Useum

Caricature

640 works by 4 artists

640 works of the Caricature movement by 4 artists, from the 18th to the 19th century, held in 11 museums.

John Bull at the Italian Opera, Thomas Rowlandson

John Bull at the Italian Opera, 1811.

Thomas Rowlandson (British), hand-colored etching

Metropolitan Museum of Art, United States

A Barber's Shop in Assize Time, James Gillray

A Barber's Shop in Assize Time, 1811–1818.

Een kapperszaak (museum title)

James Gillray (British), hand-colored etching

Rijksmuseum, Netherlands

Pacot.-- Te vois bien, Glaude, un suppose que t'serais caporal d'ordinaire, ou general, n'importe quoi?/ que si t'serais bete, on t'metaphoiserait avec une tete d'cornichon qu' a des figures comme ca?...., Grandville

Pacot.-- Te vois bien, Glaude, un suppose que t'serais caporal d'ordinaire, ou general, n'importe quoi?/ que si t'serais bete, on t'metaphoiserait avec une tete d'cornichon qu' a des figures comme ca?...., 1854.

Pacot.-- Te vois bien, Glaude, un suppose que t'serais… (museum title)

Grandville (French), hand-colored lithograph

Minneapolis Institute of Art, United States

The Distrest Poet, William Hogarth

The Distrest Poet, 1740.

William Hogarth (British), etching, engraving

Yale Center for British Art, United States

Mr. Bullock's Exhibition of Laplanders, Thomas Rowlandson

Mr. Bullock's Exhibition of Laplanders, 1822.

Thomas Rowlandson (British), hand-colored etching and aquatint

Metropolitan Museum of Art, United States

A Squall, James Gillray

A Squall, 1810.

James Gillray (British), hand-colored etching

Art Institute of Chicago, United States

Narcissus, Grandville

Narcissus, 1847.

Narcisse (museum title)

Grandville (French), hand-colored steel engraving

Getty Research Institute, United States

Simon Lord Lovat, William Hogarth

Simon Lord Lovat, 1746.

William Hogarth (British), etching, engraving

Metropolitan Museum of Art, United States

The Visit of Doctor Syntax to the Widow Hopefull [sic] at York, Thomas Rowlandson

The Visit of Doctor Syntax to the Widow Hopefull [sic] at York, 1820.

Thomas Rowlandson (British), hand-colored etching and aquatint

Minneapolis Institute of Art, United States

La Walse, James Gillray

La Walse, 1810.

James Gillray (British), hand-colored etching

Minneapolis Institute of Art, United States

The Stays, plate one from Progress of the Toilet, James Gillray

The Stays, plate one from Progress of the Toilet, 1810.

James Gillray (British), hand-colored etching

Art Institute of Chicago, United States

Vo regardez Miledy, Grandville

Vo regardez Miledy, 1854.

Vo regardez Miledy, from Les Metamorphoses du Jour (museum title)

Grandville (French), hand-colored lithograph

Minneapolis Institute of Art, United States

The Four Times of Day: Morning, William Hogarth

The Four Times of Day: Morning, 1738.

William Hogarth (British), engraving

Cleveland Museum of Art, United States

An Artist's Studio, Thomas Rowlandson

An Artist's Studio, 1814.

Thomas Rowlandson (British), pen, ink and watercolour

Yale Center for British Art, United States

Les Invisibles, James Gillray

Les Invisibles, 1810.

James Gillray (British), hand-colored etching

Minneapolis Institute of Art, United States

Rose, Grandville

Rose, 1847.

Grandville (French), hand-colored steel engraving

Getty Research Institute, United States

Miss Wood, William Hogarth

Miss Wood, c. 1730.

William Hogarth (British), oil on canvas

Yale Center for British Art, United States

Doctor Syntax loses his Money on the Race Ground at York, Thomas Rowlandson

Doctor Syntax loses his Money on the Race Ground at York, 1820.

Thomas Rowlandson (British), pen, ink and watercolour

Yale Center for British Art, United States

Tendanda via est qua me quoque possim tollere humo–Virgil, Geor:, James Gillray

Tendanda via est qua me quoque possim tollere humo–Virgil, Geor:, 1810.

James Gillray (British), hand-colored etching

Metropolitan Museum of Art, United States

Carnation, Grandville

Carnation, 1847.

Œillet (museum title)

Grandville (French), hand-colored steel engraving

Getty Research Institute, United States

The April fish, Grandville

The April fish, 1844.

Les poissons d'avril (museum title)

Grandville (French), handcolored woodcut

Getty Research Institute, United States

Self-Portrait, William Hogarth

Self-Portrait, c. 1735.

William Hogarth (British), oil on canvas

Yale Center for British Art, United States

Doctor Convex and Lady Concave, Thomas Rowlandson

Doctor Convex and Lady Concave, 1802.

Thomas Rowlandson (British), hand-colored etching

Metropolitan Museum of Art, United States

The Graces In a High Wind.-- a Scene taken from Nature, in Kensington Gardens, James Gillray

The Graces In a High Wind.-- a Scene taken from Nature, in Kensington Gardens, 1810.

James Gillray (British), hand-colored etching

Minneapolis Institute of Art, United States

Tulip, Grandville

Tulip, 1847.

Tulipe (museum title)

Grandville (French), hand-colored steel engraving

Getty Research Institute, United States

John and Elizabeth Jeffreys and Their Children, William Hogarth

John and Elizabeth Jeffreys and Their Children, 1730.

William Hogarth (British), oil on canvas

Yale Center for British Art, United States

A Ball at Scarborough, Thomas Rowlandson

A Ball at Scarborough, c. 1820.

Thomas Rowlandson (British), pen, ink and watercolour

Yale Center for British Art, United States

He Steers His Flight, James Gillray

He Steers His Flight, 1810.

James Gillray (British), hand-colored etching

Art Institute of Chicago, United States

Four o'clock flower, Grandville

Four o'clock flower, 1847.

Belle-de-nuit (museum title)

Grandville (French), hand-colored steel engraving

Getty Research Institute, United States

Hogarth Painting the Comic Muse, William Hogarth

Hogarth Painting the Comic Muse, 1764.

William Hogarth (British), etching, engraving

Yale Center for British Art, United States

The Bruiser, William Hogarth

The Bruiser, 1763.

William Hogarth (British), etching, engraving

Yale Center for British Art, United States

Madame Very Restaurateur, Palais Royal Paris, Thomas Rowlandson

Madame Very Restaurateur, Palais Royal Paris, 1814.

Thomas Rowlandson (British), hand-colored etching

National Gallery of Art, United States

Dress Completed, plate three of Progress of the Toilet, James Gillray

Dress Completed, plate three of Progress of the Toilet, 1810.

James Gillray (British), hand-colored etching

Art Institute of Chicago, United States

Pansy, Grandville

Pansy, 1847.

Pensée (museum title)

Grandville (French), hand-colored steel engraving

Getty Research Institute, United States

John Palmer, Barrister of the Inner Temple, William Hogarth

John Palmer, Barrister of the Inner Temple, 1749.

William Hogarth (British), oil on canvas

Yale Center for British Art, United States

Dr Syntax & Dairymaid, Thomas Rowlandson

Dr Syntax & Dairymaid, 1821.

Thomas Rowlandson (British), pen, ink and watercolour

Yale Center for British Art, United States

The Dandy, James Gillray

The Dandy, 1810.

James Gillray (British), hand-colored etching

Art Institute of Chicago, United States

Honeysuckle, Grandville

Honeysuckle, 1847.

Chèvrefeuille (museum title)

Grandville (French), hand-colored steel engraving

Getty Research Institute, United States

A Harlot's Progress: pl.6, William Hogarth

A Harlot's Progress: pl.6, 1732.

William Hogarth (British), etching, engraving

National Gallery of Art, United States

Dr. Syntax and the Gypsies, Thomas Rowlandson

Dr. Syntax and the Gypsies, 1820.

Thomas Rowlandson (British), hand-colored etching and aquatint

Rijksmuseum, Netherlands

Dr. Syntax and his Counterpart, Thomas Rowlandson

Dr. Syntax and his Counterpart, 1820.

Thomas Rowlandson (British), hand-colored etching and aquatint

Yale Center for British Art, United States

The Wig, plate two from Progress of the Toilet, James Gillray

The Wig, plate two from Progress of the Toilet, 1810.

James Gillray (British), hand-colored etching

Art Institute of Chicago, United States

Lily, Grandville

Lily, 1847.

Lis (museum title)

Grandville (French), hand-colored steel engraving

Getty Research Institute, United States

The Sleeping Congregation, William Hogarth

The Sleeping Congregation, 1728.

William Hogarth (British), oil on canvas

Minneapolis Institute of Art, United States

Dr. Syntax Visits a Boarding School for Young Ladies, Thomas Rowlandson

Dr. Syntax Visits a Boarding School for Young Ladies, 1821.

Thomas Rowlandson (British), pen, ink and watercolour

Yale Center for British Art, United States

A Calm, James Gillray

A Calm, 1810.

James Gillray (British), hand-colored etching

Art Institute of Chicago, United States

Camellia, Grandville

Camellia, 1847.

Camélia (museum title)

Grandville (French), hand-colored steel engraving

Getty Research Institute, United States

The Beggar's Opera, William Hogarth

The Beggar's Opera, 1729.

William Hogarth (British), oil on canvas

Yale Center for British Art, United States

Doctor Syntax setting out on his second Tour, Thomas Rowlandson

Doctor Syntax setting out on his second Tour, 1820.

Thomas Rowlandson (British), hand-colored etching and aquatint

Rijksmuseum, Netherlands

A Little Music; or, The Delights of Harmony, James Gillray

A Little Music; or, The Delights of Harmony, 1810.

James Gillray (British), hand-colored etching

Minneapolis Institute of Art, United States