/william-blake/unknown-subject-let-him-look-up-into-the-heaven-and-laugh-in-the2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-sujet-inconnu-let-him-look-up-into-the-heaven-and-laugh-in-the-bright-air-1805.webp?v=31cd0c94&r=6.6-6.8-4.2-4.1Unknown subject (Let Him look up into the Heaven and laugh in the bright air), William Blake (c. 1805)Unknown subject (Let Him look up into the Heaven and laugh in the bright air), William Blake (c. 1805). Engraving and relief etching. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-great-red-dragon-and-the-beast-from-the-sea2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-grand-dragon-rouge-et-la-bete-de-la-mer-1805.webp?v=4521f553The Great Red Dragon and the Beast from the Sea, William Blake (c. 1805)The Great Red Dragon and the Beast from the Sea, William Blake (c. 1805). Watercolor, pen and ink over graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-great-red-dragon-and-the-woman-clothed-with-the-sun2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-grand-dragon-rouge-et-la-femme-vetue-de-soleil-1805.webp?v=603556a9The Great Red Dragon and the Woman Clothed with the Sun, William Blake (c. 1805)The Great Red Dragon and the Woman Clothed with the Sun, William Blake (c. 1805). Watercolor, pen and ink over graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/two-legs2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-deux-jambes-1805.webp?v=98d2d630Two Legs, William Blake (c. 1805–1810)Two Legs, William Blake (c. 1805–1810). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/a-figure-ascending-in-a-glory-of-clouds2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-une-figure-s-elevant-dans-une-gloire-de-nuees-1805.webp?v=a62d0a02A Figure Ascending in a Glory of Clouds (?), William Blake (c. 1805)A Figure Ascending in a Glory of Clouds (?), William Blake (c. 1805). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/a-resurrection-scene-the-gambols-of-ghosts-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-une-scene-de-resurrection-les-ebats-des-fantomes-recto-1805.webp?v=cde3f651A Resurrection Scene (The Gambols of Ghosts) [recto], William Blake (1805–1808)A Resurrection Scene (The Gambols of Ghosts) [recto], William Blake (1805–1808). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-eagle2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-l-aigle-1805.webp?v=4c44c5c6The Eagle, William Blake (1805)The Eagle, William Blake (1805). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-lion2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-lion-1805.webp?v=96193654The Lion, William Blake (1805)The Lion, William Blake (1805). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-hermit-s-dog2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-chien-de-l-ermite-1805.webp?v=5c6c59ecThe Hermit's Dog, William Blake (1805)The Hermit's Dog, William Blake (1805). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-horse-012026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-cheval-1805.webp?v=1f5da5a7The Horse, William Blake (1805)The Horse, William Blake (1805). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-horse-022026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-cheval-1805-le-38462.webp?v=f3fc5000The Horse, William Blake (c. 1805)The Horse, William Blake (c. 1805). Tempera and pen and black ink on a copper engraving plate. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/mary-magdalen-at-the-sepulchre2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-marie-madeleine-au-sepulcre-1805.webp?v=08a2f4fdMary Magdalen at the Sepulchre, William Blake (c. 1805)Mary Magdalen at the Sepulchre, William Blake (c. 1805). Watercolor, pen and ink over graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-widow-embracing-her-husband-s-grave2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-veuve-embrassant-la-tombe-de-son-mari-1805.webp?v=8551b682The Widow Embracing Her Husband's Grave, William Blake (1805–1808)The Widow Embracing Her Husband's Grave, William Blake (1805–1808). Watercolor, pen and ink over graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-gambols-of-ghosts-according-with-their-affections-previous-to-the2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-ebats-des-fantomes-selon-leurs-affections-avant-le-jugement-dernier-1805.webp?v=87efbc59The Gambols of Ghosts According with Their Affections Previous to the Final Judgment, William Blake (1805–1808)The Gambols of Ghosts According with Their Affections Previous to the Final Judgment, William Blake (1805–1808). Graphite and black chalk. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/an-angel-with-a-trumpet2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-un-ange-a-la-trompette-1805.webp?v=cf14a5e4An Angel with a Trumpet, William Blake (1805–1808)An Angel with a Trumpet, William Blake (1805–1808). Watercolor, pen and ink over graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-dog-frontispiece2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-chien-frontispice-1805.webp?v=823cdae9The Dog; Frontispiece, William Blake (1805)The Dog; Frontispiece, William Blake (1805). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/frontispiece-to-jerusalem-the-emanation-of-the-great-albion2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-frontispice-de-jerusalem-l-emanation-du-grand-albion-1804.webp?v=a469a07e&r=5.6-6-5.9-4.8Frontispiece to Jerusalem, the Emanation of the Great Albion, William Blake (1804–1820)Frontispiece to Jerusalem, the Emanation of the Great Albion, William Blake (1804–1820). White-line metal cut. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/los-and-his-spectre-verso2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-los-et-son-spectre-verso-1804.webp?v=a616a752Los and His Spectre [verso], William Blake (c. 1804–1807)Los and His Spectre [verso], William Blake (c. 1804–1807). Graphite, squared for transfer. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/time-s-triple-bow-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-triple-arc-du-temps-recto-1804.webp?v=f20a0c5fTime's Triple Bow [recto], William Blake (c. 1804–1807)Time's Triple Bow [recto], William Blake (c. 1804–1807). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/albion-compelling-the-four-zoas-to-their-proper-tasks2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-albion-contraignant-les-quatre-zoas-a-leurs-taches-propres-1804.webp?v=9f0f6e35Albion Compelling the Four Zoas to Their Proper Tasks, William Blake (1804–1810)Albion Compelling the Four Zoas to Their Proper Tasks, William Blake (1804–1810). Graphite and black chalk. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/jerusalem-frontispiece-plate-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-1-frontispice-1804.webp?v=1852258a&r=6.1-5.1-6.6-2.6Jerusalem, Frontispiece, plate 1, William Blake (1804–1820)Jerusalem, Frontispiece, plate 1, William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/into-the-furnaces-into-the-valleys-of-the-anvils-of-death-plate-102026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-10-into-the-furnaces-into-the-valleys-of-the-anvils-of-death-1804.webp?v=e1c0d906&r=6.1-5.4-3.2-3.2Jerusalem, plate 10: "Into the Furnaces & into the valleys of the Anvils of Death...", William Blake (1804–1820)Jerusalem, plate 10: "Into the Furnaces & into the valleys of the Anvils of Death...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/jerusalem-tailpiece-plate-1002026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-100-cul-de-lampe-1804.webp?v=61da9236Jerusalem, Tailpiece, plate 100, William Blake (1804–1820)Jerusalem, Tailpiece, plate 100, William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/to-labours-mighty-with-vast-strength-plate-112026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-11-to-labours-mighty-with-vast-strength-1804.webp?v=2eca4eb8&r=4.6-4.4-3.2-3.2Jerusalem, plate 11: "To labours mighty, with vast strength...", William Blake (1804–1820)Jerusalem, plate 11: "To labours mighty, with vast strength...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/why-wilt-thou-give-to-her-a-body-plate-122026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-12-why-wilt-thou-give-to-her-a-body-1804.webp?v=cdbce832Jerusalem, plate 12: "Why wilt thou give to her a Body...", William Blake (1804–1820)Jerusalem, plate 12: "Why wilt thou give to her a Body...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-that-toward-eden-four-plate-132026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-13-and-that-toward-eden-four-1804.webp?v=c8d9a7dbJerusalem, plate 13: "And that toward Eden, four...", William Blake (1804–1820)Jerusalem, plate 13: "And that toward Eden, four...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/one-hair-nor-particle-of-dust-plate-142026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-14-one-hair-nor-particle-of-dust-1804.webp?v=04e0b19eJerusalem, plate 14: "One hair nor particle of dust...", William Blake (1804–1820)Jerusalem, plate 14: "One hair nor particle of dust...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-hand-hyle-rooted-into-jerusalem-plate-152026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-15-and-hand-hyle-rooted-into-jerusalem-1804.webp?v=df5063a9&r=6.2-5.6-3.5-4.8Jerusalem, plate 15: "And Hand & Hyle rooted into Jerusalem...", William Blake (1804–1820)Jerusalem, plate 15: "And Hand & Hyle rooted into Jerusalem...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/hampstead-highgate-finchley-hendon-muswell-hill-plate-162026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-16-hampstead-highgate-finchley-hendon-muswell-hill-1804.webp?v=b79ccec9&r=7-6.8-4.5-3.8Jerusalem, plate 16: "Hampstead Highgate Finchley Hendon Muswell Hill...", William Blake (1804–1820)Jerusalem, plate 16: "Hampstead Highgate Finchley Hendon Muswell Hill...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/his-spectre-divides-los-in-fury-compells-it-to-divide-plate-172026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-17-his-spectre-divides-los-in-fury-compells-it-to-divide-1804.webp?v=60a04a8e&r=3.5-3-5.2-2.4Jerusalem, plate 17: "His Spectre divides & Los in fury compells it to divide...", William Blake (1804–1820)Jerusalem, plate 17: "His Spectre divides & Los in fury compells it to divide...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/from-every-one-of-the-four-regions-plate-182026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-18-from-every-one-of-the-four-regions-1804.webp?v=f1b837e9&r=3.5-3.3-2.6-4.1Jerusalem, plate 18: "From every-one of the Four Regions...", William Blake (1804–1820)Jerusalem, plate 18: "From every-one of the Four Regions...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/his-children-exil-d-from-his-breast-plate-192026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-19-his-children-exil-d-from-his-breast-1804.webp?v=096849e4&r=5.3-6.4-4.2-4.1Jerusalem, plate 19: "His Children exil'd from his breast...", William Blake (1804–1820)Jerusalem, plate 19: "His Children exil'd from his breast...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/jerusalem-the-emanation-of-the-giant-albion-title-page-plate-22026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-2-page-de-titre-1804.webp?v=9223ca08&r=4.3-5.9-4.1-2.9Jerusalem: The Emanation of The Giant Albion, Title Page, plate 2, William Blake (1804–1820)Jerusalem: The Emanation of The Giant Albion, Title Page, plate 2, William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/but-when-they-saw-albion-fall-n-plate-202026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-20-but-when-they-saw-albion-fall-n-1804.webp?v=3f9b0077&r=4.6-5-3.5-3.6Jerusalem, plate 20: "But when they saw Albion fall'n...", William Blake (1804–1820)Jerusalem, plate 20: "But when they saw Albion fall'n...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/o-vala-o-jerusalem-do-you-delight-in-my-groans-plate-212026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-21-o-vala-o-jerusalem-do-you-delight-in-my-groans-1804.webp?v=260760e3&r=6-6.5-4.2-4.2Jerusalem, plate 21: "O Vala! O Jerusalem! do you delight in my groans...", William Blake (1804–1820)Jerusalem, plate 21: "O Vala! O Jerusalem! do you delight in my groans...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/albion-thy-fear-has-made-me-tremble-plate-222026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-22-albion-thy-fear-has-made-me-tremble-1804.webp?v=7666de6d&r=7-5.8-4.4-4.9Jerusalem, plate 22: "Albion thy fear has made me tremble...", William Blake (1804–1820)Jerusalem, plate 22: "Albion thy fear has made me tremble...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/jerusalem-jerusalem-deluding-shadow-of-albion-plate-232026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-23-jerusalem-jerusalem-deluding-shadow-of-albion-1804.webp?v=6bc39cbe&r=5.9-5.7-4.1-3.5Jerusalem, plate 23: "Jerusalem! Jerusalem! deluding shadow of Albion!...", William Blake (1804–1820)Jerusalem, plate 23: "Jerusalem! Jerusalem! deluding shadow of Albion!...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/what-have-i-said-what-have-i-done-plate-242026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-24-what-have-i-said-what-have-i-done-1804.webp?v=0d57c6f7&r=2.5-5.5-2.5-4.4Jerusalem, plate 24: "What have I said? What have I done?...", William Blake (1804–1820)Jerusalem, plate 24: "What have I said? What have I done?...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-there-was-heard-a-great-lamenting-in-beulah-chapter-1-tailpiece2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-25-and-there-was-heard-a-great-lamenting-in-beulah-cul-de-lampe-du-chapitre-1-1804.webp?v=e1c4c55e&r=3.6-6.2-3.8-2.8Jerusalem, plate 25: "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece, William Blake (1804–1820)Jerusalem, plate 25: "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece, William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/such-visions-have-appeared-to-me-chapter-2-frontispiece-plate-262026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-26-such-visions-have-appeared-to-me-frontispice-du-chapitre-2-1804.webp?v=4629be74&r=4.5-3.9-5.9-5.3Jerusalem, plate 26: "Such visions have appeared to me..."; Chapter 2 Frontispiece, William Blake (1804–1820)Jerusalem, plate 26: "Such visions have appeared to me..."; Chapter 2 Frontispiece, William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/to-the-jews-plate-272026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-27-to-the-jews-1804.webp?v=bc28d239&r=5.8-5.7-3.8-4.2Jerusalem, plate 27: "To the Jews...", William Blake (1804–1820)Jerusalem, plate 27: "To the Jews...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/jerusalem-chapter-2-every-ornament-of-perfection-plate-282026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-28-jerusalem-chapter-2-every-ornament-of-perfection-1804.webp?v=b414297a&r=6.1-6.3-4.2-4.2Jerusalem, plate 28: "Jerusalem, Chapter 2. Every ornament of perfection...", William Blake (1804–1820)Jerusalem, plate 28: "Jerusalem, Chapter 2. Every ornament of perfection...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/then-the-divine-vision-like-a-silent-sun-plate-292026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-29-then-the-divine-vision-like-a-silent-sun-1804.webp?v=3fac2a19Jerusalem, plate 29: "Then the Divine Vision like a silent Sun...", William Blake (1804–1820)Jerusalem, plate 29: "Then the Divine Vision like a silent Sun...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/to-the-public-after-my-three-years-slumber-plate-32026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-3-to-the-public-after-my-three-years-slumber-1804.webp?v=d974bea3&r=6.2-5.6-3.8-4.6Jerusalem, plate 3: "To the Public. After my three years slumber...", William Blake (1804–1820)Jerusalem, plate 3: "To the Public. After my three years slumber...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-the-two-that-escaped-plate-302026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-30-and-the-two-that-escaped-1804.webp?v=e61a501c&r=6.9-6.9-4.8-5.4Jerusalem, plate 30: "And the Two that escaped...", William Blake (1804–1820)Jerusalem, plate 30: "And the Two that escaped...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/his-western-heaven-with-rocky-clouds-plate-312026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-31-his-western-heaven-with-rocky-clouds-1804.webp?v=1fbff94bJerusalem, plate 31: "His western heaven with rocky clouds...", William Blake (1804–1820)Jerusalem, plate 31: "His western heaven with rocky clouds...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/leaning-against-the-pillars-plate-322026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-32-leaning-against-the-pillars-1804.webp?v=6553d659&r=6.4-6.2-4.5-4.6Jerusalem, plate 32: "Leaning against the pillars...", William Blake (1804–1820)Jerusalem, plate 32: "Leaning against the pillars...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/turning-his-back-to-the-divine-vision-plate-332026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-33-turning-his-back-to-the-divine-vision-1804.webp?v=a6226713&r=6.3-5.9-3.9-3.9Jerusalem, plate 33: "Turning his back to the Divine Vision...", William Blake (1804–1820)Jerusalem, plate 33: "Turning his back to the Divine Vision...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/elevate-into-the-region-of-brotherhood-plate-342026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-34-elevate-into-the-region-of-brotherhood-1804.webp?v=0b9c8960&r=6.8-2.7-2.6-4.5Jerusalem, plate 34: "Elevate into the Region of Brotherhood...", William Blake (1804–1820)Jerusalem, plate 34: "Elevate into the Region of Brotherhood...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/then-the-divine-hand-found-the-two-limits-plate-352026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-35-then-the-divine-hand-found-the-two-limits-1804.webp?v=0494fa33&r=4.8-4.4-3.1-2.1Jerusalem, plate 35: "Then the Divine hand found the Two Limits...", William Blake (1804–1820)Jerusalem, plate 35: "Then the Divine hand found the Two Limits...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/reuben-return-d-to-his-place-in-vain-plate-362026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-36-reuben-return-d-to-his-place-in-vain-1804.webp?v=8e5cbb65Jerusalem, plate 36: "Reuben return'd to his place, in vain...", William Blake (1804–1820)Jerusalem, plate 36: "Reuben return'd to his place, in vain...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-one-stood-forth-from-the-divine-family-plate-372026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-37-and-one-stood-forth-from-the-divine-family-1804.webp?v=63f65eb4&r=6.1-6.1-4.5-4.4Jerusalem, plate 37: "And One stood forth from the Divine Family...", William Blake (1804–1820)Jerusalem, plate 37: "And One stood forth from the Divine Family...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/his-face-and-bosom-with-petrific-hardness-plate-382026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-38-his-face-and-bosom-with-petrific-hardness-1804.webp?v=3ed82728&r=5.8-5.6-3.9-4.2Jerusalem, plate 38: "His face and bosom with petrific hardness...", William Blake (1804–1820)Jerusalem, plate 38: "His face and bosom with petrific hardness...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/by-satan-s-watch-fiends-tho-they-search-plate-392026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-39-by-satan-s-watch-fiends-tho-they-search-1804.webp?v=3ed3c519&r=6.7-5.8-4.4-4.8Jerusalem, plate 39: "By Satan's Watch-fiends tho' they search...", William Blake (1804–1820)Jerusalem, plate 39: "By Satan's Watch-fiends tho' they search...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/jerusalem-chapter-1-of-the-sleep-of-ulro-plate-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-4-jerusalem-chapter-1-of-the-sleep-of-ulro-1804.webp?v=0d34e1d0&r=5.3-5.5-3.9-4.1Jerusalem, plate 4: "Jerusalem, Chapter 1. Of the Sleep of Ulro!...", William Blake (1804–1820)Jerusalem, plate 4: "Jerusalem, Chapter 1. Of the Sleep of Ulro!...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/los-shudder-d-at-beholding-albion-plate-402026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-40-los-shudder-d-at-beholding-albion-1804.webp?v=5e4cc37f&r=5.9-5.7-4.4-4.5Jerusalem, plate 40: "Los shudder'd at beholding Albion...", William Blake (1804–1820)Jerusalem, plate 40: "Los shudder'd at beholding Albion...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/bath-who-is-legions-plate-412026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-41-bath-who-is-legions-1804.webp?v=f2924b32&r=7.3-6.2-4.6-4.9Jerusalem, plate 41: "Bath who is Legions...", William Blake (1804–1820)Jerusalem, plate 41: "Bath who is Legions...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/thus-albion-sat-studious-of-others-plate-422026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-42-thus-albion-sat-studious-of-others-1804.webp?v=16feefdeJerusalem, plate 42: "Thus Albion sat, studious of others...", William Blake (1804–1820)Jerusalem, plate 42: "Thus Albion sat, studious of others...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/they-saw-their-wheels-rising-up-poisonous-plate-432026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-43-they-saw-their-wheels-rising-up-poisonous-1804.webp?v=06dab674&r=5-5.5-3.9-2.4Jerusalem, plate 43: "They saw their Wheels rising up poisonous...", William Blake (1804–1820)Jerusalem, plate 43: "They saw their Wheels rising up poisonous...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/with-one-accord-in-love-sublime-plate-442026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-44-with-one-accord-in-love-sublime-1804.webp?v=e8f292c5&r=6.1-5.2-4.6-4.6Jerusalem, plate 44: "With one accord in love sublime...", William Blake (1804–1820)Jerusalem, plate 44: "With one accord in love sublime...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/bath-healing-city-plate-452026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-45-bath-healing-city-1804.webp?v=011cd24b&r=5.7-6.1-4.2-4.4Jerusalem, plate 45: "Bath, healing City!...", William Blake (1804–1820)Jerusalem, plate 45: "Bath, healing City!...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/bath-mild-physician-of-eternity-plate-462026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-46-bath-mild-physician-of-eternity-1804.webp?v=adaa683b&r=2.7-3.5-4.6-4.8Jerusalem, plate 46: "Bath, mild Physician of Eternity...", William Blake (1804–1820)Jerusalem, plate 46: "Bath, mild Physician of Eternity...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/from-camberwell-to-highgate-where-the-mighty-thames-shudders-along2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-47-from-camberwell-to-highgate-where-the-mighty-thames-shudders-along-1804.webp?v=b58b9048&r=5.9-6.7-4.8-2.6Jerusalem, plate 47: "From Camberwell to Highgate where the mighty Thames shudders along...", William Blake (1804–1820)Jerusalem, plate 47: "From Camberwell to Highgate where the mighty Thames shudders along...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/these-were-his-last-words-and-the-merciful-saviour-in-his-arms-plate2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-48-these-were-his-last-words-and-the-merciful-saviour-in-his-arms-1804.webp?v=c0c4186d&r=5.3-4.6-3.8-3.4Jerusalem, plate 48: "These were his last words, and the merciful Saviour in his arms...", William Blake (1804–1820)Jerusalem, plate 48: "These were his last words, and the merciful Saviour in his arms...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-secret-coverts-of-albion-the-hidden-places-of-america-plate-492026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-49-the-secret-coverts-of-albion-the-hidden-places-of-america-1804.webp?v=7c2f6cde&r=5.9-5-4.4-4.8Jerusalem, plate 49: "The secret coverts of Albion & the hidden places of America...", William Blake (1804–1820)Jerusalem, plate 49: "The secret coverts of Albion & the hidden places of America...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-banks-of-the-thames-are-clouded-plate-52026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-5-the-banks-of-the-thames-are-clouded-1804.webp?v=5de4d83a&r=6.2-5.7-4.4-4.2Jerusalem, plate 5: "The banks of the Thames are clouded...", William Blake (1804–1820)Jerusalem, plate 5: "The banks of the Thames are clouded...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-atlantic-mountains-where-giants-dwelt-chapter-2-tailpiece-plate-502026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-50-the-atlantic-mountains-where-giants-dwelt-cul-de-lampe-du-chapitre-2-1804.webp?v=ff20f142&r=6-6.4-4.2-6.9Jerusalem, plate 50: "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece, William Blake (1804–1820)Jerusalem, plate 50: "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece, William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-3-frontispiece-plate-512026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-51-frontispice-du-chapitre-3-1804.webp?v=214d8b33&r=4.5-4.8-6.5-6.8Jerusalem, plate 51: Chapter 3 Frontispiece, William Blake (1804–1820)Jerusalem, plate 51: Chapter 3 Frontispiece, William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/to-the-deists-he-never-can-be-a-friend-to-the-human-race-plate-522026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-52-to-the-deists-he-never-can-be-a-friend-to-the-human-race-1804.webp?v=798d2af2&r=5.7-5.8-4.1-4.2Jerusalem, plate 52: "To the Deists. He never can be a Friend to the Human Race...", William Blake (1804–1820)Jerusalem, plate 52: "To the Deists. He never can be a Friend to the Human Race...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/jerusalem-chapter-3-but-los-who-is-the-vehicular-form-plate-532026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-53-jerusalem-chapter-3-but-los-who-is-the-vehicular-form-1804.webp?v=ccb40c68&r=6-5.5-4.4-4.5Jerusalem, plate 53: "Jerusalem, Chapter 3. But Los, who is the Vehicular Form...", William Blake (1804–1820)Jerusalem, plate 53: "Jerusalem, Chapter 3. But Los, who is the Vehicular Form...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/in-great-eternity-every-particular-form-plate-542026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-54-in-great-eternity-every-particular-form-1804.webp?v=b07cd70fJerusalem, plate 54: "In Great Eternity every particular Form...", William Blake (1804–1820)Jerusalem, plate 54: "In Great Eternity every particular Form...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/when-those-who-disregard-all-mortal-things-plate-552026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-55-when-those-who-disregard-all-mortal-things-1804.webp?v=9c3d9f0fJerusalem, plate 55: "When those who disregard all Mortal Things...", William Blake (1804–1820)Jerusalem, plate 55: "When those who disregard all Mortal Things...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/then-los-heaved-his-thund-ring-bellows-on-the-valley-of-middlesex2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-56-then-los-heaved-his-thund-ring-bellows-on-the-valley-of-middlesex-1804.webp?v=e7950bb5&r=3.3-3.7-3.1-1.9Jerusalem, plate 56: "Then Los heaved his thund'ring Bellows on the Valley of Middlesex...", William Blake (1804–1820)Jerusalem, plate 56: "Then Los heaved his thund'ring Bellows on the Valley of Middlesex...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-the-voices-of-bath-canterbury-york-edinburgh-cry-plate-572026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-57-and-the-voices-of-bath-canterbury-york-edinburgh-cry-1804.webp?v=eff710b1&r=6.2-6.6-4.4-4.8Jerusalem, plate 57: "And the voices of Bath & Canterbury & York & Edinburgh, Cry...", William Blake (1804–1820)Jerusalem, plate 57: "And the voices of Bath & Canterbury & York & Edinburgh, Cry...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/in-beauty-the-daughters-of-albion-divide-plate-582026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-58-in-beauty-the-daughters-of-albion-divide-1804.webp?v=637c2ff5&r=7.1-6.7-4.6-4.5Jerusalem, plate 58: "In beauty the Daughters of Albion divide...", William Blake (1804–1820)Jerusalem, plate 58: "In beauty the Daughters of Albion divide...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-formed-into-four-precious-stones-plate-592026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-59-and-formed-into-four-precious-stones-1804.webp?v=e311159cJerusalem, plate 59: "And formed into Four precious stones...", William Blake (1804–1820)Jerusalem, plate 59: "And formed into Four precious stones...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/his-spectre-driv-n-by-the-starry-wheels-of-albions-sons-plate-62026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-6-his-spectre-driv-n-by-the-starry-wheels-of-albions-sons-1804.webp?v=98f633f1&r=6-6.4-4.2-4.5Jerusalem, plate 6: "His Spectre driv'n by the Starry Wheels of Albions sons...", William Blake (1804–1820)Jerusalem, plate 6: "His Spectre driv'n by the Starry Wheels of Albions sons...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-clouds-of-albions-druid-temples-plate-602026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-60-the-clouds-of-albions-druid-temples-1804.webp?v=0a7decb8&r=2.6-2.6-3.6-4.6Jerusalem, plate 60: "The clouds of Albions Druid Temples...", William Blake (1804–1820)Jerusalem, plate 60: "The clouds of Albions Druid Temples...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/behold-in-the-visions-of-elohim-jehovah-behold-joseph-mary-plate-612026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-61-behold-in-the-visions-of-elohim-jehovah-behold-joseph-mary-1804.webp?v=fa83dc70&r=7.3-6-3.8-4.5Jerusalem, plate 61: "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary...", William Blake (1804–1820)Jerusalem, plate 61: "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/repose-on-me-till-the-morning-of-the-grave-plate-622026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-62-repose-on-me-till-the-morning-of-the-grave-1804.webp?v=e395d88a&r=3.3-3.1-2.6-2.6Jerusalem, plate 62: "Repose on me till the morning of the Grave...", William Blake (1804–1820)Jerusalem, plate 62: "Repose on me till the morning of the Grave...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/jehovah-stood-among-the-druids-plate-632026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-63-jehovah-stood-among-the-druids-1804.webp?v=bc89fc45&r=3.6-6.4-4.2-3.9Jerusalem, plate 63: "Jehovah stood among the Druids...", William Blake (1804–1820)Jerusalem, plate 63: "Jehovah stood among the Druids...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/of-the-mundane-shell-which-froze-plate-642026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-64-of-the-mundane-shell-which-froze-1804.webp?v=6f150806&r=7.2-6.3-4.4-4.4Jerusalem, plate 64: "Of the Mundane Shell which froze...", William Blake (1804–1820)Jerusalem, plate 64: "Of the Mundane Shell which froze...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/to-decide-two-worlds-with-a-great-decision-plate-652026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-65-to-decide-two-worlds-with-a-great-decision-1804.webp?v=8e2a55ee&r=6.2-5.4-4.1-3.8Jerusalem, plate 65: "To decide Two Worlds with a great decision...", William Blake (1804–1820)Jerusalem, plate 65: "To decide Two Worlds with a great decision...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/in-awful-pomp-gold-in-all-the-precious-unhewn-stones-of-eden-plate-662026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-66-in-awful-pomp-gold-in-all-the-precious-unhewn-stones-of-eden-1804.webp?v=9c6edb1c&r=5.8-5.7-4.6-4.2Jerusalem, plate 66: "In awful pomp & gold, in all the precious unhewn stones of Eden...", William Blake (1804–1820)Jerusalem, plate 66: "In awful pomp & gold, in all the precious unhewn stones of Eden...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/by-those-who-drink-their-blood-the-blood-of-their-covenant-plate-672026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-67-by-those-who-drink-their-blood-the-blood-of-their-covenant-1804.webp?v=32720cb3&r=3.1-2.5-3.5-1.6Jerusalem, plate 67: "By those who drink their blood & the blood of their Covenant...", William Blake (1804–1820)Jerusalem, plate 67: "By those who drink their blood & the blood of their Covenant...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/o-skofield-why-art-thou-cruel-plate-682026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-68-o-skofield-why-art-thou-cruel-1804.webp?v=36e94277&r=3.3-6.7-4.1-2.2Jerusalem, plate 68: "O Skofield why art thou cruel?...", William Blake (1804–1820)Jerusalem, plate 68: "O Skofield why art thou cruel?...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/then-all-the-males-conjoined-into-one-male-plate-692026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-69-then-all-the-males-conjoined-into-one-male-1804.webp?v=21142ccf&r=3.2-2.8-2.6-2.5Jerusalem, plate 69: "Then all the Males conjoined into One Male...", William Blake (1804–1820)Jerusalem, plate 69: "Then all the Males conjoined into One Male...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/was-living-panting-like-a-frighted-wolf-plate-72026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-7-was-living-panting-like-a-frighted-wolf-1804.webp?v=1c0fc840Jerusalem, plate 7: "Was living: panting like a frighted wolf...", William Blake (1804–1820)Jerusalem, plate 7: "Was living: panting like a frighted wolf...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-this-the-form-of-mighty-hand-plate-702026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-70-and-this-the-form-of-mighty-hand-1804.webp?v=adb7d677Jerusalem, plate 70: "And this the form of mighty Hand...", William Blake (1804–1820)Jerusalem, plate 70: "And this the form of mighty Hand...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-above-albions-land-was-seen-the-heavenly-canaan-plate-712026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-71-and-above-albions-land-was-seen-the-heavenly-canaan-1804.webp?v=62e3a2be&r=5.7-5.1-4.2-4.1Jerusalem, plate 71: "And above Albions Land was seen the Heavenly Canaan...", William Blake (1804–1820)Jerusalem, plate 71: "And above Albions Land was seen the Heavenly Canaan...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-the-thirty-two-counties-of-the-four-provinces-of-ireland-plate-722026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-72-and-the-thirty-two-counties-of-the-four-provinces-of-ireland-1804.webp?v=7b74eba6&r=4.2-3-2.8-2.4Jerusalem, plate 72: "And the Thirty-two Counties of the Four Provinces of Ireland...", William Blake (1804–1820)Jerusalem, plate 72: "And the Thirty-two Counties of the Four Provinces of Ireland...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/such-are-cathedrons-golden-halls-plate-732026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-73-such-are-cathedrons-golden-halls-1804.webp?v=f4306aaf&r=3.9-3.2-2.9-2.6Jerusalem, plate 73: "Such are Cathedrons golden Halls...", William Blake (1804–1820)Jerusalem, plate 73: "Such are Cathedrons golden Halls...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-four-zoa-s-clouded-rage-plate-742026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-74-the-four-zoa-s-clouded-rage-1804.webp?v=34e3bc61&r=5.9-6.1-4.1-4.1Jerusalem, plate 74: "The Four Zoa's clouded rage...", William Blake (1804–1820)Jerusalem, plate 74: "The Four Zoa's clouded rage...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-rahab-babylon-the-great-plate-752026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-75-and-rahab-babylon-the-great-1804.webp?v=4e0dd787&r=5.1-5-3.5-4.4Jerusalem, plate 75: "And Rahab Babylon the Great...", William Blake (1804–1820)Jerusalem, plate 75: "And Rahab Babylon the Great...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-4-frontispiece-plate-762026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-76-frontispice-du-chapitre-4-1804.webp?v=65ba8fd4&r=5.3-4.8-3.8-4.2Jerusalem, plate 76: Chapter 4 Frontispiece, William Blake (1804–1820)Jerusalem, plate 76: Chapter 4 Frontispiece, William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/to-the-christians-plate-772026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-77-to-the-christians-1804.webp?v=2fa8307f&r=6-5.4-5.2-5.1Jerusalem, plate 77: "To the Christians...", William Blake (1804–1820)Jerusalem, plate 77: "To the Christians...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-4-the-spectres-of-albions-twelve-sons-plate-782026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-78-chapitre-4-the-spectres-of-albions-twelve-sons-1804.webp?v=b2d82433&r=6.3-5.2-4.4-4.4Jerusalem, plate 78: Chapter 4. "The Spectres of Albions Twelve Sons...", William Blake (1804–1820)Jerusalem, plate 78: Chapter 4. "The Spectres of Albions Twelve Sons...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/my-tents-are-fall-n-my-pillars-are-in-ruins-plate-792026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-79-my-tents-are-fall-n-my-pillars-are-in-ruins-1804.webp?v=4d5d8017&r=6-5.8-4.8-4.1Jerusalem, plate 79: "My tents are fall'n! my pillars are in ruins!...", William Blake (1804–1820)Jerusalem, plate 79: "My tents are fall'n! my pillars are in ruins!...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/rose-up-against-me-thundering-plate-82026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-8-rose-up-against-me-thundering-1804.webp?v=183f9bbe&r=6.2-5.8-4.4-4.5Jerusalem, plate 8: "Rose up against me thundering...", William Blake (1804–1820)Jerusalem, plate 8: "Rose up against me thundering...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/encompass-d-by-the-frozen-net-plate-802026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-80-encompass-d-by-the-frozen-net-1804.webp?v=254da1c7&r=5.8-6-4.1-2.4Jerusalem, plate 80: "Encompass'd by the frozen Net...", William Blake (1804–1820)Jerusalem, plate 80: "Encompass'd by the frozen Net...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/i-have-mock-d-those-who-refused-cruelty-plate-812026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-81-i-have-mock-d-those-who-refused-cruelty-1804.webp?v=0c0b55f5&r=6.8-6.2-4.5-1.8Jerusalem, plate 81: "I have mock'd those who refused cruelty...", William Blake (1804–1820)Jerusalem, plate 81: "I have mock'd those who refused cruelty...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/i-have-heard-jerusalems-groans-plate-822026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-82-i-have-heard-jerusalems-groans-1804.webp?v=bfa39d36&r=5.4-5.5-4.1-4.5Jerusalem, plate 82: "I have heard Jerusalems groans...", William Blake (1804–1820)Jerusalem, plate 82: "I have heard Jerusalems groans...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/corruptability-appears-upon-thy-limbs-plate-832026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-83-corruptability-appears-upon-thy-limbs-1804.webp?v=e10a2996&r=6.1-5.8-4.2-4.1Jerusalem, plate 83: "Corruptability appears upon thy limbs...", William Blake (1804–1820)Jerusalem, plate 83: "Corruptability appears upon thy limbs...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/highgates-heights-hampsteads-plate-842026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-84-highgates-heights-hampsteads-1804.webp?v=3eb702b0&r=6.5-6.5-4.8-4.5Jerusalem, plate 84: "Highgates heights & Hampsteads...", William Blake (1804–1820)Jerusalem, plate 84: "Highgates heights & Hampsteads...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/became-a-space-an-allegory-plate-852026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-85-became-a-space-an-allegory-1804.webp?v=87bf99ea&r=6.7-6.5-4.8-4.8Jerusalem, plate 85: "Became a Space & an Allegory...", William Blake (1804–1820)Jerusalem, plate 85: "Became a Space & an Allegory...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/i-see-thy-form-o-lovely-mild-jerusalem-plate-862026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-86-i-see-thy-form-o-lovely-mild-jerusalem-1804.webp?v=c73a063e&r=2.7-2.8-3.6-2.1Jerusalem, plate 86: "I see thy Form O lovely mild Jerusalem...", William Blake (1804–1820)Jerusalem, plate 86: "I see thy Form O lovely mild Jerusalem...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/repelling-weeping-enion-blind-age-bent-plate-872026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-87-repelling-weeping-enion-blind-age-bent-1804.webp?v=cf98c1f8&r=6.2-5.8-4.8-4.6Jerusalem, plate 87: "Repelling weeping Enion blind & age-bent...", William Blake (1804–1820)Jerusalem, plate 87: "Repelling weeping Enion blind & age-bent...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/los-answer-d-sighing-like-the-bellows-of-his-furnaces-plate-882026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-88-los-answer-d-sighing-like-the-bellows-of-his-furnaces-1804.webp?v=4b5bc958&r=6.8-6.1-4.4-5.1Jerusalem, plate 88: "Los answer'd sighing like the Bellows of his Furnaces...", William Blake (1804–1820)Jerusalem, plate 88: "Los answer'd sighing like the Bellows of his Furnaces...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/tho-divided-by-the-cross-nails-thorns-spear-plate-892026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-89-tho-divided-by-the-cross-nails-thorns-spear-1804.webp?v=3a699de4&r=6.8-6.8-4.6-3.5Jerusalem, plate 89: "Tho divided by the Cross & Nails & Thorns & Spear...", William Blake (1804–1820)Jerusalem, plate 89: "Tho divided by the Cross & Nails & Thorns & Spear...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/condens-d-his-emanations-plate-92026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-9-condens-d-his-emanations-1804.webp?v=7fae12c3&r=2.8-3-2.5-2.8Jerusalem, plate 9: "Condens'd his Emanations...", William Blake (1804–1820)Jerusalem, plate 9: "Condens'd his Emanations...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-feminine-separates-from-the-masculine-plate-902026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-90-the-feminine-separates-from-the-masculine-1804.webp?v=daa81a76&r=6.2-6.6-4.9-2.1Jerusalem, plate 90: "The Feminine separates from the Masculine...", William Blake (1804–1820)Jerusalem, plate 90: "The Feminine separates from the Masculine...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/it-is-easier-to-forgive-an-enemy-plate-912026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-91-it-is-easier-to-forgive-an-enemy-1804.webp?v=a9d2054d&r=3.3-3.5-2.6-2.5Jerusalem, plate 91: "It is easier to forgive an enemy...", William Blake (1804–1820)Jerusalem, plate 91: "It is easier to forgive an enemy...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/what-do-i-see-the-briton-saxon-roman-norman-plate-922026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-92-what-do-i-see-the-briton-saxon-roman-norman-1804.webp?v=c0038cbe&r=7.3-7.4-4.5-4.9Jerusalem, plate 92: "What do I see! The Briton Saxon Roman Norman...", William Blake (1804–1820)Jerusalem, plate 92: "What do I see! The Briton Saxon Roman Norman...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/enitharmon-heard-she-raised-her-head-like-the-mild-moon-plate-932026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-93-enitharmon-heard-she-raised-her-head-like-the-mild-moon-1804.webp?v=802245cf&r=3.6-7-4.6-4.8Jerusalem, plate 93: "Enitharmon heard. She raised her head like the mild Moon...", William Blake (1804–1820)Jerusalem, plate 93: "Enitharmon heard. She raised her head like the mild Moon...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/albion-cold-lays-on-his-rock-plate-942026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-94-albion-cold-lays-on-his-rock-1804.webp?v=1c85021d&r=6.7-3.1-4.6-2.1Jerusalem, plate 94: "Albion cold lays on his Rock...", William Blake (1804–1820)Jerusalem, plate 94: "Albion cold lays on his Rock...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/as-the-sun-moon-lead-forward-the-visions-of-heaven-earth-plate-962026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-96-as-the-sun-moon-lead-forward-the-visions-of-heaven-earth-1804.webp?v=331a981b&r=6.7-6-4.2-4.6Jerusalem, plate 96: "As the Sun & Moon lead forward the Visions of Heaven & Earth...", William Blake (1804–1820)Jerusalem, plate 96: "As the Sun & Moon lead forward the Visions of Heaven & Earth...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/awake-awake-jerusalem-plate-972026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-97-awake-awake-jerusalem-1804.webp?v=627b9ddd&r=2.7-4.5-4.6-2.2Jerusalem, plate 97: "Awake! Awake Jerusalem...", William Blake (1804–1820)Jerusalem, plate 97: "Awake! Awake Jerusalem...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/then-each-an-arrow-flaming-from-his-quiver-plate-982026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-98-then-each-an-arrow-flaming-from-his-quiver-1804.webp?v=bd1a007cJerusalem, plate 98: "Then each an Arrow flaming from his Quiver...", William Blake (1804–1820)Jerusalem, plate 98: "Then each an Arrow flaming from his Quiver...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/all-human-forms-identified-the-end-of-the-song-of-jerusalem-colophon2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-99-all-human-forms-identified-the-end-of-the-song-of-jerusalem-colophon-1804.webp?v=c15a5b3a&r=3.9-3.9-3.5-2.1Jerusalem, plate 99: "All Human Forms identified... The End of The Song of Jerusalem" Colophon, William Blake (1804–1820)Jerusalem, plate 99: "All Human Forms identified... The End of The Song of Jerusalem" Colophon, William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/her-voice-pierc-d-albions-clay-cold-ear-plate-952026-10-11https://useum.art/artistes/william-blake/grand/william-blake-jerusalem-planche-95-her-voice-pierc-d-albions-clay-cold-ear-1804.webp?v=bb7339bf&r=3.1-3.7-2.6-2.4Jerusalem, plate 95: "Her voice pierc'd Albions clay cold ear...", William Blake (1804–1820)Jerusalem, plate 95: "Her voice pierc'd Albions clay cold ear...", William Blake (1804–1820). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-great-red-dragon-and-the-woman-clothed-with-the-sun-rev-12-1-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-grand-dragon-rouge-et-la-femme-vetue-de-soleil-ap-12-1-4-1803.webp?v=9376eadbThe Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4), William Blake (c. 1803–1805)The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4), William Blake (c. 1803–1805). Black ink and watercolor over traces of graphite and incised lines on wove paper. Collection: Brooklyn Museum. Public domain. https://useum.art/en/william-blake/angel-of-the-divine-presence-bringing-eve-to-adam-the-creation-of-eve2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-l-ange-de-la-presence-divine-amenant-eve-a-adam-la-creation-d-eve-and-she-shall-be-called-woman-recto-esquisse-pour-le-meme-sujet-verso-1803.webp?v=fddfd739Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso), William Blake (c. 1803)Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso), William Blake (c. 1803). Watercolor, pen and ink over graphite. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/angel-of-the-revelation-book-of-revelation-chapter-102026-10-11https://useum.art/artistes/william-blake/grand/william-blake-l-ange-de-l-apocalypse-livre-de-l-apocalypse-chapitre-10-1803.webp?v=66876d60Angel of the Revelation (Book of Revelation, chapter 10), William Blake (c. 1803)Angel of the Revelation (Book of Revelation, chapter 10), William Blake (c. 1803). Watercolor, pen and ink over graphite. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/war-the-accusers-of-theft-adultery-murder2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-guerre-les-accusateurs-du-vol-de-l-adultere-du-meurtre-1803.webp?v=b88b1894War (The Accusers of Theft, Adultery, Murder), William Blake (c. 1803–1810)War (The Accusers of Theft, Adultery, Murder), William Blake (c. 1803–1810). Engraving. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/joseph-of-arimathea-among-the-rocks-of-albion2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-joseph-d-arimathie-parmi-les-rochers-d-albion-1803.webp?v=0974eee8Joseph of Arimathea Among the Rocks of Albion, William Blake (c. 1803–1810)Joseph of Arimathea Among the Rocks of Albion, William Blake (c. 1803–1810). Engraving. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-dance-of-albion-glad-day2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-danse-d-albion-le-jour-de-joie-1803.webp?v=e3ea591dThe Dance of Albion (Glad Day), William Blake (c. 1803–1810)The Dance of Albion (Glad Day), William Blake (c. 1803–1810). Engraving. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-death-of-saint-joseph2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-mort-de-saint-joseph-1803.webp?v=9d93181dThe Death of Saint Joseph, William Blake (1803)The Death of Saint Joseph, William Blake (1803). Watercolor, pen and ink over graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/joseph-and-potiphar-s-wife2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-joseph-et-la-femme-de-putiphar-1803.webp?v=d1213a3aJoseph and Potiphar's Wife, William Blake (1803–1805)Joseph and Potiphar's Wife, William Blake (1803–1805). Watercolor, pen and ink over graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-entrance-front-of-hayley-s-house-at-eartham2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-facade-d-entree-de-la-maison-de-hayley-a-eartham-1801.webp?v=ea17774dThe Entrance Front of Hayley's House at Eartham, William Blake (1801)The Entrance Front of Hayley's House at Eartham, William Blake (1801). Watercolor, pen and ink over graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/landscape-with-spire2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-paysage-avec-une-fleche-d-eglise-1801.webp?v=2b70108aLandscape with Spire, William Blake (c. 1801)Landscape with Spire, William Blake (c. 1801). Graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/a-woody-landscape2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-un-paysage-boise-1801.webp?v=efb60a07A Woody Landscape, William Blake (c. 1801)A Woody Landscape, William Blake (c. 1801). Watercolor, pen and ink over graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-ghost-of-samuel-appearing-to-saul2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-fantome-de-samuel-apparaissant-a-saul-1800.webp?v=96de6689The Ghost of Samuel Appearing to Saul, William Blake (c. 1800)The Ghost of Samuel Appearing to Saul, William Blake (c. 1800). Watercolor, pen and ink over graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/sealing-the-stone-and-setting-a-watch2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-on-scelle-la-pierre-et-on-pose-une-garde-1800.webp?v=c69c930aSealing the Stone and Setting a Watch, William Blake (1800–1803)Sealing the Stone and Setting a Watch, William Blake (1800–1803). Watercolor, pen and ink over graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/st-matthew2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-saint-matthieu-1799.webp?v=0fb1df7cSt. Matthew, William Blake (1799)St. Matthew, William Blake (1799). Tempera on canvas. Collection: Cleveland Museum of Art. Public domain. https://useum.art/en/william-blake/the-parable-of-the-wise-and-foolish-virgins-012026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-parabole-des-vierges-sages-et-des-vierges-folles-1799.webp?v=f5c60100The Parable of the Wise and Foolish Virgins, William Blake (c. 1799–1800)The Parable of the Wise and Foolish Virgins, William Blake (c. 1799–1800). Watercolor, pen and ink over graphite. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/the-angel-appearing-to-zacharias2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-l-ange-apparaissant-a-zacharie-1799.webp?v=9546d560The Angel Appearing to Zacharias, William Blake (1799–1800)The Angel Appearing to Zacharias, William Blake (1799–1800). Tempera on canvas. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/the-last-supper2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-cene-1799.webp?v=9622cc8dThe Last Supper, William Blake (1799)The Last Supper, William Blake (1799). Tempera on canvas. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/abraham-and-isaac2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-abraham-et-isaac-1799.webp?v=ab5265b3Abraham and Isaac, William Blake (1799–1800)Abraham and Isaac, William Blake (1799–1800). Tempera on canvas. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/christ-giving-sight-to-bartimaeus2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-christ-rendant-la-vue-a-bartimee-1799.webp?v=135c8ca2Christ Giving Sight to Bartimaeus, William Blake (1799–1800)Christ Giving Sight to Bartimaeus, William Blake (1799–1800). Tempera on canvas. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/poems-by-mr-gray-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-poemes-de-m-gray-page-de-titre-1797.webp?v=2ce7e48eDesigns for Gray's Poems: Poems by Mr. Gray; Title Page, William Blake (1797–1798)Designs for Gray's Poems: Poems by Mr. Gray; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/nor-fear-the-rocks-nor-seek-the-shore-design-1012026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-101-nor-fear-the-rocks-nor-seek-the-shore-1797.webp?v=2de040c8Designs for Gray's Poems, design 101: "Nor fear the rocks, nor seek the shore...", William Blake (1797–1798)Designs for Gray's Poems, design 101: "Nor fear the rocks, nor seek the shore...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/epitaph-on-mrs-clarke-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-epitaphe-de-mrs-clarke-page-de-titre-1797.webp?v=b30931d1Designs for Gray's Poems: Epitaph on Mrs. Clarke; Title Page, William Blake (1797–1798)Designs for Gray's Poems: Epitaph on Mrs. Clarke; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/elegy-written-in-a-country-church-yard-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-elegie-ecrite-dans-un-cimetiere-de-campagne-page-de-titre-1797.webp?v=d0234b36Designs for Gray's Poems: Elegy Written in a Country Church-Yard; Title Page, William Blake (1797–1798)Designs for Gray's Poems: Elegy Written in a Country Church-Yard; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-plowman-homeward-plods-his-weary-way-and-leaves-the-world-to2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-107-the-plowman-homeward-plods-his-weary-way-and-leaves-the-world-to-darkness-and-to-me-1797.webp?v=46b15ffaDesigns for Gray's Poems, design 107: The plowman homeward plods his weary way, And leaves the world to darkness, and to me...", William Blake (1797–1798)Designs for Gray's Poems, design 107: The plowman homeward plods his weary way, And leaves the world to darkness, and to me...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/oft-did-the-harvest-to-their-sickle-yield-design-1092026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-109-oft-did-the-harvest-to-their-sickle-yield-1797.webp?v=2da11eebDesigns for Gray's Poems, design 109: "Oft did the harvest to their sickle yield...", William Blake (1797–1798)Designs for Gray's Poems, design 109: "Oft did the harvest to their sickle yield...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/malignant-fate-sat-by-and-smil-d-the-slipp-ry-verge-her-feet-beguil-d2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-11-malignant-fate-sat-by-and-smil-d-the-slipp-ry-verge-her-feet-beguil-d-1797.webp?v=76adc30dDesigns for Gray's Poems, design 11: "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd...", William Blake (1797–1798)Designs for Gray's Poems, design 11: "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/somevillage-hampden-that-with-dauntless-breast-the-little-tyrant-of2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-111-somevillage-hampden-that-with-dauntless-breast-the-little-tyrant-of-his-fields-withstood-1797.webp?v=7373c244Designs for Gray's Poems, design 111: "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..,", William Blake (1797–1798)Designs for Gray's Poems, design 111: "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..,", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/some-kindred-spirit-shall-inquire-thy-fate-haply-some-hoary-headed2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-113-some-kindred-spirit-shall-inquire-thy-fate-haply-some-hoary-headed-swain-may-say-1797.webp?v=c7a82098Designs for Gray's Poems, design 113: "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say...", William Blake (1797–1798)Designs for Gray's Poems, design 113: "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/a-shepherd-reading-the-epitaph-design-1152026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-115-un-berger-lisant-l-epitaphe-1797.webp?v=8f6d8f47Designs for Gray's Poems, design 115: A Shepherd Reading the Epitaph, William Blake (1797–1798)Designs for Gray's Poems, design 115: A Shepherd Reading the Epitaph, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ode-on-a-distant-prospect-of-eton-college-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-ode-sur-une-vue-lointaine-du-college-d-eton-page-de-titre-1797.webp?v=6c2adeccDesigns for Gray's Poems: Ode on a Distant Prospect of Eton College; Title Page, William Blake (1797–1798)Designs for Gray's Poems: Ode on a Distant Prospect of Eton College; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/her-henry-s-holy-shade-design-152026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-15-her-henry-s-holy-shade-1797.webp?v=88d47a36Designs for Gray's Poems, design 15: "Her Henry's holy shade...", William Blake (1797–1798)Designs for Gray's Poems, design 15: "Her Henry's holy shade...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/to-chase-the-rolling-circle-s-speed-design-172026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-17-to-chase-the-rolling-circle-s-speed-1797.webp?v=380d3545Designs for Gray's Poems, design 17: "To chase the rolling circle's speed...", William Blake (1797–1798)Designs for Gray's Poems, design 17: "To chase the rolling circle's speed...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ambition-this-shall-tempt-to-rise-the-whirl-the-wretch-from-high2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-19-ambition-this-shall-tempt-to-rise-the-whirl-the-wretch-from-high-1797.webp?v=20332e00Designs for Gray's Poems, design 19: "Ambition this shall tempt to rise, The whirl the wretch from high...", William Blake (1797–1798)Designs for Gray's Poems, design 19: "Ambition this shall tempt to rise, The whirl the wretch from high...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/where-ignorance-is-bliss-tis-folly-to-be-wise-design-212026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-21-where-ignorance-is-bliss-tis-folly-to-be-wise-1797.webp?v=9539409eDesigns for Gray's Poems, design 21: "Where ignorance is bliss, 'Tis folly to be wise.", William Blake (1797–1798)Designs for Gray's Poems, design 21: "Where ignorance is bliss, 'Tis folly to be wise.", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/a-long-story-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-une-longue-histoire-page-de-titre-1797.webp?v=48233351Designs for Gray's Poems: A Long Story; Title Page, William Blake (1797–1798)Designs for Gray's Poems: A Long Story; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/an-ancient-pile-of-building-stands-there-employed-the-power-of-fairy2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-25-an-ancient-pile-of-building-stands-there-employed-the-power-of-fairy-hands-1797.webp?v=0f7c7dafDesigns for Gray's Poems, design 25: "An ancient pile of building stands... there Employed the power of Fairy hands", William Blake (1797–1798)Designs for Gray's Poems, design 25: "An ancient pile of building stands... there Employed the power of Fairy hands", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/a-brace-of-warriors-rustling-in-their-silks-and-tissues-design-272026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-27-a-brace-of-warriors-rustling-in-their-silks-and-tissues-1797.webp?v=bc80579dDesigns for Gray's Poems, design 27: "A brace of warriors... rustling in their silks and tissues...", William Blake (1797–1798)Designs for Gray's Poems, design 27: "A brace of warriors... rustling in their silks and tissues...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/up-stairs-in-a-whirlwind-rattle-design-292026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-29-up-stairs-in-a-whirlwind-rattle-1797.webp?v=491a948cDesigns for Gray's Poems, design 29: "Up stairs in a whirlwind rattle...", William Blake (1797–1798)Designs for Gray's Poems, design 29: "Up stairs in a whirlwind rattle...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ode-on-the-spring-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-ode-au-printemps-page-de-titre-1797.webp?v=cb3848ffDesigns for Gray's Poems: Ode on the Spring; Title Page, William Blake (1797–1798)Designs for Gray's Poems: Ode on the Spring; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/at-the-chapel-door-stand-sentry-design-312026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-31-at-the-chapel-door-stand-sentry-1797.webp?v=263cc7b2Designs for Gray's Poems, design 31: "At the chapel-door stand sentry..., William Blake (1797–1798)Designs for Gray's Poems, design 31: "At the chapel-door stand sentry..., William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/my-lade-rose-and-with-a-grace-she-smil-d-and-bid-him-come-to-dinner2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-33-my-lade-rose-and-with-a-grace-she-smil-d-and-bid-him-come-to-dinner-1797.webp?v=059dc76aDesigns for Gray's Poems, design 33: "My Lade rose, and with a grace– She smil'd, and bid him come to dinner...", William Blake (1797–1798)Designs for Gray's Poems, design 33: "My Lade rose, and with a grace– She smil'd, and bid him come to dinner...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ode-to-adversity-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-ode-a-l-adversite-page-de-titre-1797.webp?v=bbe93a26Designs for Gray's Poems: Ode to Adversity; Title Page, William Blake (1797–1798)Designs for Gray's Poems: Ode to Adversity; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-purple-tyrants-vainly-groan-design-372026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-37-and-purple-tyrants-vainly-groan-1797.webp?v=fee8ae29Designs for Gray's Poems, design 37: "And purple tyrants vainly groan...", William Blake (1797–1798)Designs for Gray's Poems, design 37: "And purple tyrants vainly groan...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/with-screaming-horror-s-funeral-cry-despair-and-fell-disease-and2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-39-with-screaming-horror-s-funeral-cry-despair-and-fell-disease-and-ghastly-poverty-1797.webp?v=d5427642Designs for Gray's Poems, design 39: "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty...", William Blake (1797–1798)Designs for Gray's Poems, design 39: "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-progress-of-poesy-a-pindaric-ode-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-le-progres-de-la-poesie-une-ode-pindarique-page-de-titre-1797.webp?v=391611e9Designs for Gray's Poems: The Progress of Poesy, A Pindaric Ode; Title Page, William Blake (1797–1798)Designs for Gray's Poems: The Progress of Poesy, A Pindaric Ode; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-laughing-flowers-that-round-them-blow-drink-life-and-fragrance-as2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-43-the-laughing-flowers-that-round-them-blow-drink-life-and-fragrance-as-they-flow-1797.webp?v=7d2da04eDesigns for Gray's Poems, design 43: "The laughing flowers, that round them blow, Drink life and fragrance as they flow...", William Blake (1797–1798)Designs for Gray's Poems, design 43: "The laughing flowers, that round them blow, Drink life and fragrance as they flow...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/cytherea-s-day-design-452026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-45-cytherea-s-day-1797.webp?v=a0ae7b58Designs for Gray's Poems, design 45: "Cytherea's Day...", William Blake (1797–1798)Designs for Gray's Poems, design 45: "Cytherea's Day...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/where-shaggy-forms-o-er-ice-built-mountains-roam-design-472026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-47-where-shaggy-forms-o-er-ice-built-mountains-roam-1797.webp?v=1cf460bcDesigns for Gray's Poems, design 47: "Where shaggy forms o'er ice-built mountains roam...", William Blake (1797–1798)Designs for Gray's Poems, design 47: "Where shaggy forms o'er ice-built mountains roam...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/to-him-the-mighty-mother-did-unveil-her-awful-face-design-492026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-49-to-him-the-mighty-mother-did-unveil-her-awful-face-1797.webp?v=9ab7bdefDesigns for Gray's Poems, design 49: "To him the mighty mother did unveil Her awful face...", William Blake (1797–1798)Designs for Gray's Poems, design 49: "To him the mighty mother did unveil Her awful face...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/brush-d-by-the-hand-of-rough-mischance-or-chill-d-by-age-design-52026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-5-brush-d-by-the-hand-of-rough-mischance-or-chill-d-by-age-1797.webp?v=a2429945Designs for Gray's Poems, design 5: "Brush'd by the hand of rough Mischance, Or chill'd by Age...", William Blake (1797–1798)Designs for Gray's Poems, design 5: "Brush'd by the hand of rough Mischance, Or chill'd by Age...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/yet-oft-before-his-infant-eyes-would-run-such-forms-as-glitter-in-the2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-51-yet-oft-before-his-infant-eyes-would-run-such-forms-as-glitter-in-the-muse-s-ray-1797.webp?v=adf53a45Designs for Gray's Poems, design 51: "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray...", William Blake (1797–1798)Designs for Gray's Poems, design 51: "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-bard-a-pindaric-ode-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-le-barde-une-ode-pindarique-page-de-titre-1797.webp?v=8e3b8a04Designs for Gray's Poems: The Bard, A Pindaric Ode; Title Page, William Blake (1797–1798)Designs for Gray's Poems: The Bard, A Pindaric Ode; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-bard-weaving-edwards-fate-design-552026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-55-le-barde-tissant-le-destin-d-edouard-1797.webp?v=815a68c0Designs for Gray's Poems, design 55: The Bard Weaving Edwards Fate, William Blake (1797–1798)Designs for Gray's Poems, design 55: The Bard Weaving Edwards Fate, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/hark-how-each-giant-oak-and-desert-cave-sigh-to-the-torrent-s-awful2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-57-hark-how-each-giant-oak-and-desert-cave-sigh-to-the-torrent-s-awful-voice-beneath-1797.webp?v=1c0aa11dDesigns for Gray's Poems, design 57: "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!...", William Blake (1797–1798)Designs for Gray's Poems, design 57: "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/o-er-thy-country-hangs-the-scourge-of-heav-n-design-592026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-59-o-er-thy-country-hangs-the-scourge-of-heav-n-1797.webp?v=0de1f154Designs for Gray's Poems, design 59: "O'er thy country hangs The scourge of Heav'n...", William Blake (1797–1798)Designs for Gray's Poems, design 59: "O'er thy country hangs The scourge of Heav'n...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/fell-thirst-and-famine-scowl-a-baleful-smile-upon-their-baffled-guest2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-61-fell-thirst-and-famine-scowl-a-baleful-smile-upon-their-baffled-guest-1797.webp?v=742b89a4Designs for Gray's Poems, design 61: "Fell thirst and famine scowl A baleful smile upon their baffled guest...", William Blake (1797–1798)Designs for Gray's Poems, design 61: "Fell thirst and famine scowl A baleful smile upon their baffled guest...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/elizabeth-girt-with-many-a-baron-bold-design-632026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-63-elisabeth-girt-with-many-a-baron-bold-1797.webp?v=8168aa45Designs for Gray's Poems, design 63: Elizabeth. "Girt with many a Baron bold...", William Blake (1797–1798)Designs for Gray's Poems, design 63: Elizabeth. "Girt with many a Baron bold...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/headlong-from-the-mountain-s-height-deep-in-the-roaring-tide-he-plung2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-65-headlong-from-the-mountain-s-height-deep-in-the-roaring-tide-he-plung-d-to-endless-night-1797.webp?v=04ac4ff6Designs for Gray's Poems, design 65: "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night.", William Blake (1797–1798)Designs for Gray's Poems, design 65: "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night.", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-fatal-sisters-an-ode-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-les-soeurs-fatales-une-ode-page-de-titre-1797.webp?v=0b57ebf3Designs for Gray's Poems: The Fatal Sisters, An Ode; Title Page, William Blake (1797–1798)Designs for Gray's Poems: The Fatal Sisters, An Ode; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/sigtryg-with-the-silken-beard-design-692026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-69-sigtryg-a-la-barbe-de-soie-1797.webp?v=6654f742Designs for Gray's Poems, design 69: Sigtryg with the Silken Beard, William Blake (1797–1798)Designs for Gray's Poems, design 69: Sigtryg with the Silken Beard, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ode-on-the-death-of-a-favourite-cat-drowned-in-a-tub-of-gold-fishes2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-ode-sur-la-mort-d-un-chat-favori-noye-dans-un-bac-de-poissons-rouges-page-de-titre-1797.webp?v=b517a893Designs for Gray's Poems: Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page, William Blake (1797–1798)Designs for Gray's Poems: Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/iron-sleet-of-arrowy-shower-hurtles-in-the-darkened-air-design-712026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-71-iron-sleet-of-arrowy-shower-hurtles-in-the-darkened-air-1797.webp?v=d2d1a4f0Designs for Gray's Poems, design 71: "Iron sleet of arrowy shower Hurtles in the darkened air...", William Blake (1797–1798)Designs for Gray's Poems, design 71: "Iron sleet of arrowy shower Hurtles in the darkened air...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/we-the-reins-to-slaughter-give-design-732026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-73-we-the-reins-to-slaughter-give-1797.webp?v=49bae01eDesigns for Gray's Poems, design 73: "We the reins to slaughter give...", William Blake (1797–1798)Designs for Gray's Poems, design 73: "We the reins to slaughter give...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/hurry-hurry-to-the-field-design-752026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-75-hurry-hurry-to-the-field-1797.webp?v=52ac6e68Designs for Gray's Poems, design 75: "Hurry, hurry, to the field!", William Blake (1797–1798)Designs for Gray's Poems, design 75: "Hurry, hurry, to the field!", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-descent-of-odin-an-ode-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-la-descente-d-odin-une-ode-page-de-titre-1797.webp?v=32ddf0d9Designs for Gray's Poems: The Descent of Odin, An Ode; Title Page, William Blake (1797–1798)Designs for Gray's Poems: The Descent of Odin, An Ode; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/him-the-dog-of-darkness-spied-design-792026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-79-him-the-dog-of-darkness-spied-1797.webp?v=15efac6eDesigns for Gray's Poems, design 79: "Him the dog of darkness spied...", William Blake (1797–1798)Designs for Gray's Poems, design 79: "Him the dog of darkness spied...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-prophetess-rising-from-her-grave-design-812026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-81-la-prophetesse-sortant-de-sa-tombe-1797.webp?v=4b79ddafDesigns for Gray's Poems, design 81: The Prophetess Rising from Her Grave, William Blake (1797–1798)Designs for Gray's Poems, design 81: The Prophetess Rising from Her Grave, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/a-wond-rous-boy-shall-rinda-bear-who-ne-er-shall-comb-his-raven-hair2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-83-a-wond-rous-boy-shall-rinda-bear-who-ne-er-shall-comb-his-raven-hair-1797.webp?v=f0ccd6a3Designs for Gray's Poems, design 83: "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair...", William Blake (1797–1798)Designs for Gray's Poems, design 83: "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/hie-thee-hence-and-boast-at-home-design-852026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-85-hie-thee-hence-and-boast-at-home-1797.webp?v=a58ce147Designs for Gray's Poems, design 85: "Hie thee hence, and boast at home...", William Blake (1797–1798)Designs for Gray's Poems, design 85: "Hie thee hence, and boast at home...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-triumphs-of-owen-a-fragment-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-les-triomphes-d-owen-un-fragment-page-de-titre-1797.webp?v=11764372Designs for Gray's Poems: The Triumphs of Owen, A Fragment; Title Page, William Blake (1797–1798)Designs for Gray's Poems: The Triumphs of Owen, A Fragment; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-bard-singing-owen-s-praise-design-892026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-89-le-barde-chantant-les-louanges-d-owen-1797.webp?v=1a068f84Designs for Gray's Poems, design 89: The Bard Singing Owen's Praise, William Blake (1797–1798)Designs for Gray's Poems, design 89: The Bard Singing Owen's Praise, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-pensive-selima-her-ears-of-jet-and-emerald-eyes-she-saw-and-purr2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-9-the-pensive-selima-her-ears-of-jet-and-emerald-eyes-she-saw-and-purr-d-applause-1797.webp?v=d330657cDesigns for Gray's Poems, design 9: "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause...", William Blake (1797–1798)Designs for Gray's Poems, design 9: "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/fear-to-stop-and-shame-to-fly-design-912026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-91-fear-to-stop-and-shame-to-fly-1797.webp?v=423dc186Designs for Gray's Poems, design 91: "Fear to stop, and shame to fly...", William Blake (1797–1798)Designs for Gray's Poems, design 91: "Fear to stop, and shame to fly...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ode-for-music-performed-in-the-senate-house-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-ode-pour-la-musique-executee-au-senate-house-page-de-titre-1797.webp?v=91cab2a8Designs for Gray's Poems: Ode for Music, Performed in the Senate-House; Title Page, William Blake (1797–1798)Designs for Gray's Poems: Ode for Music, Performed in the Senate-House; Title Page, William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/a-genius-driving-away-comus-his-midnight-crew-design-952026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-95-un-genie-chassant-comus-his-midnight-crew-1797.webp?v=408aef48Designs for Gray's Poems, design 95: A Genius Driving Away "Comus & his midnight-crew...", William Blake (1797–1798)Designs for Gray's Poems, design 95: A Genius Driving Away "Comus & his midnight-crew...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/oft-woo-d-the-gleam-of-cynthia-silver-bright-where-willowy-camus2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-97-oft-woo-d-the-gleam-of-cynthia-silver-bright-where-willowy-camus-lingers-with-delight-1797.webp?v=290048b4Designs for Gray's Poems, design 97: "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!...", William Blake (1797–1798)Designs for Gray's Poems, design 97: "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/leaning-from-her-golden-cloud-the-venerable-marg-ret-see-design-992026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dessins-pour-les-poemes-de-gray-dessin-99-leaning-from-her-golden-cloud-the-venerable-marg-ret-see-1797.webp?v=6310d123Designs for Gray's Poems, design 99: "Leaning from her golden cloud, The venerable Marg'ret see!...", William Blake (1797–1798)Designs for Gray's Poems, design 99: "Leaning from her golden cloud, The venerable Marg'ret see!...", William Blake (1797–1798). Watercolor, pen and black ink over graphite, with inlaid letterpress page. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/where-sense-runs-savage-broke-from-reason-s-chain-page-462026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-46-where-sense-runs-savage-broke-from-reason-s-chain-1797.webp?v=afcd5f48&r=11-3-6-3.5Night Thoughts, page 46: 'Where sense runs savage broke from reason's chain', William Blake (c. 1797)Night Thoughts, page 46: 'Where sense runs savage broke from reason's chain', William Blake (c. 1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-vapid-sense-and-reason-shew-the-door-page-722026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-72-and-vapid-sense-and-reason-shew-the-door-1797.webp?v=2ce7f5a2&r=11-3-6-3.5Night Thoughts, page 72: 'And vapid; sense and reason shew the door', William Blake (c. 1797)Night Thoughts, page 72: 'And vapid; sense and reason shew the door', William Blake (c. 1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/night-the-first-on-life-death-and-immortality-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-premiere-nuit-de-la-vie-de-la-mort-et-de-l-immortalite-page-de-titre-1797.webp?v=dc202cf0Night Thoughts: Night the First. On Life, Death, and Immortality; Title Page, William Blake (1797)Night Thoughts: Night the First. On Life, Death, and Immortality; Title Page, William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/oft-bursts-my-song-beyond-the-bounds-of-life-page-162026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-16-oft-bursts-my-song-beyond-the-bounds-of-life-1797.webp?v=c98d8cf0Night Thoughts, page 16: 'Oft bursts my song beyond the bounds of life', William Blake (1797)Night Thoughts, page 16: 'Oft bursts my song beyond the bounds of life', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/night-the-second-on-time-death-and-friendship-title-page-page-172026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-17-seconde-nuit-du-temps-de-la-mort-et-de-l-amitie-page-de-titre-1797.webp?v=7378c67cNight Thoughts, page 17: Night the Second. On Time, Death, and Friendship; Title Page, William Blake (1797)Night Thoughts, page 17: Night the Second. On Time, Death, and Friendship; Title Page, William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/emblem-of-that-which-shall-awake-the-dead-page-192026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-19-emblem-of-that-which-shall-awake-the-dead-1797.webp?v=e8389a12Night Thoughts, page 19: 'Emblem of that which shall awake the dead', William Blake (1797)Night Thoughts, page 19: 'Emblem of that which shall awake the dead', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/we-censure-nature-for-a-span-too-short-page-232026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-23-we-censure-nature-for-a-span-too-short-1797.webp?v=50e0036cNight Thoughts, page 23: 'We censure nature for a span too short', William Blake (1797)Night Thoughts, page 23: 'We censure nature for a span too short', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/time-in-advance-behind-him-hides-his-wings-page-242026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-24-time-in-advance-behind-him-hides-his-wings-1797.webp?v=20d9f0f7Night Thoughts, page 24: 'Time, in advance, behind him hides his wings', William Blake (1797)Night Thoughts, page 24: 'Time, in advance, behind him hides his wings', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/behold-him-when-past-by-what-then-is-seen-page-252026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-25-behold-him-when-past-by-what-then-is-seen-1797.webp?v=81762ef6Night Thoughts, page 25: 'Behold him, when past by; what then is seen', William Blake (1797)Night Thoughts, page 25: 'Behold him, when past by; what then is seen', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/measuring-his-motions-by-revolving-spheres-page-262026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-26-measuring-his-motions-by-revolving-spheres-1797.webp?v=8b34d725Night Thoughts, page 26: 'Measuring his motions by revolving spheres', William Blake (1797)Night Thoughts, page 26: 'Measuring his motions by revolving spheres', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/o-treacherous-conscience-while-she-seems-to-sleep-page-272026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-27-o-treacherous-conscience-while-she-seems-to-sleep-1797.webp?v=e0dfae86Night Thoughts, page 27: 'O treacherous conscience! while she seems to sleep", William Blake (1797)Night Thoughts, page 27: 'O treacherous conscience! while she seems to sleep", William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/tis-greatly-wise-to-talk-with-our-past-hours-page-312026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-31-tis-greatly-wise-to-talk-with-our-past-hours-1797.webp?v=f81a31a2Night Thoughts, page 31: 'Tis greatly wise to talk with our past hours', William Blake (1797)Night Thoughts, page 31: 'Tis greatly wise to talk with our past hours', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/like-that-the-dial-speaks-and-points-to-thee-page-332026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-33-like-that-the-dial-speaks-and-points-to-thee-1797.webp?v=8e3f67c1Night Thoughts, page 33: 'Like that, the dial speaks; and points to thee', William Blake (1797)Night Thoughts, page 33: 'Like that, the dial speaks; and points to thee', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/swift-on-his-downy-pinion-flies-from-woe-page-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-1-swift-on-his-downy-pinion-flies-from-woe-1797.webp?v=980df853Night Thoughts, page 1: 'Swift on his downy pinion flies from woe', William Blake (1797)Night Thoughts, page 1: 'Swift on his downy pinion flies from woe', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/teaching-we-learn-and-giving-we-retain-page-352026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-35-teaching-we-learn-and-giving-we-retain-1797.webp?v=052245d0Night Thoughts, page 35: 'Teaching, we learn; and giving, we retain', William Blake (1797)Night Thoughts, page 35: 'Teaching, we learn; and giving, we retain', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/love-and-love-only-is-the-loan-for-love-page-372026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-37-love-and-love-only-is-the-loan-for-love-1797.webp?v=79cb1024Night Thoughts, page 37: 'Love, and love only, is the loan for love', William Blake (1797)Night Thoughts, page 37: 'Love, and love only, is the loan for love', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/angels-should-paint-it-angels-ever-there-page-402026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-40-angels-should-paint-it-angels-ever-there-1797.webp?v=21c162d9Night Thoughts, page 40: 'Angels should paint it, angels ever there', William Blake (1797)Night Thoughts, page 40: 'Angels should paint it, angels ever there', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/one-radiant-mark-the-death-bed-of-the-just-page-412026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-41-one-radiant-mark-the-death-bed-of-the-just-1797.webp?v=2956789cNight Thoughts, page 41: 'One radiant mark, – the death-bed of the just', William Blake (1797)Night Thoughts, page 41: 'One radiant mark, – the death-bed of the just', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/night-the-third-narcissa-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-troisieme-nuit-narcissa-page-de-titre-1797.webp?v=b02349d8Night Thoughts: Night the Third. Narcissa; Title Page, William Blake (1797)Night Thoughts: Night the Third. Narcissa; Title Page, William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/as-if-the-sun-could-envy-check-d-his-beam-page-492026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-49-as-if-the-sun-could-envy-check-d-his-beam-1797.webp?v=08f35208Night Thoughts, page 49: 'As if the sun could envy, check'd his beam', William Blake (1797)Night Thoughts, page 49: 'As if the sun could envy, check'd his beam', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-vale-of-death-that-hush-d-cimmerian-vale-page-542026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-54-the-vale-of-death-that-hush-d-cimmerian-vale-1797.webp?v=e0a266e4Night Thoughts, page 54: 'The vale of death! that hush'd cimmerian vale', William Blake (1797)Night Thoughts, page 54: 'The vale of death! that hush'd cimmerian vale', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ungrateful-shall-we-grieve-their-hovering-shades-page-552026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-55-ungrateful-shall-we-grieve-their-hovering-shades-1797.webp?v=3ba4aa39Night Thoughts, page 55: 'Ungrateful, shall we grieve their hovering shades', William Blake (1797)Night Thoughts, page 55: 'Ungrateful, shall we grieve their hovering shades', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/trembling-each-gulp-lest-death-should-snatch-the-bowl-page-572026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-57-trembling-each-gulp-lest-death-should-snatch-the-bowl-1797.webp?v=44137b5cNight Thoughts, page 57: 'Trembling each gulp, lest death should snatch the bowl', William Blake (1797)Night Thoughts, page 57: 'Trembling each gulp, lest death should snatch the bowl', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/this-king-of-terrors-is-the-prince-of-peace-page-632026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-63-this-king-of-terrors-is-the-prince-of-peace-1797.webp?v=9fb0b28fNight Thoughts, page 63: 'This King of Terrors is the Prince of Peace', William Blake (1797)Night Thoughts, page 63: 'This King of Terrors is the Prince of Peace', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/what-though-my-soul-fantastick-measures-trod-page-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-4-what-though-my-soul-fantastick-measures-trod-1797.webp?v=f82c3283Night Thoughts, page 4: 'What, though my soul fantastick measures trod', William Blake (1797)Night Thoughts, page 4: 'What, though my soul fantastick measures trod', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-christian-triumph-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-le-triomphe-chretien-page-de-titre-1797.webp?v=88828c19Night Thoughts: The Christian Triumph; Title Page, William Blake (1797)Night Thoughts: The Christian Triumph; Title Page, William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/till-death-that-mighty-hunter-earths-them-all-page-702026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-70-till-death-that-mighty-hunter-earths-them-all-1797.webp?v=2fe5023bNight Thoughts, page 70: 'Till death, that mighty hunter, earths them all', William Blake (1797)Night Thoughts, page 70: 'Till death, that mighty hunter, earths them all', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/draw-the-dire-steel-ah-no-the-dreadful-blessing-page-732026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-73-draw-the-dire-steel-ah-no-the-dreadful-blessing-1797.webp?v=1c816731Night Thoughts, page 73: 'Draw the dire steel? – ah no! – the dreadful blessing', William Blake (1797)Night Thoughts, page 73: 'Draw the dire steel? – ah no! – the dreadful blessing', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-sun-beheld-it-no-the-shocking-scene-page-752026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-75-the-sun-beheld-it-no-the-shocking-scene-1797.webp?v=0c3679a4Night Thoughts, page 75: 'The Sun beheld it – No, the shocking scene', William Blake (1797)Night Thoughts, page 75: 'The Sun beheld it – No, the shocking scene', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-thunder-if-in-that-the-almighty-dwells-page-802026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-80-the-thunder-if-in-that-the-almighty-dwells-1797.webp?v=9660614bNight Thoughts, page 80: 'The thunder, if in that the Almighty dwells', William Blake (1797)Night Thoughts, page 80: 'The thunder, if in that the Almighty dwells', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/his-hand-the-good-man-fastens-on-the-skies-page-862026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-86-his-hand-the-good-man-fastens-on-the-skies-1797.webp?v=f2c0bca5Night Thoughts, page 86: 'His hand the good man fastens on the skies', William Blake (1797)Night Thoughts, page 86: 'His hand the good man fastens on the skies', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/is-lost-in-love-thou-great-philanthropist-page-872026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-87-is-lost-in-love-thou-great-philanthropist-1797.webp?v=55cc6f6dNight Thoughts, page 87: 'Is lost in love! thou great Philanthropist', William Blake (1797)Night Thoughts, page 87: 'Is lost in love! thou great Philanthropist', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/but-for-the-blessing-wrestle-not-with-heaven-page-882026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-88-but-for-the-blessing-wrestle-not-with-heaven-1797.webp?v=63327181Night Thoughts, page 88: 'But for the blessing wrestle not with heaven', William Blake (1797)Night Thoughts, page 88: 'But for the blessing wrestle not with heaven', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/that-touch-with-charm-celestial-heals-the-soul-page-902026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-90-that-touch-with-charm-celestial-heals-the-soul-1797.webp?v=8c8a699cNight Thoughts, page 90: 'That touch, with charm celestial heals the soul', William Blake (1797)Night Thoughts, page 90: 'That touch, with charm celestial heals the soul', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/when-faith-is-virtue-reason-makes-it-so-page-922026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-92-when-faith-is-virtue-reason-makes-it-so-1797.webp?v=c7398e7dNight Thoughts, page 92: 'When faith is virtue, reason makes it so', William Blake (1797)Night Thoughts, page 92: 'When faith is virtue, reason makes it so', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/till-at-death-s-toll-whose-restless-iron-tongue-page-72026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-7-till-at-death-s-toll-whose-restless-iron-tongue-1797.webp?v=da2e0842Night Thoughts, page 7: 'Till at Death's toll, whose restless iron tongue', William Blake (1797)Night Thoughts, page 7: 'Till at Death's toll, whose restless iron tongue', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/if-angels-tremble-tis-at-such-a-sight-page-932026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-93-if-angels-tremble-tis-at-such-a-sight-1797.webp?v=dc5d8f73Night Thoughts, page 93: 'If angels tremble, 'tis at such a sight', William Blake (1797)Night Thoughts, page 93: 'If angels tremble, 'tis at such a sight', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-goddess-bursts-in-thunder-and-in-flame-page-952026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-95-the-goddess-bursts-in-thunder-and-in-flame-1797.webp?v=e70ccf57Night Thoughts, page 95: 'The goddess bursts in thunder and in flame', William Blake (1797)Night Thoughts, page 95: 'The goddess bursts in thunder and in flame', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/death-great-proprietor-of-all-tis-thine-page-82026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-8-death-great-proprietor-of-all-tis-thine-1797.webp?v=f929bc0aNight Thoughts, page 8: 'Death! great proprietor of all! 'tis thine', William Blake (1797)Night Thoughts, page 8: 'Death! great proprietor of all! 'tis thine', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/disease-invades-the-chastest-temperence-page-102026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-10-disease-invades-the-chastest-temperence-1797.webp?v=26270394Night Thoughts, page 10: 'Disease invades the chastest temperence', William Blake (1797)Night Thoughts, page 10: 'Disease invades the chastest temperence', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/its-favours-here-are-trials-not-rewards-page-122026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-12-its-favours-here-are-trials-not-rewards-1797.webp?v=ba60718fNight Thoughts, page 12: 'Its favours here are trials, not rewards', William Blake (1797)Night Thoughts, page 12: 'Its favours here are trials, not rewards', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-present-moment-terminates-our-sight-page-132026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-13-the-present-moment-terminates-our-sight-1797.webp?v=c92ff6aaNight Thoughts, page 13: 'The present moment terminates our sight', William Blake (1797)Night Thoughts, page 13: 'The present moment terminates our sight', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-longest-night-though-longer-far-would-fail-page-152026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pensees-nocturnes-page-15-the-longest-night-though-longer-far-would-fail-1797.webp?v=098c9140Night Thoughts, page 15: 'The longest night though longer far, would fail', William Blake (1797)Night Thoughts, page 15: 'The longest night though longer far, would fail', William Blake (1797). Etching, engraving and letterpress, hand-colored with watercolor. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-soul-hovering-over-the-body-from-marriage-of-heaven-and-hell2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-l-ame-planant-au-dessus-du-corps-extrait-du-mariage-du-ciel-et-de-l-enfer-planche-14-1796.webp?v=b8af4736The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14], William Blake (c. 1796)The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14], William Blake (c. 1796). Color-printed relief etching with watercolor and pen. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/newton2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-newton-1795.webp?v=c4971f27Newton, William Blake (1795–1805)Newton, William Blake (1795–1805). Color print, ink and watercolor on paper. Collection: Tate. Public domain. https://useum.art/en/william-blake/nebuchadnezzar2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-nabuchodonosor-1795.webp?v=c3adeb97Nebuchadnezzar, William Blake (1795–1805)Nebuchadnezzar, William Blake (1795–1805). Color print, ink and watercolor on paper. Collection: Tate. Public domain. https://useum.art/en/william-blake/sketch-for-the-thought-of-death-alone-the-fear-destroys2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-esquisse-pour-the-thought-of-death-alone-the-fear-destroys-1795.webp?v=507ef9f7Sketch for "The Thought of Death alone, the Fear Destroys", William Blake (c. 1795)Sketch for "The Thought of Death alone, the Fear Destroys", William Blake (c. 1795). Graphite. Collection: Cleveland Museum of Art. Public domain. https://useum.art/en/william-blake/satan-exulting-over-eve2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-satan-exultant-au-dessus-d-eve-1795.webp?v=94e086faSatan Exulting over Eve, William Blake (1795)Satan Exulting over Eve, William Blake (1795). Watercolor, pen and ink over graphite. Collection: J. Paul Getty Museum. Public domain. https://useum.art/en/william-blake/god-judging-adam2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-dieu-jugeant-adam-1795.webp?v=11f72675&r=3.8-4.1-4.8-4.9God Judging Adam, William Blake (c. 1795)God Judging Adam, William Blake (c. 1795). Color-printed relief etching with watercolor and pen. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/pity-012026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-pitie-1795.webp?v=98ca9907Pity, William Blake (c. 1795)Pity, William Blake (c. 1795). Color-printed relief etching with watercolor and pen. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/christ-appearing-to-his-disciples-after-the-resurrection2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-christ-apparaissant-a-ses-disciples-apres-la-resurrection-1795.webp?v=09b0a42aChrist Appearing to His Disciples After the Resurrection, William Blake (c. 1795)Christ Appearing to His Disciples After the Resurrection, William Blake (c. 1795). Color monotype with watercolor and pen. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/pity-022026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-pitie-1795-ale-7243.webp?v=88f17435Pity, William Blake (c. 1795)Pity, William Blake (c. 1795). Color monotype with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/christ-appearing-to-the-apostles-after-the-resurrection2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-christ-apparaissant-aux-apotres-apres-la-resurrection-1795.webp?v=e3bb0f0eChrist Appearing to the Apostles after the Resurrection, William Blake (1795–1805)Christ Appearing to the Apostles after the Resurrection, William Blake (1795–1805). Color monotype with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-accusers-of-theft-adultery-murder-war2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-les-accusateurs-du-vol-de-l-adultere-du-meurtre-la-guerre-1794.webp?v=9d8a43adThe Accusers of Theft, Adultery, Murder (War), William Blake (c. 1794–1796)The Accusers of Theft, Adultery, Murder (War), William Blake (c. 1794–1796). Color-printed relief etching with watercolor and pen. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/joseph-of-arimathea-preaching-to-the-britons2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-joseph-d-arimathie-prechant-aux-bretons-1794.webp?v=7f1cee51Joseph of Arimathea Preaching to the Britons, William Blake (c. 1794–1796)Joseph of Arimathea Preaching to the Britons, William Blake (c. 1794–1796). Color-printed relief etching with watercolor and pen. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/dream-of-thiralatha-from-america-cancelled-plate-d2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-reve-de-thiralatha-extrait-d-amerique-planche-annulee-d-1794.webp?v=b1e122caDream of Thiralatha [from "America," cancelled plate d], William Blake (c. 1794–1796)Dream of Thiralatha [from "America," cancelled plate d], William Blake (c. 1794–1796). Color-printed relief etching with watercolor and pen. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/a-man-seen-from-behind-rising-on-clouds2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-un-homme-vu-de-dos-s-elevant-sur-des-nuees-1794.webp?v=ac7c3e4bA Man Seen from Behind, Rising on Clouds, William Blake (c. 1794)A Man Seen from Behind, Rising on Clouds, William Blake (c. 1794). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-first-book-of-urizen-title-page-plate-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-1-1794.webp?v=4ac29111The First Book of Urizen; Title Page, plate 1, William Blake (1794)The First Book of Urizen; Title Page, plate 1, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/los-howld-in-a-dismal-stupor-plate-102026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-10-los-howld-in-a-dismal-stupor-1794.webp?v=01652edaThe First Book of Urizen, plate 10: "Los howld in a dismal stupor...", William Blake (1794)The First Book of Urizen, plate 10: "Los howld in a dismal stupor...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/from-a-globe-of-blood-rises-enitharmon-plate-112026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-11-d-un-globe-de-sang-s-eleve-enitharmon-1794.webp?v=0fb4497eThe First Book of Urizen, plate 11: From a Globe of Blood Rises Enitharmon, William Blake (1794)The First Book of Urizen, plate 11: From a Globe of Blood Rises Enitharmon, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-iv-los-smitten-with-astonishment-plate-122026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-12-chapitre-iv-los-smitten-with-astonishment-1794.webp?v=1dfb4d34The First Book of Urizen, plate 12: Chapter IV, "Los smitten with astonishment...", William Blake (1794)The First Book of Urizen, plate 12: Chapter IV, "Los smitten with astonishment...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-iv-ages-on-ages-roll-d-over-him-plate-132026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-13-chapitre-iv-ages-on-ages-roll-d-over-him-1794.webp?v=579a5ed6The First Book of Urizen, plate 13: Chapter IV, "Ages on ages roll'd over him...", William Blake (1794)The First Book of Urizen, plate 13: Chapter IV, "Ages on ages roll'd over him...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-iv-from-the-caverns-of-his-jointed-spine-plate-142026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-14-chapitre-iv-from-the-caverns-of-his-jointed-spine-1794.webp?v=824d7cfcThe First Book of Urizen, plate 14: Chapter IV, "From the caverns of his jointed spine...", William Blake (1794)The First Book of Urizen, plate 14: Chapter IV, "From the caverns of his jointed spine...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-first-book-of-urizen-plate-15-bentley-142026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-15-1794.webp?v=2abbae49The First Book of Urizen, plate 15, William Blake (1794)The First Book of Urizen, plate 15, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-v-two-nostrils-bent-down-to-the-deep-plate-162026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-16-chapitre-v-two-nostrils-bent-down-to-the-deep-1794.webp?v=a25e0759The First Book of Urizen, plate 16: Chapter V, "Two Nostrils bent down to the deep...", William Blake (1794)The First Book of Urizen, plate 16: Chapter V, "Two Nostrils bent down to the deep...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-v-the-globe-of-life-blood-trembled-plate-172026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-17-chapitre-v-the-globe-of-life-blood-trembled-1794.webp?v=ea9b7acaThe First Book of Urizen, plate 17: Chapter V, "The globe of life blood trembled...", William Blake (1794)The First Book of Urizen, plate 17: Chapter V, "The globe of life blood trembled...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/los-with-the-child-orc-and-enitharmon-plate-182026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-18-los-avec-l-enfant-orc-et-enitharmon-1794.webp?v=37c24d9bThe First Book of Urizen, plate 18: Los with the child Orc and Enitharmon, William Blake (1794)The First Book of Urizen, plate 18: Los with the child Orc and Enitharmon, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/they-call-d-her-pity-and-fled-plate-192026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-19-they-call-d-her-pity-and-fled-1794.webp?v=284e7a84The First Book of Urizen, plate 19: "They call'd her Pity, and fled...", William Blake (1794)The First Book of Urizen, plate 19: "They call'd her Pity, and fled...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/preludium-to-the-first-book-of-urizen-of-the-primeval-priests-assum-d2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-2-prelude-au-premier-livre-d-urizen-of-the-primeval-priests-assum-d-power-1794.webp?v=3a196b19The First Book of Urizen, plate 2: Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power...", William Blake (1794)The First Book of Urizen, plate 2: Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-v-thus-the-eternal-prophet-was-divided-plate-202026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-20-chapitre-v-thus-the-eternal-prophet-was-divided-1794.webp?v=6dd60456The First Book of Urizen, plate 20: Chapter V, "Thus the Eternal Prophet was divided...", William Blake (1794)The First Book of Urizen, plate 20: Chapter V, "Thus the Eternal Prophet was divided...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/los-falls-through-fire-plate-212026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-21-los-tombe-a-travers-le-feu-1794.webp?v=b265a820The First Book of Urizen, plate 21: Los Falls through Fire, William Blake (1794)The First Book of Urizen, plate 21: Los Falls through Fire, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-vii-stretch-d-for-a-work-of-eternity-plate-222026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-22-chapitre-vii-stretch-d-for-a-work-of-eternity-1794.webp?v=c1ee7e37The First Book of Urizen, plate 22: Chapter VII, "Stretch'd for a work of eternity...", William Blake (1794)The First Book of Urizen, plate 22: Chapter VII, "Stretch'd for a work of eternity...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-first-book-of-urizen-plate-23-bentley-92026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-23-1794.webp?v=36c25d35The First Book of Urizen, plate 23, William Blake (1794)The First Book of Urizen, plate 23, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-viii-of-life-on-his-forsaken-mountains-plate-242026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-24-chapitre-viii-of-life-on-his-forsaken-mountains-1794.webp?v=0fb8ffd1The First Book of Urizen, plate 24: Chapter VIII, "Of life on his forsaken mountains...", William Blake (1794)The First Book of Urizen, plate 24: Chapter VIII, "Of life on his forsaken mountains...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/praying-child-and-howling-dog-plate-252026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-25-enfant-en-priere-et-chien-hurlant-1794.webp?v=f31da13eThe First Book of Urizen, plate 25: Praying Child and Howling Dog, William Blake (1794)The First Book of Urizen, plate 25: Praying Child and Howling Dog, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-ox-in-the-slaughter-house-moans-plate-262026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-26-the-ox-in-the-slaughter-house-moans-1794.webp?v=80503dfcThe First Book of Urizen, plate 26: "The Ox in the slaughter house moans...", William Blake (1794)The First Book of Urizen, plate 26: "The Ox in the slaughter house moans...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-ix-they-lived-a-period-of-years-plate-272026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-27-chapitre-ix-they-lived-a-period-of-years-1794.webp?v=7d48efb6The First Book of Urizen, plate 27: Chapter IX, "They lived a period of years...", William Blake (1794)The First Book of Urizen, plate 27: Chapter IX, "They lived a period of years...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-first-book-of-urizen-plate-28-bentley-272026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-28-1794.webp?v=3fc0e8efThe First Book of Urizen, plate 28, William Blake (1794)The First Book of Urizen, plate 28, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/fettered-urizen-weeping-plate-32026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-3-urizen-enchaine-en-pleurs-1794.webp?v=8d174b01The First Book of Urizen, plate 3: Fettered Urizen Weeping, William Blake (1794)The First Book of Urizen, plate 3: Fettered Urizen Weeping, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-first-book-of-urizen-plate-4-bentley-242026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-4-1794.webp?v=1d4a4bb5The First Book of Urizen, plate 4, William Blake (1794)The First Book of Urizen, plate 4, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-i-lo-a-shadow-of-horror-is-risen-plate-52026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-5-chapitre-i-lo-a-shadow-of-horror-is-risen-1794.webp?v=edfafbd6The First Book of Urizen, plate 5: Chapter I, "Lo, a shadow of horror is risen...", William Blake (1794)The First Book of Urizen, plate 5: Chapter I, "Lo, a shadow of horror is risen...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-ii-muster-around-the-bleak-desarts-plate-62026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-6-chapitre-ii-muster-around-the-bleak-desarts-1794.webp?v=3ae7f399The First Book of Urizen, plate 6: Chapter II, "Muster around the bleak desarts...", William Blake (1794)The First Book of Urizen, plate 6: Chapter II, "Muster around the bleak desarts...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/in-living-creations-appear-d-plate-82026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-8-in-living-creations-appear-d-1794.webp?v=23666fa4The First Book of Urizen, plate 8: "In living creations appear'd...", William Blake (1794)The First Book of Urizen, plate 8: "In living creations appear'd...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/chapter-iii-as-the-stars-are-apart-from-the-earth-plate-92026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-9-chapitre-iii-as-the-stars-are-apart-from-the-earth-1794.webp?v=d7579cb2The First Book of Urizen, plate 9: Chapter III, "As the stars are apart from the earth...", William Blake (1794)The First Book of Urizen, plate 9: Chapter III, "As the stars are apart from the earth...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-a-dream2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-un-reve-1794.webp?v=b19b22be&r=27.6-15.9-7.9-8.8Songs of Innocence: A Dream, William Blake (1794)Songs of Innocence: A Dream, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-frontispiece2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-frontispice-1794.webp?v=741d90aa&r=25.6-14.9-10.2-17.2Songs of Experience: Frontispiece, William Blake (1794)Songs of Experience: Frontispiece, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-page-de-titre-1794.webp?v=7b3ee461&r=8.3-8.3-4.8-4.4Songs of Experience: Title-page, William Blake (1794)Songs of Experience: Title-page, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-introduction2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-introduction-1794.webp?v=b02dd4af&r=30.8-15.6-7.4-11.1Songs of Experience: Introduction, William Blake (1794)Songs of Experience: Introduction, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-earth-s-answer2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-la-reponse-de-la-terre-1794.webp?v=cfa077cd&r=27.3-16.3-10.8-13.1Songs of Experience: Earth's Answer, William Blake (1794)Songs of Experience: Earth's Answer, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-clod-the-pebble2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-la-motte-et-le-caillou-1794.webp?v=69f56713&r=11-13.3-6.1-6.9Songs of Experience: The Clod & the Pebble, William Blake (1794)Songs of Experience: The Clod & the Pebble, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-holy-thursday2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-jeudi-saint-1794.webp?v=fd0ca6d4&r=18.3-6.3-6.8-8.4Songs of Experience: Holy Thursday, William Blake (1794)Songs of Experience: Holy Thursday, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-chimney-sweeper2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-le-ramoneur-1794.webp?v=93e4d11d&r=7.8-7.1-7.2-8.4Songs of Experience: The Chimney Sweeper, William Blake (1794)Songs of Experience: The Chimney Sweeper, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-nurses-song2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-chanson-de-la-nourrice-1794.webp?v=9e0def9b&r=16.1-6.1-6.9-7.8Songs of Experience: Nurses Song, William Blake (1794)Songs of Experience: Nurses Song, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-sick-rose2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-la-rose-malade-1794.webp?v=8c695758&r=29-19.9-10.9-16.5Songs of Experience: The Sick Rose, William Blake (1794)Songs of Experience: The Sick Rose, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-fly2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-la-mouche-1794.webp?v=f23b81e9&r=12.5-7.9-4.7-9.7Songs of Experience: The Fly, William Blake (1794)Songs of Experience: The Fly, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-angel2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-l-ange-1794.webp?v=051f70e7&r=26.9-16.5-8.5-15.8Songs of Experience: The Angel, William Blake (1794)Songs of Experience: The Angel, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-my-pretty-rose-tree-ah-sun-flower-the-lilly2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-mon-joli-rosier-ah-tournesol-le-lis-1794.webp?v=0620f08b&r=27.4-16.1-10.1-17.9Songs of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lilly, William Blake (1794)Songs of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lilly, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-tyger2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-le-tigre-1794.webp?v=e4f264e5&r=16.9-17.6-6.1-12.9Songs of Experience: The Tyger, William Blake (1794)Songs of Experience: The Tyger, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-garden-of-love2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-le-jardin-d-amour-1794.webp?v=5194ea7f&r=29.3-17.2-8.7-16.8Songs of Experience: The Garden of Love, William Blake (1794)Songs of Experience: The Garden of Love, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-little-vagabond2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-le-petit-vagabond-1794.webp?v=e5d059e1&r=15.7-11.5-7.5-9.7Songs of Experience: The Little Vagabond, William Blake (1794)Songs of Experience: The Little Vagabond, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-london2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-londres-1794.webp?v=be3d3019&r=27.6-15.7-8.1-15.5Songs of Experience: London, William Blake (1794)Songs of Experience: London, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-human-abstract2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-l-abstraction-humaine-1794.webp?v=06565520&r=29.9-16.9-9.2-14.8Songs of Experience: The Human Abstract, William Blake (1794)Songs of Experience: The Human Abstract, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-infant-sorrow2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-chagrin-d-enfant-1794.webp?v=a66cc99a&r=27.5-17-9.5-16.7Songs of Experience: Infant Sorrow, William Blake (1794)Songs of Experience: Infant Sorrow, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-a-poison-tree2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-un-arbre-empoisonne-1794.webp?v=006ea587&r=17.4-9.1-6.9-8.7Songs of Experience: A Poison Tree, William Blake (1794)Songs of Experience: A Poison Tree, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-a-little-boy-lost2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-un-petit-garcon-perdu-1794.webp?v=be167b2c&r=27.4-16.3-10.5-16.5Songs of Experience: A Little Boy Lost, William Blake (1794)Songs of Experience: A Little Boy Lost, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-a-little-girl-lost2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-une-petite-fille-perdue-1794.webp?v=fa42fce2&r=27.1-14.6-8.1-10.8Songs of Experience: A Little Girl Lost, William Blake (1794)Songs of Experience: A Little Girl Lost, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-to-tirzah2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-a-tirzah-1794.webp?v=4bb579ff&r=28.3-17.5-9.9-16.8Songs of Experience: To Tirzah, William Blake (1794)Songs of Experience: To Tirzah, William Blake (1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/urizen2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-urizen-1794.webp?v=b61f16f7&r=8.1-7.9-5.8-4.6Urizen, William Blake (1794)Urizen, William Blake (1794). Color monotype with watercolor and pen. Collection: Art Institute of Chicago. Public domain. https://useum.art/en/william-blake/urizen-swims-through-dark-waters-plate-72026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-premier-livre-d-urizen-planche-7-1794.webp?v=74e94ff6Urizen Swims through Dark Waters, plate 7, William Blake (1794)Urizen Swims through Dark Waters, plate 7, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-ancient-of-days-frontispiece-plate-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-1-l-ancien-des-jours-frontispice-1794.webp?v=9abcec86Europe a Prophecy, plate 1: The Ancient of Days; Frontispiece, William Blake (1794)Europe a Prophecy, plate 1: The Ancient of Days; Frontispiece, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/europe-a-prophecy-title-page-plate-22026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-2-1794.webp?v=b55552a1&r=8.2-7.1-6.1-5.4Europe a Prophecy; Title Page, plate 2, William Blake (1794)Europe a Prophecy; Title Page, plate 2, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/preludium-the-nameless-shadowy-female-rose-from-out-the-breast-of-orc2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-3-prelude-the-nameless-shadowy-female-rose-from-out-the-breast-of-orc-1794.webp?v=8767dafaEurope a Prophecy, plate 3: Preludium, "The nameless shadowy female rose from out the breast of Orc...", William Blake (1794)Europe a Prophecy, plate 3: Preludium, "The nameless shadowy female rose from out the breast of Orc...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/unwilling-i-look-up-to-heaven-unwilling-count-the-stars-plate-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-4-unwilling-i-look-up-to-heaven-unwilling-count-the-stars-1794.webp?v=ce5aac65Europe a Prophecy, plate 4: "Unwilling I look up to heaven! unwilling count the stars!...", William Blake (1794)Europe a Prophecy, plate 4: "Unwilling I look up to heaven! unwilling count the stars!...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/a-prophecy-the-deep-of-winter-came-plate-52026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-5-une-prophetie-the-deep-of-winter-came-1794.webp?v=499b4d24Europe a Prophecy, plate 5: A Prophecy. "The deep of winter came...", William Blake (1794)Europe a Prophecy, plate 5: A Prophecy. "The deep of winter came...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/enitharmon-slept-plate-102026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-10-enitharmon-slept-1794.webp?v=5f0af57eEurope a Prophecy, plate 10: "Enitharmon slept. ...", William Blake (1794)Europe a Prophecy, plate 10: "Enitharmon slept. ...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/in-thoughts-perturb-d-they-rose-plate-112026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-11-in-thoughts-perturb-d-they-rose-1794.webp?v=a1f98b60Europe a Prophecy, plate 11: "In thoughts perturb'd they rose...", William Blake (1794)Europe a Prophecy, plate 11: "In thoughts perturb'd they rose...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/albions-angel-rose-upon-the-stone-of-night-plate-122026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-12-albions-angel-rose-upon-the-stone-of-night-1794.webp?v=e3efbb03Europe a Prophecy, plate 12: "Albions Angel rose upon the Stone of Night...", William Blake (1794)Europe a Prophecy, plate 12: "Albions Angel rose upon the Stone of Night...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/plague-plate-132026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-13-la-peste-1794.webp?v=c9bdc55eEurope a Prophecy, plate 13: Plague, William Blake (1794)Europe a Prophecy, plate 13: Plague, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-the-clouds-fires-pale-rolld-round-in-the-night-of-enitharmon2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-14-and-the-clouds-fires-pale-rolld-round-in-the-night-of-enitharmon-1794.webp?v=5d88b9edEurope a Prophecy, plate 14: "And the clouds & fires pale rolld round in the night of Enitharmon"..., William Blake (1794)Europe a Prophecy, plate 14: "And the clouds & fires pale rolld round in the night of Enitharmon"..., William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-red-limb-d-angel-siez-d-in-horror-and-torment-plate-152026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-15-the-red-limb-d-angel-siez-d-in-horror-and-torment-1794.webp?v=81170666Europe a Prophecy, plate 15: "The red limb'd Angel siez'd in horror and torment...", William Blake (1794)Europe a Prophecy, plate 15: "The red limb'd Angel siez'd in horror and torment...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ethinthus-queen-of-waters-how-thou-shinest-in-the-sky-plate-162026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-16-ethinthus-queen-of-waters-how-thou-shinest-in-the-sky-1794.webp?v=678232cdEurope a Prophecy, plate 16: "Ethinthus queen of waters, how thou shinest in the sky...", William Blake (1794)Europe a Prophecy, plate 16: "Ethinthus queen of waters, how thou shinest in the sky...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/shot-from-the-heights-of-enitharmon-plate-172026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-17-shot-from-the-heights-of-enitharmon-1794.webp?v=fc2993aeEurope a Prophecy, plate 17: "Shot from the heights of Enitharmon...", William Blake (1794)Europe a Prophecy, plate 17: "Shot from the heights of Enitharmon...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-shrill-winds-wake-plate-62026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-6-the-shrill-winds-wake-1794.webp?v=cd61eb7dEurope a Prophecy, plate 6: "The shrill winds wake!...", William Blake (1794)Europe a Prophecy, plate 6: "The shrill winds wake!...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/now-comes-the-night-of-enitharmons-joy-plate-72026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-7-now-comes-the-night-of-enitharmons-joy-1794.webp?v=443fef04Europe a Prophecy, plate 7: "Now comes the night of Enitharmons joy!...", William Blake (1794)Europe a Prophecy, plate 7: "Now comes the night of Enitharmons joy!...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/famine-plate-82026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-8-la-famine-1794.webp?v=54bdf9aaEurope a Prophecy, plate 8: Famine, William Blake (1794)Europe a Prophecy, plate 8: Famine, William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/arise-o-rintrah-eldest-born-plate-92026-10-11https://useum.art/artistes/william-blake/grand/william-blake-europe-une-prophetie-planche-9-arise-o-rintrah-eldest-born-1794.webp?v=5e43ee4eEurope a Prophecy, plate 9: "Arise 'O Rintrah eldest born...", William Blake (1794)Europe a Prophecy, plate 9: "Arise 'O Rintrah eldest born...", William Blake (1794). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/saint-augustine-converting-king-ethelbert-of-kent2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-saint-augustin-convertissant-le-roi-ethelbert-de-kent-1793.webp?v=30afb5b0Saint Augustine Converting King Ethelbert of Kent, William Blake (c. 1793)Saint Augustine Converting King Ethelbert of Kent, William Blake (c. 1793). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/los-supporting-the-sun-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-los-soutenant-le-soleil-recto-1793.webp?v=e7e0db6dLos Supporting the Sun [recto], William Blake (c. 1793)Los Supporting the Sun [recto], William Blake (c. 1793). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/a-crouching-figure-holding-a-shield-verso2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-une-figure-accroupie-tenant-un-bouclier-verso-1793.webp?v=91442d92A Crouching Figure Holding a Shield [verso], William Blake (c. 1793)A Crouching Figure Holding a Shield [verso], William Blake (c. 1793). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/albion-s-angel-frontispiece-plate-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-1-l-ange-d-albion-frontispice-1793.webp?v=f1bac0c1America a Prophecy, plate 1: Albion's Angel; Frontispiece, William Blake (1793)America a Prophecy, plate 1: Albion's Angel; Frontispiece, William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-terror-answered-i-am-orc-wreath-d-round-the-accursed-tree-plate-102026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-10-the-terror-answered-i-am-orc-wreath-d-round-the-accursed-tree-1793.webp?v=272e0f76America a Prophecy, plate 10: "The Terror Answered: I am Orc, wreath'd round the accursed tree...", William Blake (1793)America a Prophecy, plate 10: "The Terror Answered: I am Orc, wreath'd round the accursed tree...", William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/sound-sound-my-loud-war-trumpets-alarm-my-thirteen-angels-plate-112026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-11-sound-sound-my-loud-war-trumpets-alarm-my-thirteen-angels-1793.webp?v=01a556eeAmerica a Prophecy, plate 11: "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!...", William Blake (1793)America a Prophecy, plate 11: "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!...", William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/thus-wept-the-angel-voice-as-he-wept-the-terrible-blasts-plate-122026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-12-thus-wept-the-angel-voice-as-he-wept-the-terrible-blasts-1793.webp?v=34d84aeb&r=3-2.8-6.1-2.5America a Prophecy, plate 12: "Thus wept the Angel voice & as he wept the terrible blasts...", William Blake (1793)America a Prophecy, plate 12: "Thus wept the Angel voice & as he wept the terrible blasts...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/fiery-the-angels-rose-as-they-rose-deep-thunder-roll-d-plate-132026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-13-fiery-the-angels-rose-as-they-rose-deep-thunder-roll-d-1793.webp?v=ad975485America a Prophecy, plate 13: Fiery the Angels rose, & as they rose deep thunder roll'd...", William Blake (1793)America a Prophecy, plate 13: Fiery the Angels rose, & as they rose deep thunder roll'd...", William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/so-cried-he-rending-off-his-robe-throwing-down-his-scepter-plate-142026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-14-so-cried-he-rending-off-his-robe-throwing-down-his-scepter-1793.webp?v=301cd8baAmerica a Prophecy, plate 14: "So cried he, rending off his robe & throwing down his scepter...", William Blake (1793)America a Prophecy, plate 14: "So cried he, rending off his robe & throwing down his scepter...", William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/what-time-the-thirteen-governors-that-england-sent-convene-plate-152026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-15-what-time-the-thirteen-governors-that-england-sent-convene-1793.webp?v=04779424America a Prophecy, plate 15: "What time the thirteen Governors that England sent convene...", William Blake (1793)America a Prophecy, plate 15: "What time the thirteen Governors that England sent convene...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/in-the-flames-stood-view-d-the-armies-drawn-out-in-the-sky-plate-162026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-16-in-the-flames-stood-view-d-the-armies-drawn-out-in-the-sky-1793.webp?v=ac9bcbe7America a Prophecy, plate 16: "In the flames stood & view'd the armies drawn out in the sky...", William Blake (1793)America a Prophecy, plate 16: "In the flames stood & view'd the armies drawn out in the sky...", William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/on-albions-angels-then-the-pestilence-began-in-streaks-of-red-plate-172026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-17-on-albions-angels-then-the-pestilence-began-in-streaks-of-red-1793.webp?v=a00b4ffeAmerica a Prophecy, plate 17: "On Albions Angels: then the Pestilence began in streaks of red...", William Blake (1793)America a Prophecy, plate 17: "On Albions Angels: then the Pestilence began in streaks of red...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/over-the-hills-the-vales-the-cities-rage-the-red-flames-fierce-plate2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-18-over-the-hills-the-vales-the-cities-rage-the-red-flames-fierce-1793.webp?v=7ca927ea&r=3-9.4-2.2-2.1America a Prophecy, plate 18: "Over the hills, the vales, the cities, rage the red flames fierce...", William Blake (1793)America a Prophecy, plate 18: "Over the hills, the vales, the cities, rage the red flames fierce...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/america-a-prophecy-title-page-plate-22026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-2-amerique-une-prophetie-page-de-titre-1793.webp?v=e30ff900&r=1-0.5-0-2.5America a Prophecy, plate 2: America, A Prophecy; Title Page, William Blake (1793)America a Prophecy, plate 2: America, A Prophecy; Title Page, William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/preludium-the-shadowy-daughter-of-urthona-stood-before-red-orc-plate-32026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-3-prelude-the-shadowy-daughter-of-urthona-stood-before-red-orc-1793.webp?v=0843dbf4America a Prophecy, plate 3: Preludium. "The shadowy daughter of Urthona stood before red Orc...", William Blake (1793)America a Prophecy, plate 3: Preludium. "The shadowy daughter of Urthona stood before red Orc...", William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/silent-as-despairing-love-and-strong-as-jealousy-plate-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-4-silent-as-despairing-love-and-strong-as-jealousy-1793.webp?v=11ce03fbAmerica a Prophecy, plate 4: "Silent as despairing love, and strong as jealousy...", William Blake (1793)America a Prophecy, plate 4: "Silent as despairing love, and strong as jealousy...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/a-prophecy-the-guardian-prince-of-albion-burns-in-his-nightly-tent2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-5-une-prophetie-the-guardian-prince-of-albion-burns-in-his-nightly-tent-1793.webp?v=8f78571dAmerica a Prophecy, plate 5: A Prophecy. "The Guardian Prince of Albion burns in his nightly tent...", William Blake (1793)America a Prophecy, plate 5: A Prophecy. "The Guardian Prince of Albion burns in his nightly tent...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/appear-to-the-americans-upon-the-cloudy-night-plate-62026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-6-appear-to-the-americans-upon-the-cloudy-night-1793.webp?v=d4416c90America a Prophecy, plate 6: "Appear to the Americans upon the cloudy night...", William Blake (1793)America a Prophecy, plate 6: "Appear to the Americans upon the cloudy night...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/albions-angel-stood-beside-the-stone-of-night-and-saw-plate-72026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-7-albions-angel-stood-beside-the-stone-of-night-and-saw-1793.webp?v=8622fd8eAmerica a Prophecy, plate 7: "Albions Angel stood beside the Stone of night, and saw...", William Blake (1793)America a Prophecy, plate 7: "Albions Angel stood beside the Stone of night, and saw...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-morning-comes-the-night-decays-the-watchmen-leave-their-stations2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-8-the-morning-comes-the-night-decays-the-watchmen-leave-their-stations-1793.webp?v=a9a3cdbaAmerica a Prophecy, plate 8: "The morning comes, the night decays, the watchmen leave their stations...", William Blake (1793)America a Prophecy, plate 8: "The morning comes, the night decays, the watchmen leave their stations...", William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/in-thunders-ends-the-voice-then-albions-angel-wrathful-burnt-plate-92026-10-11https://useum.art/artistes/william-blake/grand/william-blake-amerique-une-prophetie-planche-9-in-thunders-ends-the-voice-then-albions-angel-wrathful-burnt-1793.webp?v=0d1bfa33America a Prophecy, plate 9: "In thunders ends the voice. Then Albions Angel wrathful burnt...", William Blake (1793)America a Prophecy, plate 9: "In thunders ends the voice. Then Albions Angel wrathful burnt...", William Blake (1793). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/visions-of-the-daughters-of-albion-frontispiece-plate-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-visions-des-filles-d-albion-planche-1-1793.webp?v=234d2151Visions of the Daughters of Albion; Frontispiece, plate 1, William Blake (1793)Visions of the Daughters of Albion; Frontispiece, plate 1, William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/visions-of-the-daughters-of-albion-title-page-plate-22026-10-11https://useum.art/artistes/william-blake/grand/william-blake-visions-des-filles-d-albion-planche-2-1793.webp?v=363039a1Visions of the Daughters of Albion; Title Page, plate 2, William Blake (1793)Visions of the Daughters of Albion; Title Page, plate 2, William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/visions-enslav-d-the-daughters-of-albion-weep-plate-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-visions-des-filles-d-albion-planche-4-visions-enslav-d-the-daughters-of-albion-weep-1793.webp?v=08cc431bVisions of the Daughters of Albion, plate 4: Visions. "Enslav'd, the Daughters of Albion weep...", William Blake (1793)Visions of the Daughters of Albion, plate 4: Visions. "Enslav'd, the Daughters of Albion weep...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/and-none-but-bromian-can-hear-my-lamentations-plate-62026-10-11https://useum.art/artistes/william-blake/grand/william-blake-visions-des-filles-d-albion-planche-6-and-none-but-bromian-can-hear-my-lamentations-1793.webp?v=dc879049Visions of the Daughters of Albion, plate 6: "And none but Bromian can hear my lamentations...", William Blake (1793)Visions of the Daughters of Albion, plate 6: "And none but Bromian can hear my lamentations...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/but-when-the-morn-arose-her-lamentation-renewd-plate-82026-10-11https://useum.art/artistes/william-blake/grand/william-blake-visions-des-filles-d-albion-planche-8-but-when-the-morn-arose-her-lamentation-renewd-1793.webp?v=711b7ab2Visions of the Daughters of Albion, plate 8: "But when the morn arose, her lamentation renewd...", William Blake (1793)Visions of the Daughters of Albion, plate 8: "But when the morn arose, her lamentation renewd...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/in-happy-copulation-if-in-evening-mild-wearied-with-work-plate-102026-10-11https://useum.art/artistes/william-blake/grand/william-blake-visions-des-filles-d-albion-planche-10-in-happy-copulation-if-in-evening-mild-wearied-with-work-1793.webp?v=356e9ad3Visions of the Daughters of Albion, plate 10: "In happy copulation; if in evening mild, wearied with work...", William Blake (1793)Visions of the Daughters of Albion, plate 10: "In happy copulation; if in evening mild, wearied with work...", William Blake (1793). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/what-is-man-frontispiece-plate-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-1-qu-est-ce-que-l-homme-frontispice-1793.webp?v=a1449768For Children: The Gates of Paradise, plate 1: What is Man!, Frontispiece, William Blake (1793)For Children: The Gates of Paradise, plate 1: What is Man!, Frontispiece, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/for-children-the-gates-of-paradise-title-page-plate-22026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-2-1793.webp?v=939b3cebFor Children. The Gates of Paradise; Title Page, plate 2, William Blake (1793)For Children. The Gates of Paradise; Title Page, plate 2, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/i-found-him-beneath-a-tree-plate-32026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-3-je-l-ai-trouve-sous-un-arbre-1793.webp?v=cdbbd96cFor Children: The Gates of Paradise, plate 3: I Found Him Beneath a Tree, William Blake (1793)For Children: The Gates of Paradise, plate 3: I Found Him Beneath a Tree, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/water-plate-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-4-l-eau-1793.webp?v=e3995a15For Children: The Gates of Paradise, plate 4: Water, William Blake (1793)For Children: The Gates of Paradise, plate 4: Water, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/earth-plate-52026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-5-la-terre-1793.webp?v=9d7a9fafFor Children: The Gates of Paradise, plate 5: Earth, William Blake (1793)For Children: The Gates of Paradise, plate 5: Earth, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/air-plate-62026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-6-l-air-1793.webp?v=2e4abe80For Children: The Gates of Paradise, plate 6: Air, William Blake (1793)For Children: The Gates of Paradise, plate 6: Air, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/fire-plate-72026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-7-le-feu-1793.webp?v=8bb449a4For Children: The Gates of Paradise, plate 7: Fire, William Blake (1793)For Children: The Gates of Paradise, plate 7: Fire, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/at-length-for-hatching-ripe-he-breaks-the-shell-plate-82026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-8-enfin-mur-pour-l-eclosion-il-brise-la-coquille-1793.webp?v=caa1c6bdFor Children: The Gates of Paradise, plate 8: At Length for Hatching Ripe He Breaks the Shell, William Blake (1793)For Children: The Gates of Paradise, plate 8: At Length for Hatching Ripe He Breaks the Shell, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/alas-plate-92026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-9-helas-1793.webp?v=c9f187a0For Children: The Gates of Paradise, plate 9: Alas!, William Blake (1793)For Children: The Gates of Paradise, plate 9: Alas!, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/my-son-my-son-plate-102026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-10-mon-fils-mon-fils-1793.webp?v=6dd083b3For Children: The Gates of Paradise, plate 10: My Son! My Son!, William Blake (1793)For Children: The Gates of Paradise, plate 10: My Son! My Son!, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/i-want-i-want-plate-112026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-11-je-veux-je-veux-1793.webp?v=fa5dd8a0For Children: The Gates of Paradise, plate 11: I Want! I Want!, William Blake (1793)For Children: The Gates of Paradise, plate 11: I Want! I Want!, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/help-help-plate-122026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-12-a-l-aide-a-l-aide-1793.webp?v=91be9322For Children: The Gates of Paradise, plate 12: Help! Help!, William Blake (1793)For Children: The Gates of Paradise, plate 12: Help! Help!, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/aged-ignorance-plate-132026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-13-l-ignorance-agee-1793.webp?v=dde79399For Children: The Gates of Paradise, plate 13: Aged Ignorance, William Blake (1793)For Children: The Gates of Paradise, plate 13: Aged Ignorance, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/does-thy-god-o-priest-take-such-vengeance-as-this-plate-142026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-14-ton-dieu-o-pretre-tire-t-il-pareille-vengeance-1793.webp?v=0e7d2ee0For Children: The Gates of Paradise, plate 14: Does Thy God O Priest Take such Vengeance as This?, William Blake (1793)For Children: The Gates of Paradise, plate 14: Does Thy God O Priest Take such Vengeance as This?, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/fear-hope-are-vision-plate-152026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-15-la-peur-et-l-espoir-sont-vision-1793.webp?v=2f11fcfaFor Children: The Gates of Paradise, plate 15: Fear & Hope Are -- Vision, William Blake (1793)For Children: The Gates of Paradise, plate 15: Fear & Hope Are -- Vision, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-traveller-hasteth-in-the-evening-plate-162026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-16-le-voyageur-se-hate-le-soir-1793.webp?v=ce17dd7bFor Children: The Gates of Paradise, plate 16: The Traveller Hasteth in the Evening, William Blake (1793)For Children: The Gates of Paradise, plate 16: The Traveller Hasteth in the Evening, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/death-s-door-plate-172026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-17-la-porte-de-la-mort-1793.webp?v=f66739a6For Children: The Gates of Paradise, plate 17: Death's Door, William Blake (1793)For Children: The Gates of Paradise, plate 17: Death's Door, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/i-have-said-to-the-worm-thou-art-my-mother-my-sister-plate-182026-10-11https://useum.art/artistes/william-blake/grand/william-blake-pour-les-enfants-les-portes-du-paradis-planche-18-j-ai-dit-au-ver-tu-es-ma-mere-et-ma-soeur-1793.webp?v=1ed00dd3For Children: The Gates of Paradise, plate 18: I Have Said to the Worm, Thou Art My Mother & My Sister, William Blake (1793)For Children: The Gates of Paradise, plate 18: I Have Said to the Worm, Thou Art My Mother & My Sister, William Blake (1793). Etching and engraving. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-infant-hercules-throttling-the-serpents2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-l-hercule-enfant-etranglant-les-serpents-1790.webp?v=870e0cc4The Infant Hercules Throttling the Serpents, William Blake (1790–1793)The Infant Hercules Throttling the Serpents, William Blake (1790–1793). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/an-armed-man-spurning-a-woman-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-un-homme-arme-repoussant-une-femme-recto-1790.webp?v=9209abe9An Armed Man Spurning a Woman [recto], William Blake (c. 1790–1795)An Armed Man Spurning a Woman [recto], William Blake (c. 1790–1795). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/the-book-of-thel-title-page-plate-22026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-livre-de-thel-planche-2-1789.webp?v=339367e6The Book of Thel; Title Page, plate 2, William Blake (1789)The Book of Thel; Title Page, plate 2, William Blake (1789). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/thel-i-the-daughters-of-mne-seraphim-led-round-their-sunny-flocks2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-livre-de-thel-planche-3-thel-i-the-daughters-of-mne-seraphim-led-round-their-sunny-flocks-1789.webp?v=bda5948cThe Book of Thel, plate 3: Thel I. "The daughters of Mne Seraphim led round their sunny flocks...", William Blake (1789)The Book of Thel, plate 3: Thel I. "The daughters of Mne Seraphim led round their sunny flocks...", William Blake (1789). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/i-why-should-the-mistress-of-the-vales-of-har-utter-a-sigh-plate-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-livre-de-thel-planche-4-i-why-should-the-mistress-of-the-vales-of-har-utter-a-sigh-1789.webp?v=fe79e7aeThe Book of Thel, plate 4: I, "Why should the mistress of the vales of Har, utter a sigh...", William Blake (1789)The Book of Thel, plate 4: I, "Why should the mistress of the vales of Har, utter a sigh...", William Blake (1789). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ii-o-little-cloud-the-virgin-said-i-charge-thee-tell-to-me-plate-52026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-livre-de-thel-planche-5-ii-o-little-cloud-the-virgin-said-i-charge-thee-tell-to-me-1789.webp?v=378208aaThe Book of Thel, plate 5: II. "O little Cloud the virgin said, I charge thee tell to me...", William Blake (1789)The Book of Thel, plate 5: II. "O little Cloud the virgin said, I charge thee tell to me...", William Blake (1789). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/iii-then-thel-astonish-d-view-d-the-worm-upon-its-dewy-bed-plate-62026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-livre-de-thel-planche-6-iii-then-thel-astonish-d-view-d-the-worm-upon-its-dewy-bed-1789.webp?v=459d4c07The Book of Thel, plate 6: III. "Then Thel astonish'd view'd the Worm upon its dewy bed...", William Blake (1789)The Book of Thel, plate 6: III. "Then Thel astonish'd view'd the Worm upon its dewy bed...", William Blake (1789). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/iv-the-eternal-gates-terrific-porter-lifted-the-northern-bar-plate-82026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-livre-de-thel-planche-8-iv-the-eternal-gates-terrific-porter-lifted-the-northern-bar-1789.webp?v=0667bc92The Book of Thel, plate 8: IV. "The eternal gates terrific porter lifted the northern bar...", William Blake (1789)The Book of Thel, plate 8: IV. "The eternal gates terrific porter lifted the northern bar...", William Blake (1789). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/iii-but-he-that-loves-the-lowly-pours-his-oil-upon-my-head-plate-72026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-livre-de-thel-planche-7-iii-but-he-that-loves-the-lowly-pours-his-oil-upon-my-head-1789.webp?v=d264dedfThe Book of Thel, plate 7: III, "But he that loves the lowly, pours his oil upon my head...", William Blake (1789)The Book of Thel, plate 7: III, "But he that loves the lowly, pours his oil upon my head...", William Blake (1789). Relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-and-of-experience-shewing-the-two-contrary-states2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-et-d-experience-montrant-les-deux-etats-contraires-de-l-ame-humaine-page-de-titre-commune-1789.webp?v=fc9546a9&r=29.3-7.8-9.4-13.1Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page, William Blake (1789–1794)Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title-page, William Blake (1789–1794). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-frontispiece2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-frontispice-1789.webp?v=b75f88b7&r=25.2-14.7-11.1-15.5Songs of Innocence: Frontispiece, William Blake (1789)Songs of Innocence: Frontispiece, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-title-page2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-page-de-titre-1789.webp?v=0dc97c56&r=27.6-15.2-8.4-11.1Songs of Innocence: Title Page, William Blake (1789)Songs of Innocence: Title Page, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-introduction2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-introduction-1789.webp?v=d4a1b624&r=24.5-7.6-8.2-10.4Songs of Innocence: Introduction, William Blake (1789)Songs of Innocence: Introduction, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-shepherd2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-le-berger-1789.webp?v=c68c30e4&r=27.3-17.6-12.2-15.1Songs of Innocence: The Shepherd, William Blake (1789)Songs of Innocence: The Shepherd, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-ecchoing-green2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-la-pelouse-sonore-1789.webp?v=1e6f9f23&r=27.8-17.5-9.8-16.2Songs of Innocence: The Ecchoing Green, William Blake (1789)Songs of Innocence: The Ecchoing Green, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-ecchoing-green-second-plate2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-la-pelouse-sonore-seconde-planche-1789.webp?v=35f5cdde&r=29.9-17.6-10.1-16.9Songs of Innocence: The Ecchoing Green (second plate), William Blake (1789)Songs of Innocence: The Ecchoing Green (second plate), William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-lamb2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-l-agneau-1789.webp?v=7fbd848f&r=25.4-14.7-9.5-11.4Songs of Innocence: The Lamb, William Blake (1789)Songs of Innocence: The Lamb, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-little-black-boy2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-le-petit-garcon-noir-1789.webp?v=ce6277a3&r=28.7-16.3-9.9-17.4Songs of Innocence: The Little Black Boy, William Blake (1789)Songs of Innocence: The Little Black Boy, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-little-black-boy-second-plate2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-le-petit-garcon-noir-seconde-planche-1789.webp?v=51d8b16b&r=28.1-19-12.9-15.9Songs of Innocence: The Little Black Boy (second plate), William Blake (1789)Songs of Innocence: The Little Black Boy (second plate), William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-blossom2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-la-fleur-1789.webp?v=a3dbd7bf&r=26.5-17.3-11.2-14.5Songs of Innocence: The Blossom, William Blake (1789)Songs of Innocence: The Blossom, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-chimney-sweeper2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-le-ramoneur-1789.webp?v=77c52d90&r=26.2-16.1-13.1-13.5Songs of Innocence: The Chimney Sweeper, William Blake (1789)Songs of Innocence: The Chimney Sweeper, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-little-boy-lost2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-le-petit-garcon-perdu-1789.webp?v=fa8f18ec&r=27.3-16.3-9.5-12.5Songs of Innocence: Little Boy Lost, William Blake (1789)Songs of Innocence: Little Boy Lost, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-little-boy-found2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-le-petit-garcon-retrouve-1789.webp?v=32eee2ea&r=29.1-17-10.5-15.9Songs of Innocence: The Little Boy Found, William Blake (1789)Songs of Innocence: The Little Boy Found, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-laughing-song2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-chanson-du-rire-1789.webp?v=b45e6e07&r=28.4-18.6-11.4-16.1Songs of Innocence: Laughing Song, William Blake (1789)Songs of Innocence: Laughing Song, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-a-cradle-song2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-chanson-de-berceau-1789.webp?v=dd78da21&r=27.3-17-12.2-14.1Songs of Innocence: A Cradle Song, William Blake (1789)Songs of Innocence: A Cradle Song, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-a-cradle-song-second-plate2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-chanson-de-berceau-seconde-planche-1789.webp?v=c7bf3e75&r=31-17.3-12.5-15.7Songs of Innocence: A Cradle Song (second plate), William Blake (1789)Songs of Innocence: A Cradle Song (second plate), William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-the-divine-image2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-l-image-divine-1789.webp?v=f0df7992&r=26.8-15.5-10.4-12.9Songs of Innocence: The Divine Image, William Blake (1789)Songs of Innocence: The Divine Image, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-holy-thursday2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-jeudi-saint-1789.webp?v=fcbfe8b0&r=25.8-13.8-10.5-12.9Songs of Innocence: Holy Thursday, William Blake (1789)Songs of Innocence: Holy Thursday, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-night2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-la-nuit-1789.webp?v=b4104f03&r=29.6-16.9-12.5-13.8Songs of Innocence: Night, William Blake (1789)Songs of Innocence: Night, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-night-second-plate2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-la-nuit-seconde-planche-1789.webp?v=141b1d4d&r=28-18.8-12.9-15.2Songs of Innocence: Night (second plate), William Blake (1789)Songs of Innocence: Night (second plate), William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-spring2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-le-printemps-1789.webp?v=bfdd538f&r=26-15.3-10.8-15.8Songs of Innocence: Spring, William Blake (1789)Songs of Innocence: Spring, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-spring-second-plate2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-le-printemps-seconde-planche-1789.webp?v=5e8d1fba&r=27-13.5-11.8-18.4Songs of Innocence: Spring (second plate), William Blake (1789)Songs of Innocence: Spring (second plate), William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-nurse-s-song2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-chanson-de-la-nourrice-1789.webp?v=c71a730c&r=25.5-15.2-9.4-13.5Songs of Innocence: Nurse's Song, William Blake (1789)Songs of Innocence: Nurse's Song, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-infant-joy2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-joie-d-enfant-1789.webp?v=b6f984b2&r=29.1-19.2-11.8-17.4Songs of Innocence: Infant Joy, William Blake (1789)Songs of Innocence: Infant Joy, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-innocence-on-anothers-sorrow2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-innocence-sur-la-peine-d-autrui-1789.webp?v=912c35a2&r=28.5-17.3-11.9-14.7Songs of Innocence: On Anothers Sorrow, William Blake (1789)Songs of Innocence: On Anothers Sorrow, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-little-girl-lost2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-la-petite-fille-perdue-1789.webp?v=49730737&r=8.5-6.6-4.4-4.4Songs of Experience: The Little Girl Lost, William Blake (1789)Songs of Experience: The Little Girl Lost, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-little-girl-lost-second-plate-the-little-girl2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-la-petite-fille-perdue-seconde-planche-la-petite-fille-retrouvee-1789.webp?v=3010b969&r=29.9-17.4-10.2-16.2Songs of Experience: The Little Girl Lost (second plate); The Little Girl Found, William Blake (1789)Songs of Experience: The Little Girl Lost (second plate); The Little Girl Found, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-little-girl-found-second-plate2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-la-petite-fille-retrouvee-seconde-planche-1789.webp?v=f692048f&r=30-17.2-10.9-16.4Songs of Experience: The Little Girl Found (second plate), William Blake (1789)Songs of Experience: The Little Girl Found (second plate), William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-school-boy2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-le-petit-ecolier-1789.webp?v=5c23abb7&r=28.7-15.7-10.1-16.7Songs of Experience: The School Boy, William Blake (1789)Songs of Experience: The School Boy, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/songs-of-experience-the-voice-of-the-ancient-bard2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-chants-d-experience-la-voix-du-barde-antique-1789.webp?v=68487f15&r=28.6-20.7-8.8-18.1Songs of Experience: The Voice of the Ancient Bard, William Blake (1789)Songs of Experience: The Voice of the Ancient Bard, William Blake (1789). Relief etching printed in orange-brown ink, hand-colored with watercolor and shell gold. Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/there-is-no-natural-religion-frontispiece-plate-12026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-1-1788.webp?v=1f80f23dThere Is No Natural Religion; Frontispiece, plate 1, William Blake (c. 1788)There Is No Natural Religion; Frontispiece, plate 1, William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/i-mans-perceptions-are-not-bounded-by-organs-of-perception-plate-102026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-10-i-mans-perceptions-are-not-bounded-by-organs-of-perception-1788.webp?v=20f853ccThere Is No Natural Religion, plate 10: I. "Mans perceptions are not bounded by organs of perception...", William Blake (c. 1788)There Is No Natural Religion, plate 10: I. "Mans perceptions are not bounded by organs of perception...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ii-reason-or-the-ratio-of-all-we-have-already-known-plate-112026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-11-ii-reason-or-the-ratio-of-all-we-have-already-known-1788.webp?v=47f52aeeThere Is No Natural Religion, plate 11: II. "Reason or the ratio of all we have already known...", William Blake (c. 1788)There Is No Natural Religion, plate 11: II. "Reason or the ratio of all we have already known...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-argument-man-has-no-notion-of-moral-fitness-plate-22026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-2-l-argument-man-has-no-notion-of-moral-fitness-1788.webp?v=de5f094aThere Is No Natural Religion, plate 2: The Argument. "Man has no notion of moral fitness...", William Blake (c. 1788)There Is No Natural Religion, plate 2: The Argument. "Man has no notion of moral fitness...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/i-man-cannot-naturally-percieve-plate-32026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-3-i-man-cannot-naturally-percieve-1788.webp?v=394d4fa7There Is No Natural Religion, plate 3: I. "Man cannot naturally Percieve...", William Blake (c. 1788)There Is No Natural Religion, plate 3: I. "Man cannot naturally Percieve...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/ii-man-by-his-reasoning-power-can-only-compare-plate-42026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-4-ii-man-by-his-reasoning-power-can-only-compare-1788.webp?v=e811a4b6There Is No Natural Religion, plate 4: II. "Man by his reasoning power can only compare...", William Blake (c. 1788)There Is No Natural Religion, plate 4: II. "Man by his reasoning power can only compare...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/iii-from-a-perception-of-only-3-senses-plate-52026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-5-iii-from-a-perception-of-only-3-senses-1788.webp?v=a5145d1bThere Is No Natural Religion, plate 5: III. "From a perception of only 3 senses...", William Blake (c. 1788)There Is No Natural Religion, plate 5: III. "From a perception of only 3 senses...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/iv-none-could-have-other-than-natural-or-organic-thoughts-plate-62026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-6-iv-none-could-have-other-than-natural-or-organic-thoughts-1788.webp?v=2f17c65dThere Is No Natural Religion, plate 6: IV. "None could have other than natural or organic thoughts...", William Blake (c. 1788)There Is No Natural Religion, plate 6: IV. "None could have other than natural or organic thoughts...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/v-mans-desires-are-limited-by-his-perceptions-plate-72026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-7-v-mans-desires-are-limited-by-his-perceptions-1788.webp?v=24ca4cb2There Is No Natural Religion, plate 7: V. "Mans desires are limited by his perceptions...", William Blake (c. 1788)There Is No Natural Religion, plate 7: V. "Mans desires are limited by his perceptions...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/vi-the-desires-perceptions-of-man-untaught-plate-82026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-8-vi-the-desires-perceptions-of-man-untaught-1788.webp?v=35501c26There Is No Natural Religion, plate 8: VI. "The desires & perceptions of man untaught...", William Blake (c. 1788)There Is No Natural Religion, plate 8: VI. "The desires & perceptions of man untaught...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/therefore-god-becomes-as-we-are-plate-92026-10-11https://useum.art/artistes/william-blake/grand/william-blake-il-n-y-a-pas-de-religion-naturelle-planche-9-therefore-god-becomes-as-we-are-1788.webp?v=83f32a66There Is No Natural Religion, plate 9: "Therefore God becomes as we are...", William Blake (c. 1788)There Is No Natural Religion, plate 9: "Therefore God becomes as we are...", William Blake (c. 1788). Color-printed relief etching with watercolor and pen. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/tiriel-supporting-the-dying-myratana-and-cursing-his-sons2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-tiriel-soutenant-myratana-mourante-et-maudissant-ses-fils-1786.webp?v=1876d90dTiriel Supporting the Dying Myratana and Cursing His Sons, William Blake (1786–1789)Tiriel Supporting the Dying Myratana and Cursing His Sons, William Blake (1786–1789). Gray wash, watercolor and pen and ink. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/satan-approaching-the-court-of-chaos2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-satan-s-approchant-de-la-cour-du-chaos-1784.webp?v=66be22c3Satan Approaching the Court of Chaos, William Blake (1784–1785)Satan Approaching the Court of Chaos, William Blake (1784–1785). Gray wash, pen and ink over graphite. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-witch-of-endor-raising-the-spirit-of-samuel2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-sorciere-d-endor-evoquant-l-esprit-de-samuel-1783.webp?v=3050929b&r=5-6-8-12.5The Witch of Endor Raising the Spirit of Samuel, William Blake (1783)The Witch of Endor Raising the Spirit of Samuel, William Blake (1783). Collection: New York Public Library. Public domain. https://useum.art/en/william-blake/the-last-trumpet-recto-two-studies-of-a-right-eye-a-profile-of-an2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-la-derniere-trompette-recto-deux-etudes-d-un-oeil-droit-un-profil-de-jeune-homme-la-bouche-ouverte-une-tete-d-aigle-et-une-tete-de-lion-verso-1780.webp?v=ba73aa72The Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso), William Blake (1780–1785)The Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso), William Blake (1780–1785). Pen, ink and gray washes over graphite; black chalk (verso). Collection: Metropolitan Museum of Art. Public domain. https://useum.art/en/william-blake/a-warring-angel-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-un-ange-guerrier-recto-1780.webp?v=26af892eA Warring Angel [recto], William Blake (c. 1780)A Warring Angel [recto], William Blake (c. 1780). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/moses-staying-the-plague-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-moise-arretant-la-peste-recto-1780.webp?v=ab0e3814Moses Staying the Plague (?) [recto], William Blake (c. 1780–1785)Moses Staying the Plague (?) [recto], William Blake (c. 1780–1785). Pen and ink with wash. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/and-saul-said-unto-david-go-and-the-lord-be-with-thee-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-and-saul-said-unto-david-go-and-the-lord-be-with-thee-recto-1780.webp?v=53243f67"And Saul Said unto David, Go, and the Lord be with Thee" [recto], William Blake (c. 1780–1785)"And Saul Said unto David, Go, and the Lord be with Thee" [recto], William Blake (c. 1780–1785). Pen and ink with wash. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/group-of-men-seated-in-a-circle-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-groupe-d-hommes-assis-en-cercle-recto-1780.webp?v=b753d112Group of Men Seated in a Circle [recto], William Blake (c. 1780–1785)Group of Men Seated in a Circle [recto], William Blake (c. 1780–1785). Pen and ink with wash. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/sketch-of-a-swordsman-standing-over-his-defeated-opponent-recto2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-esquisse-d-un-bretteur-debout-au-dessus-de-son-adversaire-vaincu-recto-1780.webp?v=c02504d5Sketch of a Swordsman Standing Over His Defeated Opponent [recto], William Blake (c. 1780–1785)Sketch of a Swordsman Standing Over His Defeated Opponent [recto], William Blake (c. 1780–1785). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/sketch-of-a-swordsman-standing-over-his-defeated-opponent-verso2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-esquisse-d-un-bretteur-debout-au-dessus-de-son-adversaire-vaincu-verso-1780.webp?v=fc5644e8Sketch of a Swordsman Standing Over His Defeated Opponent [verso], William Blake (c. 1780–1785)Sketch of a Swordsman Standing Over His Defeated Opponent [verso], William Blake (c. 1780–1785). Graphite. Collection: National Gallery of Art. Public domain. https://useum.art/en/william-blake/moses-receiving-the-law2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-moise-recevant-la-loi-1780.webp?v=65d77080Moses Receiving the Law, William Blake (c. 1780)Moses Receiving the Law, William Blake (c. 1780). Pen and ink with wash. Collection: Yale Center for British Art. Public domain. https://useum.art/en/william-blake/the-belvedere-torso-verso2026-10-11https://useum.art/artistes/william-blake/grand/william-blake-le-torse-du-belvedere-verso-1779.webp?v=38e52b0bThe Belvedere Torso [verso], William Blake (c. 1779–1780)The Belvedere Torso [verso], William Blake (c. 1779–1780). Graphite. Collection: National Gallery of Art. Public domain.