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Jerusalém, prancha 47: « From Camberwell to Highgate where the mighty Thames shudders along... », William Blake

Jerusalém, prancha 47: « From Camberwell to Highgate where the mighty Thames shudders along... »

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47) (título do museu)

William Blake (Britânico) (1757-1827)

Movimento
Romantismo
Data
1804–1820
Técnica
Água-forte em relevo, aquarela e pena
Dimensões
21,2 × 16,2 cm
Coleção
Yale Center for British Art, Estados Unidos
Direitos
Domínio público
Fotografia
Yale Center for British Art, CC0

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← Todas as obras de William Blake

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Outras obras de William Blake

Jerusalém, prancha 48: « These were his last words, and the merciful Saviour in his arms... »
Jerusalém, prancha 48: « These were his last words, and the merciful Saviour in his arms... »
Jerusalém, prancha 49: « The secret coverts of Albion & the hidden places of America... »
Jerusalém, prancha 49: « The secret coverts of Albion & the hidden places of America... »
Jerusalém, prancha 5: « The banks of the Thames are clouded... »
Jerusalém, prancha 5: « The banks of the Thames are clouded... »
Jerusalém, prancha 50: « The Atlantic Mountains where Giants dwelt... »; vinheta final do capítulo 2
Jerusalém, prancha 50: « The Atlantic Mountains where Giants dwelt... »; vinheta final do capítulo 2
Jerusalém, prancha 51: frontispício do capítulo 3
Jerusalém, prancha 51: frontispício do capítulo 3
Jerusalém, prancha 52: « To the Deists. He never can be a Friend to the Human Race... »
Jerusalém, prancha 52: « To the Deists. He never can be a Friend to the Human Race... »
Jerusalém, prancha 53: « Jerusalem, Chapter 3. But Los, who is the Vehicular Form... »
Jerusalém, prancha 53: « Jerusalem, Chapter 3. But Los, who is the Vehicular Form... »
Jerusalém, prancha 54: « In Great Eternity every particular Form... »
Jerusalém, prancha 54: « In Great Eternity every particular Form... »