Francisco de Goya

239 obras conservadas em 23 museus

Spanish painter and printmaker, 1746-1828

The Milkmaid of Bordeaux, Francisco de Goya

The Milkmaid of Bordeaux, c. 1827.

La Laitière de Bordeaux (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Museu do Prado, Espanha

Bullfight in a divided ring, from the 'Bulls of Bordeaux', Francisco de Goya

Bullfight in a divided ring, from the 'Bulls of Bordeaux', 1825.

Bullfight in a divided ring, from the 'Bulls of Bordeaux' (título do museu)

Francisco de Goya (Espanhol), litografia

Metropolitan Museum of Art, Estados Unidos

Fight with Cudgels, Francisco de Goya

Fight with Cudgels, 1820–1823.

Duel au gourdin (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Saturn Devouring His Son, Francisco de Goya

Saturn Devouring His Son, 1819.

Saturne dévorant un de ses enfants (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Two Old Men Eating Soup, Francisco de Goya

Two Old Men Eating Soup, 1819.

Deux vieillards mangeant de la soupe (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Two Old Men, Francisco de Goya

Two Old Men, 1819.

Deux Vieux (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country, Francisco de Goya

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816.

Plate 1 from "La Tauromaquia": The way in which the ancient… (título do museu)

Francisco de Goya (Espanhol), água-forte, água-tinta, ponta-seca

Metropolitan Museum of Art, Estados Unidos

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza, Francisco de Goya

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza, 1816.

Plate 18 of "La 'Tauromaquia": The daring of Martincho in… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, drypoint

Metropolitan Museum of Art, Estados Unidos

Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull, Francisco de Goya

Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull, 1816.

Plate 30 from "La Tauromaquia": Pedro Romero killing the… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, burin

Metropolitan Museum of Art, Estados Unidos

Portrait of Don Fr. Miguel Fernandez y Flores, Francisco de Goya

Portrait of Don Fr. Miguel Fernandez y Flores, 1815.

Frère Miguel Fernández Flores (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Worcester Art Museum, Estados Unidos

Portrait of Juan Bautista de Muguiro, Francisco de Goya

Portrait of Juan Bautista de Muguiro, 1827.

Portrait de Juan Bautista Muguiro (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Museu do Prado, Espanha

Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux', Francisco de Goya

Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux', 1825.

Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux' (título do museu)

Francisco de Goya (Espanhol), crayon lithograph, scraper

Metropolitan Museum of Art, Estados Unidos

Self-portrait with Dr Arrieta, Francisco de Goya

Self-portrait with Dr Arrieta, 1820.

Goya et son médecin (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Minneapolis Institute of Art, Estados Unidos

The Dog, Francisco de Goya

The Dog, 1819.

Le Chien (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

La Leocadia, Francisco de Goya

La Leocadia, 1819.

Une manola : Léocadie Zorrilla (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Portrait of Don Juan Antonio Cuervo, Francisco de Goya

Portrait of Don Juan Antonio Cuervo, 1819.

Portrait of Don Juan Antonio Cuervo (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Cleveland Museum of Art, Estados Unidos

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, Francisco de Goya

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, 1816.

Plate 3 from " La Tauromaquia": The Moors settled in Spain… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, Estados Unidos

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid, Francisco de Goya

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid, 1816.

Plate 20 from "La Tauromaquia": The agility and audacity of… (título do museu)

Francisco de Goya (Espanhol), água-forte, água-tinta

Metropolitan Museum of Art, Estados Unidos

Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull, Francisco de Goya

Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull, 1816.

Plate 32 from "La Tauromaquia": Two teams of picadors… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, Estados Unidos

Disorderly Folly, from "The Disparates" (Follies / Irrationalities), Francisco de Goya

Disorderly Folly, from "The Disparates" (Follies / Irrationalities), c. 1815–1819.

Disorderly Folly, from "The Disparates" (Follies /… (título do museu)

Francisco de Goya (Espanhol), água-forte, água-tinta, ponta-seca

Metropolitan Museum of Art, Estados Unidos

Portrait of Mariano Goya, the Artist’s Grandson, Francisco de Goya

Portrait of Mariano Goya, the Artist’s Grandson, 1827.

Portrait de Mariano Goya, petit-fils de l'artiste (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Meadows Museum, Estados Unidos

Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), Francisco de Goya

Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), 1824–1827.

Mendigos que se llevan solos en Bordeaux (Beggars Who Get… (título do museu)

Francisco de Goya (Espanhol), black chalk on greenish laid paper

National Gallery of Art, Estados Unidos

A Pilgrimage to San Isidro, Francisco de Goya

A Pilgrimage to San Isidro, 1820–1823.

Le Pèlerinage à l’ermitage de San Isidro (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Atropos, Francisco de Goya

Atropos, 1819.

Les Parques (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Men Reading, Francisco de Goya

Men Reading, 1819.

Hommes lisant (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D), Francisco de Goya

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D), c. 1819–1823.

'Nightmare'; an old woman carrying figures on her back… (título do museu)

Francisco de Goya (Espanhol), brush, black and gray ink and wash, touches of black chalk, on laid paper

Metropolitan Museum of Art, Estados Unidos

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules, Francisco de Goya

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules, 1816.

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, drypoint

Metropolitan Museum of Art, Estados Unidos

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Francisco de Goya

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, 1816.

Plate 21 from "La Tauromaquia": Dreadful events in the… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, wash, drypoint, burin

Metropolitan Museum of Art, Estados Unidos

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid, Francisco de Goya

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid, 1816.

Plate 33 from "La Tauromaquia": The unlucky death of Pepe… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, Estados Unidos

Feminine Folly, from "The Disparates" (Follies / Irrationalities), Francisco de Goya

Feminine Folly, from "The Disparates" (Follies / Irrationalities), c. 1815–1819.

Feminine Folly, from "The Disparates" (Follies /… (título do museu)

Francisco de Goya (Espanhol), água-forte, água-tinta, ponta-seca

Metropolitan Museum of Art, Estados Unidos

A picador caught by a bull, from the "Bulls of Bordeaux", Francisco de Goya

A picador caught by a bull, from the "Bulls of Bordeaux", 1825.

A picador caught by a bull, from the "Bulls of Bordeaux" (título do museu)

Francisco de Goya (Espanhol), crayon lithograph, scraper

Metropolitan Museum of Art, Estados Unidos

Portrait of Don Ramón Satué, Francisco de Goya

Portrait of Don Ramón Satué, 1823.

Portrait de Don Ramón Satué (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Rijksmuseum, Países Baixos

El tío Paquete, Francisco de Goya

El tío Paquete, c. 1820.

Le Tío Paquete (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Museu Thyssen-Bornemisza, Espanha

Judith and Holofernes, Francisco de Goya

Judith and Holofernes, 1819.

Judith et Holopherne (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Pilgrimage to the Fountain of San Isidro, Francisco de Goya

Pilgrimage to the Fountain of San Isidro, 1819.

Procession du Saint-Office (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Nothing is Known of This; two figures picking up a body in front of a church, a monk singing next to them and another in the background; page 7 from the "Witches and Old Women" Album (D), Francisco de Goya

Nothing is Known of This; two figures picking up a body in front of a church, a monk singing next to them and another in the background; page 7 from the "Witches and Old Women" Album (D), c. 1819–1823.

Nothing is Known of This; two figures picking up a body in… (título do museu)

Francisco de Goya (Espanhol), brush, black and gray ink and wash, scraper

Metropolitan Museum of Art, Estados Unidos

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid, Francisco de Goya

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid, 1816.

Plate 10 from "La Tauromaquia": Charles V spearing a bull… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, Estados Unidos

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse, Francisco de Goya

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse, 1816.

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint

Metropolitan Museum of Art, Estados Unidos

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E), Francisco de Goya

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E), c. 1816–1820.

You'll See Later; a man drinking, a woman trying to stop… (título do museu)

Francisco de Goya (Espanhol), brush, black and gray ink and wash, scraper

Metropolitan Museum of Art, Estados Unidos

Dancing Giant, from "The Disparates" (Follies / Irrationalities), Francisco de Goya

Dancing Giant, from "The Disparates" (Follies / Irrationalities), c. 1815–1819.

Dancing Giant, from "The Disparates" (Follies /… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, drypoint

Metropolitan Museum of Art, Estados Unidos

Spanish Entertainment from the 'Bulls of Bordeaux', Francisco de Goya

Spanish Entertainment from the 'Bulls of Bordeaux', 1825.

Spanish Entertainment from the 'Bulls of Bordeaux' (título do museu)

Francisco de Goya (Espanhol), litografia

Metropolitan Museum of Art, Estados Unidos

Witches' Sabbath, Francisco de Goya

Witches' Sabbath, 1820–1823.

Le Sabbat des sorcières (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Francisco de Goya

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, 1820.

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Metropolitan Museum of Art, Estados Unidos

Asmodea, Francisco de Goya

Asmodea, 1819.

Vision fantastique (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Man Mocked by Two Women, Francisco de Goya

Man Mocked by Two Women, 1819.

Femmes riant (título do museu)

Francisco de Goya (Espanhol), oil on plaster, transferred to canvas

Museu do Prado, Espanha

Seated Giant, Francisco de Goya

Seated Giant, antes de 1818.

Seated Giant (título do museu)

Francisco de Goya (Espanhol), burnished aquatint, scraper, roulette, wash

Metropolitan Museum of Art, Estados Unidos

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body, Francisco de Goya

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body, 1816.

Plate 15 from "La Tauromaquia": The famous Martincho places… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, drypoint, burin

Metropolitan Museum of Art, Estados Unidos

Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, Francisco de Goya

Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, 1816.

Plate 28 of "La Tauromaquia": The forceful Rendon stabs a… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint, burin

Metropolitan Museum of Art, Estados Unidos

Self-Portrait, Francisco de Goya

Self-Portrait, 1815.

Autoportrait (título do museu)

Francisco de Goya (Espanhol), óleo sobre tela

Museu do Prado, Espanha

Cruel Folly, from "The Disparates" (Follies / Irrationalities), Francisco de Goya

Cruel Folly, from "The Disparates" (Follies / Irrationalities), c. 1815–1819.

Cruel Folly, from "The Disparates" (Follies /… (título do museu)

Francisco de Goya (Espanhol), etching, burnished aquatint

Metropolitan Museum of Art, Estados Unidos

Works by Francisco de Goya (1746-1828), in the public domain: paintings, drawings and the great print series published online by the museums that hold them, each linked to its museum record. The photographs come from the museum itself when it publishes them under an open licence, otherwise from Wikimedia Commons, in the public domain or under a Creative Commons licence with the photographer's name. Only works that the museum attributes to Goya himself are included, without 'workshop of', 'after' or 'attributed to'. For prints, a single impression of each plate is shown.